full border in colours and gold, at the beginning of the text (f. 1). Initials in blue with red pen-flourishing. Paraphs in red or blue. Some catchwords in decorated frames. Commentary on Wisdom John of Lutton, written by him: his
full border in colours and gold, at the beginning of the text (f. 1). Initials in blue with red pen-flourishing. Paraphs in red or blue. Some catchwords in decorated frames. Commentary on Wisdom John of Lutton, written by him: his
repainted miniature of Jean, duke of Berry receiving the book from the author, Honoré Bouvet, in a prior's habit with a blue hood, with a full border with Jean's arms, and a foliate initial 'A'( la sainte), at the beginning
of angels, medallions inhabited with saints, and ‘drôlerie’ of a Franciscan monk, dressed in the Order’s original grey hooded habit, climbing amongst the foliage. Italian cuttings. The present cuttings are boxed with Add. 60630, ff. 1-10 and 13- 42. To
choir of angels, medallions inhabited with saints, and ‘drôlerie’ of a Franciscan monk, dressed in the Order’s original grey hooded habit, climbing amongst the foliage. On the reverse text: 'Virgam virtutis tue e / mittet d(omi)n(u)s ex Syo(n): do /
'Anno domini MCCCCxx' (1420). Twenty full bar borders in blue and violet, some with floral clusters (for a detailed description see Hanna 2002, p. 128-129). Three to five-line champ initials. Two-line blue initials with red penwork flourishing. Rubrics and marginalia
49). Probably an Augustinian canon at Haughmond Abbey. In red: scribal numbering; titles; colophons; brackets; paraphs. Two-line red initials. Three-line blue initials with red penwork flourishing. Drawing of the Holy Face on the Vernicle. Nine lines deep over one column
appearance. Body height: 2mm. Latin quotations in red. Two-line blue initials with red penwork flourishing begin new paragraphs. F. 12v: five-line gold champ init ial A on a quartered rose and blue ground with white line decoration and sprays of
red preceded by blue paraph marks. Alternately blue on red and red on b lue. Recto folios - oxidised red paraphs suggesting the use of a different base. One-line blue initials with red penwork and red with blue before stanzas.
and blue background. No other decoration excep t for two-line Lombardic capitals in blue with red penwork decoration to indicate the beginning of each section. Initial letters of each line are tinted in yellow. Other Litterae Notabiliores written in blue
super Codice, ed. 1493. Initials alternately in red and green, blue being used for the few initials omitted by the original hand. There are two elaborate initials in red, blue and green, with foliage and zoomorphic ornament and a small
columns normally of 35 lines, for the last three gatherings normally of 41 lines; flourished initials, coloured in red and blue. Source Microfilm Collection British Literary Manuscripts from the British Library, London; Series III: Medieval Age: c.1150-1500 Reel# Gale Document
36 to 42 lines to a page. Beginning of the xvth cent. Headings in red, and initials in red and blue; a few initials in gold with slight ornamentation. On the margins are the following names (? of former owners):—Charles
are: Vellum; ff. ii. + 213. Middle of the xv. cent. Eight illuminated initials cut out; others in red and blue. Owners' names occur as follows; "Liber magistri Roberti Elphisten" and "Liber ... pertinet Roberti Elphinstone rectoris de Kyncarin (?)"
19-22 (usually 19) lines to a page. Gatherings of 8 leaves, with catchwords. Headings in red, initials in red and blue, the larger ones flourished. Marginal scribbles. 16th cent., on f. 2. Purchased with the help of contributions collected by