• Detail of a miniature of the prophet Jeremiah being stoned and bitten by a dog., Secreta secretorum (ff. 1-43); Il Tesoro (translation of Li Livres dou Tresor) (ff. 43v-130); miscellaneous texts (ff. 130v-143v)

extensions into the margins, in colours and gold (ff. 1, 114). Small initials in red with purple pen-flourishing or in blue with red pen-flourishing. Secreta secretorum (ff. 1-43); Il Tesoro (translation of Li Livres dou Tresor) (ff. 43v-130); miscellaneous texts

• Historiated initial 'D' of Matthew writing wiith his symbol holding the book at the beginning of his Gospel., Bible (ff. 1-455), with tables of the ecclesiastical lessons, and the office of the Mass

at the beginning of the prologues or books of Genesis and Matthew (ff. 3v, 4, 368v, 369). Large initials in blue, purple, red, green, or brown, or combinations of these colours with pen-flourishing in red, purple, or green, or combinations

• Illuminated initial 'I'(in principio) at the beginning of the book of Genesis., Bible (ff. 1-455), with tables of the ecclesiastical lessons, and the office of the Mass

at the beginning of the prologues or books of Genesis and Matthew (ff. 3v, 4, 368v, 369). Large initials in blue, purple, red, green, or brown, or combinations of these colours with pen-flourishing in red, purple, or green, or combinations

• Detail of a drawing of the constellation Aquarius., Phaenomena (also known as the Aratea)

De divisione (ff. 84v-85v); Remigius Autissiodorensis, Commentarius super Marcianum de Capella (ff. 86-93v). 21 drawings in ink with highlighting in blue and dots in red of personifications of the constellations (ff. 36, 36v, 37, 38, 38v, 39, 39v, 40, 40v,

• Text page., Phaenomena (also known as the Aratea)

De divisione (ff. 84v-85v); Remigius Autissiodorensis, Commentarius super Marcianum de Capella (ff. 86-93v). 21 drawings in ink with highlighting in blue and dots in red of personifications of the constellations (ff. 36, 36v, 37, 38, 38v, 39, 39v, 40, 40v,

• Drawing of the Swan, or Bird (Cygnus)., Phaenomena (also known as the Aratea)

De divisione (ff. 84v-85v); Remigius Autissiodorensis, Commentarius super Marcianum de Capella (ff. 86-93v). 21 drawings in ink with highlighting in blue and dots in red of personifications of the constellations (ff. 36, 36v, 37, 38, 38v, 39, 39v, 40, 40v,

• Drawing of Orion and his dog., Phaenomena (also known as the Aratea)

De divisione (ff. 84v-85v); Remigius Autissiodorensis, Commentarius super Marcianum de Capella (ff. 86-93v). 21 drawings in ink with highlighting in blue and dots in red of personifications of the constellations (ff. 36, 36v, 37, 38, 38v, 39, 39v, 40, 40v,

• null, Phaenomena (also known as the Aratea)

De divisione (ff. 84v-85v); Remigius Autissiodorensis, Commentarius super Marcianum de Capella (ff. 86-93v). 21 drawings in ink with highlighting in blue and dots in red of personifications of the constellations (ff. 36, 36v, 37, 38, 38v, 39, 39v, 40, 40v,

• null, Phaenomena (also known as the Aratea)

De divisione (ff. 84v-85v); Remigius Autissiodorensis, Commentarius super Marcianum de Capella (ff. 86-93v). 21 drawings in ink with highlighting in blue and dots in red of personifications of the constellations (ff. 36, 36v, 37, 38, 38v, 39, 39v, 40, 40v,

• Drawing of Ara, the Altar., Phaenomena (also known as the Aratea)

De divisione (ff. 84v-85v); Remigius Autissiodorensis, Commentarius super Marcianum de Capella (ff. 86-93v). 21 drawings in ink with highlighting in blue and dots in red of personifications of the constellations (ff. 36, 36v, 37, 38, 38v, 39, 39v, 40, 40v,

• Text page., Phaenomena (also known as the Aratea)

De divisione (ff. 84v-85v); Remigius Autissiodorensis, Commentarius super Marcianum de Capella (ff. 86-93v). 21 drawings in ink with highlighting in blue and dots in red of personifications of the constellations (ff. 36, 36v, 37, 38, 38v, 39, 39v, 40, 40v,

• Detail of white vine initial 'Q'(uam) at the beginning of De officiis., De officiis

vine initials in colours at the beginning of each book (ff. 1, 38v, 61). Coloured initials in alternating red or blue. De officiis Part 1 written by Blasius Axeretinus in Milan in 1433: inscribed 'M. Tulij ciceronis liber [...] incipit

• Miniature of the building of the Tower of Babel; miniature of Zoroaster with two demons, from Pseudo-Aristotle's Secreta secretorum., Secreta secretorum (ff. 1-43); Il Tesoro (translation of Li Livres dou Tresor) (ff. 43v-130); miscellaneous texts (ff. 130v-143v)

extensions into the margins, in colours and gold (ff. 1, 114). Small initials in red with purple pen-flourishing or in blue with red pen-flourishing. Secreta secretorum (ff. 1-43); Il Tesoro (translation of Li Livres dou Tresor) (ff. 43v-130); miscellaneous texts

• Decorated initial 'A'(l), at the beginning of Pseudo-Aristotle's Secreta secretorum., Secreta secretorum (ff. 1-43); Il Tesoro (translation of Li Livres dou Tresor) (ff. 43v-130); miscellaneous texts (ff. 130v-143v)

extensions into the margins, in colours and gold (ff. 1, 114). Small initials in red with purple pen-flourishing or in blue with red pen-flourishing. Secreta secretorum (ff. 1-43); Il Tesoro (translation of Li Livres dou Tresor) (ff. 43v-130); miscellaneous texts

• Miniature of two men sawing Isaiah in half, from Pseudo-Aristotle's Secreta secretorum., Secreta secretorum (ff. 1-43); Il Tesoro (translation of Li Livres dou Tresor) (ff. 43v-130); miscellaneous texts (ff. 130v-143v)

extensions into the margins, in colours and gold (ff. 1, 114). Small initials in red with purple pen-flourishing or in blue with red pen-flourishing. Secreta secretorum (ff. 1-43); Il Tesoro (translation of Li Livres dou Tresor) (ff. 43v-130); miscellaneous texts

• Miniature of Charlemagne approaching a city in Italy on horseback; miniature of Charlemagne fighting with a Saracen on horseback, from Pseudo-Aristotle's Secreta secretorum., Secreta secretorum (ff. 1-43); Il Tesoro (translation of Li Livres dou Tresor) (ff. 43v-130); miscellaneous texts (ff. 130v-143v)

extensions into the margins, in colours and gold (ff. 1, 114). Small initials in red with purple pen-flourishing or in blue with red pen-flourishing. Secreta secretorum (ff. 1-43); Il Tesoro (translation of Li Livres dou Tresor) (ff. 43v-130); miscellaneous texts

• Illuminated white vine initials 'C' (onfessionis) and 'M'(agnus) with a putto, bird and butterfly, on the first page of text of an extract from Augustine's Retractions (chapter 6 of book 2) as a preface to the Confessions., Confessions, Retractions (extract)

of book 2) as a preface to the Confessions. Large and small gold initials with white vine scroll decoration on blue, olive green, and yellow grounds, the first with a putto, bird and butterfly. Small simple red initials. Some headings

• Historiated initial 'C'(um) depicting a layman in profile (Priscian?) holding a book, at the beginning of Priscian's Grammatica maior., Grammatica maior

for pouncing. 1 large historiated initial, with partial border, in colours (f. 4). Large and small initials alternately red or blue, with red penwork decoration. Grammatica maior Written in part in 1434 by Iohannes de Drizona (? Drizzona, between Cremona

• Initial 'D' with pen-flourishing, in Priscian's Grammatica maior., Grammatica maior

for pouncing. 1 large historiated initial, with partial border, in colours (f. 4). Large and small initials alternately red or blue, with red penwork decoration. Grammatica maior Written in part in 1434 by Iohannes de Drizona (? Drizzona, between Cremona

• Detail of historiated initial., Grammatica maior

for pouncing. 1 large historiated initial, with partial border, in colours (f. 4). Large and small initials alternately red or blue, with red penwork decoration. Grammatica maior Written in part in 1434 by Iohannes de Drizona (? Drizzona, between Cremona