• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• Detail of a miniature of, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• Blue initial 'S'(oror) with red penwork decoration at the beginning of the first tragedy, 'Hercules Furens' ('The Madness of Hercules')., Tragoediae (index Tragedies)

crenellated building (f. 148v). 1 large initial in blue with red penwork decoration (f. 1). 9 large blue initials (f. 22v, 53, 76, 95v, 117, 136v, 156, 175, 213). Smaller alternating blue or red initials. Rubrics, incipits, explicits, and protagonists'

• White vine initial 'C'(um)., Tusculanae Quaestiones (ff. 1-78); Paradoxa stoicorum (ff. 78-85)

46). Large initials in silver, gold, green, blue or red (ff. 2, 23v, 33, 47v, 80, 80v, 81v, 82v, 83v). Smaller initials in blue or red (ff. 4, 78v). Capitals in red or blue identify the speakers in the dialogues.

• White vine initial 'A'(anima)., Tusculanae Quaestiones (ff. 1-78); Paradoxa stoicorum (ff. 78-85)

46). Large initials in silver, gold, green, blue or red (ff. 2, 23v, 33, 47v, 80, 80v, 81v, 82v, 83v). Smaller initials in blue or red (ff. 4, 78v). Capitals in red or blue identify the speakers in the dialogues.

• Detail of white vine initial 'C'(um)., Tusculanae Quaestiones (ff. 1-78); Paradoxa stoicorum (ff. 78-85)

46). Large initials in silver, gold, green, blue or red (ff. 2, 23v, 33, 47v, 80, 80v, 81v, 82v, 83v). Smaller initials in blue or red (ff. 4, 78v). Capitals in red or blue identify the speakers in the dialogues.

• Detail of white vine initial 'A'(nima)., Tusculanae Quaestiones (ff. 1-78); Paradoxa stoicorum (ff. 78-85)

46). Large initials in silver, gold, green, blue or red (ff. 2, 23v, 33, 47v, 80, 80v, 81v, 82v, 83v). Smaller initials in blue or red (ff. 4, 78v). Capitals in red or blue identify the speakers in the dialogues.

• Detail of white vine initial 'Q' with the tail of the letter in the form of a bird., Tusculanae Quaestiones (ff. 1-78); Paradoxa stoicorum (ff. 78-85)

46). Large initials in silver, gold, green, blue or red (ff. 2, 23v, 33, 47v, 80, 80v, 81v, 82v, 83v). Smaller initials in blue or red (ff. 4, 78v). Capitals in red or blue identify the speakers in the dialogues.

• Miniature of tents of the twelve tribes of Israel, with a full border and a foliate initial 'L'(iber), at the beginning of Matthew., Bible historiale complétée (Proverbs - Revelation)

at the beginning of each book. Initials in gold on blue and rose grounds with penwork decoration in white, at the beginning of Paul's letters. Initials in red or blue throughout the text. Bible historiale complétée (Proverbs - Revelation) The

• Detail of a miniature of Gomer in bed, with a nurse holding Jezreel, and Hosea is kissing Gomer., Bible historiale complétée (Proverbs - Revelation)

at the beginning of each book. Initials in gold on blue and rose grounds with penwork decoration in white, at the beginning of Paul's letters. Initials in red or blue throughout the text. Bible historiale complétée (Proverbs - Revelation) The

• Detail of a miniature of the landing of William the Conqueror., Chronicle

partial borders, at the beginning of each book. Initials and paraphs in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue, rose, and gold with penwork decoration in white. Chronicle Jean of Valois, (b. 1340,

• Miniature of John in Patmos, with the seven-horned dragon rising from the sea, and a foliate initial 'L'(ors)., Bible historiale complétée (Proverbs - Revelation)

at the beginning of each book. Initials in gold on blue and rose grounds with penwork decoration in white, at the beginning of Paul's letters. Initials in red or blue throughout the text. Bible historiale complétée (Proverbs - Revelation) The

• Decorated initial 'D'(ilexi), at the beginning of the Office and Mass of the Dead., Office and Mass of the Dead (vol. 1)

13). Large and smaller initials in blue, with reserved designs, with red foliate pen-flourishing and green wash. Smaller initials in brown ink with foliate pen-flourishing in brown ink. Small initials in plain red or blue. Office and Mass of the