• Detail of white vine initial 'A'(nima)., Tusculanae Quaestiones (ff. 1-78); Paradoxa stoicorum (ff. 78-85)

46). Large initials in silver, gold, green, blue or red (ff. 2, 23v, 33, 47v, 80, 80v, 81v, 82v, 83v). Smaller initials in blue or red (ff. 4, 78v). Capitals in red or blue identify the speakers in the dialogues.

• Detail of white vine initial 'Q' with the tail of the letter in the form of a bird., Tusculanae Quaestiones (ff. 1-78); Paradoxa stoicorum (ff. 78-85)

46). Large initials in silver, gold, green, blue or red (ff. 2, 23v, 33, 47v, 80, 80v, 81v, 82v, 83v). Smaller initials in blue or red (ff. 4, 78v). Capitals in red or blue identify the speakers in the dialogues.

• Flourished initial 'I'(uri), in Bartolus de Saxoferrato's In primam partem digesti veteris., In primam partem digesti veteris

pen-flourishing or in blue with red pen-flourishing, some with reserved designs. Decorated catch-words. A large space precedes the text, perhaps intended for a miniature (f. 3). Ff. 243v-265v: Large and small initials in plain red or blue, some with penwork

• Battle scene and illuminated initial 'L'(e), at the beginning of 'Cest la bataille faite a la blanche tache', in Jean Froissart's Chroniques d'Angleterre., Les Chroniques d'Angleterre (3 vols)

initials in gold on red and blue grounds. Cadels. Vol. III: 7 miniatures have been cut out (ff. 50, 88v, 134v, 185, 232, 272v, 290v). Smaller and small initials in gold on red and blue grounds. Cadels. Les Chroniques d'Angleterre

• Battle scene, at the beginning of 'Comment le captal de beuth fut pris a la bataille de subize...', in Jean Froissart's Chroniques d'Angleterre., Les Chroniques d'Angleterre (3 vols)

initials in gold on red and blue grounds. Cadels. Vol. III: 7 miniatures have been cut out (ff. 50, 88v, 134v, 185, 232, 272v, 290v). Smaller and small initials in gold on red and blue grounds. Cadels. Les Chroniques d'Angleterre

• Battle scene and illuminated initial 'L'(e), at the beginning of 'Cest la bataille faite a la blanche tache', in Jean Froissart's Chroniques d'Angleterre., Les Chroniques d'Angleterre (3 vols)

initials in gold on red and blue grounds. Cadels. Vol. III: 7 miniatures have been cut out (ff. 50, 88v, 134v, 185, 232, 272v, 290v). Smaller and small initials in gold on red and blue grounds. Cadels. Les Chroniques d'Angleterre

• Battle scene, at the beginning of 'Comment le captal de beuth fut pris a la bataille de subize...', in Jean Froissart's Chroniques d'Angleterre., Les Chroniques d'Angleterre (3 vols)

initials in gold on red and blue grounds. Cadels. Vol. III: 7 miniatures have been cut out (ff. 50, 88v, 134v, 185, 232, 272v, 290v). Smaller and small initials in gold on red and blue grounds. Cadels. Les Chroniques d'Angleterre

• Flourished initials, decorated catchword, and scribal colophon., In primam partem digesti veteris

pen-flourishing or in blue with red pen-flourishing, some with reserved designs. Decorated catch-words. A large space precedes the text, perhaps intended for a miniature (f. 3). Ff. 243v-265v: Large and small initials in plain red or blue, some with penwork

• Decorated initial 'y'(e) at the beginning of the Prick of Conscience, and, on the left, the ownership inscription of Sir Henry Spelman, historian and antiquary and of 'Jhon boyce'., Prick of Conscience

Lewis and MacIntosh 1982 p. 69. 1 three-sided border of red pen-flourishing with foliate forms (f. 2). Large initials in blue with red penwork decoration and pen-flourishing. Highlighting of letters in red. Prick of Conscience 16th-century inscriptions 'Jhon boyce' (f.

• White vine initial 'P'(ublium) in gold, red, green and blue, with a gold dragon's head., De legibus

in gold, red, green and blue, with a gold dragon's head. f. 1* is a parchment leaf inscribed: 'Opera Tullii Philosophica'.f. 60 is a blank parchment leaf.The Greek text is in the scribe's own hand.The manuscript dates to c. 1416-1420

• White vine initial 'S'(ed)in gold, red, green and blue., De legibus

gold, red, green and blue. f. 1* is a parchment leaf inscribed: 'Opera Tullii Philosophica'.f. 60 is a blank parchment leaf.The Greek text is in the scribe's own hand.The manuscript dates to c. 1416-1420 and was written by Johannes Andreae

• Detail of a miniature of Durandus de Campania presenting the book to Jeanne de Navarre, with a foliate initial 'S'(elon) and a full border, at the beginning of the text., Speculum dominarum (Le Miroir des Dames)

the text (f. 2). 1 puzzle initial in blue and red with black and red pen-flourishing, at the beginning of book 2 (f. 98v). Initials in red with black pen-flourishing, or in blue with red pen-flourishing. Speculum dominarum (Le Miroir

• Miniature of Durandus de Campania presenting the book to Jeanne de Navarre, with a foliate initial 'S'(elon) and a full border, at the beginning of the text., Speculum dominarum (Le Miroir des Dames)

the text (f. 2). 1 puzzle initial in blue and red with black and red pen-flourishing, at the beginning of book 2 (f. 98v). Initials in red with black pen-flourishing, or in blue with red pen-flourishing. Speculum dominarum (Le Miroir

• Puzzle initial ‘A’(u), at the beginning of part II., Speculum dominarum (Le Miroir des Dames)

the text (f. 2). 1 puzzle initial in blue and red with black and red pen-flourishing, at the beginning of book 2 (f. 98v). Initials in red with black pen-flourishing, or in blue with red pen-flourishing. Speculum dominarum (Le Miroir

• Colophon reading 'Ce livre est accompli et achive / le vendredi ixe jour de juil/let lan mil iiiic. xxviii. / deo gracias'., Speculum dominarum (Le Miroir des Dames)

the text (f. 2). 1 puzzle initial in blue and red with black and red pen-flourishing, at the beginning of book 2 (f. 98v). Initials in red with black pen-flourishing, or in blue with red pen-flourishing. Speculum dominarum (Le Miroir

• White vine initial 'C'(rotoniate)., De inventione (index Rhetorica); Rhetorica ad Herennium (index De ratione dicendi ad Herennium)

initial 'C'(rotoniate). Ruled in hardpoint. 6 large white vine initials in blue, yellow, and gold; some damaged (ff. 1, 44v, 95, 107v, 131, 148v ). Smaller initials in blue and red. De inventione (index Rhetorica); Rhetorica ad Herennium (index De

• Pen-flourished initial 'P'(rincipio)., De officiis, with a brief treatise on moral philosophy (ff. 1-4)

interlinear annotations.f. 40 has been trimmed at the top and right margins. Initials in blue with red penwork decoration or pen-flourishing and in red with blue penwork decoration or pen-flourishing. Rubrics in red. Some initials excised. De officiis, with a

• Decorated initial 'I'(nitium) at the beginning of the Gospel of Mark., Gospels, with the Epistle to Damasus, canon tables, and prefaces

in small Roman numerals. Canon tables in decorated architectural frames in green, red, blue, and yellow (ff. 9v-13v). 6 large initials in brown, with painted decoration in colours, at the beginning of Gospels or prologues (ff. 14, 51, 73, 77v,

• Initial with foliate extensions., Canzoni, Ballate, Rime, Trionfi (index Triumphs), and other poems

initial in gold and colours with foliate decoration (f. 1). 3 large blue initials with red penwork decoration (f. 26, 104v, 137). Numerous alternating initials in red or blue at the beginning of poems. Rubrics and headings in red. Canzoni,

• Detail of an illuminated initial 'R'(espondens), in red, blue, white and gold colours, with floriate extender, in the book of Job., Bible

initial 'R'(espondens), in red, blue, white and gold colours, with floriate extender, in the book of Job. 14 large historiated initials (ff. 1, 28v, 156v, 168, 169v, 171v, 173, 175v, 242, 262, 265v, 267v, 275, 291). 2 full foliate borders,