• Miniature of lizards (lacerta) with wings, on the left, and to the right, a sawfish (serra), a winged sea monster, and a ship, and below this, vipers (vipera) mating with the male putting his head into the female's mouth, and giving birth, with the young gnawing through her side., Aviarium (index Bestiary); Bestiary, in the Dicta Chrysostomi form (index Physiologus)

the bestiary). 1 large puzzle initial in blue and red with red and blue penwork decoration (f. 1*). Large initials in blue with red penwork decoration or pen-flourishing, or in red, usually with blue penwork decoration or pen-flourishing. Highlighting of

• Detail of decorated initial., Historical works, including Aelred's Genealogia regum Anglorum (ff. 133-146)

or geometric initials in blue and red with red and blue penwork decoration and pen-flourishing, a few forming a bar border and one including a face (f. 21v). Initials in red with blue pen-flourishing, and in blue with red pen-flourishing.

• Puzzle initial 'U'(t) and penwork initial 'D'(e)., Cosmographia, Compendium cosmographiae vel Imago mundi

blue. Large initials in blue with purple penwork decoration or in red with brown penwork decoration. Smaller initials in red with brown pen-flourishing or in blue with purple pen-flourishing. Plain initials in red or blue. Paraphs in red or

• Initials 'L'(iber) and 'D'(eus) with penwork decoration, at the beginning of book 4 of Richard of St-Victor's In apocalypsim., In apocalypsim

4 of Richard of St-Victor's In apocalypsim. 1 large initial in blue, with reserved designs, with foliate penwork decoration in red and blue (f. 1). Smaller initials mostly in blue with foliate pen-flourishing in red (ff. 3, 3v, 15, 38v,

• Decorated Initials 'L'(iber) and 'D'(eus) with penwork decoration, at the beginning of book 4 of Richard of St-Victor's In apocalypsim., In apocalypsim

4 of Richard of St-Victor's In apocalypsim. 1 large initial in blue, with reserved designs, with foliate penwork decoration in red and blue (f. 1). Smaller initials mostly in blue with foliate pen-flourishing in red (ff. 3, 3v, 15, 38v,

• Decorated initial., In apocalypsim

Decorated initial. 1 large initial in blue, with reserved designs, with foliate penwork decoration in red and blue (f. 1). Smaller initials mostly in blue with foliate pen-flourishing in red (ff. 3, 3v, 15, 38v, 57, 68v (2x), 80v, 91

• Decorated initial., In apocalypsim

Decorated initial. 1 large initial in blue, with reserved designs, with foliate penwork decoration in red and blue (f. 1). Smaller initials mostly in blue with foliate pen-flourishing in red (ff. 3, 3v, 15, 38v, 57, 68v (2x), 80v, 91

• Decorated initials., In apocalypsim

Decorated initials. 1 large initial in blue, with reserved designs, with foliate penwork decoration in red and blue (f. 1). Smaller initials mostly in blue with foliate pen-flourishing in red (ff. 3, 3v, 15, 38v, 57, 68v (2x), 80v, 91

• Decorated initial., In apocalypsim

Decorated initial. 1 large initial in blue, with reserved designs, with foliate penwork decoration in red and blue (f. 1). Smaller initials mostly in blue with foliate pen-flourishing in red (ff. 3, 3v, 15, 38v, 57, 68v (2x), 80v, 91

• Flourished initials 'A' and 'P', with a pecia note in the left margin: 'Finit lxxv pe.'., Commentary on the Decretals of Gregory IX

smaller puzzle initial in red and blue with pen-flourishing in blue and red (f. 141). 2 space for illuminated initials left empty (ff. 97v, 161). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing; those on

• Illuminated initial 'T'(he) at the beginning of Matthew., New Testament, in the later Wycliffite version, with prologues and a calendar and table of lessons for the use of Sarum from both Testaments

of red and blue with foliage penwork decoration. Large initials in gold on red and blue grounds with foliate penwork decoration extending into the border. Large initials in blue with red penwork decoration. Small initials in blue. Line-fillers in red.

• Illuminated initial 'I' with foliate decoration., New Testament, in the later Wycliffite version, with prologues and a calendar and table of lessons for the use of Sarum from both Testaments

of red and blue with foliage penwork decoration. Large initials in gold on red and blue grounds with foliate penwork decoration extending into the border. Large initials in blue with red penwork decoration. Small initials in blue. Line-fillers in red.

• Miniature of Jerome and the lion, decorated initial 'V'(erba) and foliate borders, at the beginning of Jerome's Psalter., Book of Hours, Use of Sarum

red and blue grounds with foliate extensions into the margins, at the beginning of prayers (ff. 47v, 48v). Small initials (2 lines) in gold on red and blue grounds. Small initials in gold with blue pen-flourishing or in blue with

• Detail of miniature of the Crucifixion., Book of Hours, Use of Sarum

red and blue grounds with foliate extensions into the margins, at the beginning of prayers (ff. 47v, 48v). Small initials (2 lines) in gold on red and blue grounds. Small initials in gold with blue pen-flourishing or in blue with

• Miniature of the Mass of St Gregory., Book of Hours, Use of Sarum

red and blue grounds with foliate extensions into the margins, at the beginning of prayers (ff. 47v, 48v). Small initials (2 lines) in gold on red and blue grounds. Small initials in gold with blue pen-flourishing or in blue with

• Miniature of the Mass of St Gregory., Book of Hours, Use of Sarum

red and blue grounds with foliate extensions into the margins, at the beginning of prayers (ff. 47v, 48v). Small initials (2 lines) in gold on red and blue grounds. Small initials in gold with blue pen-flourishing or in blue with

• Detail of a miniature of the martyrdom of Thomas Becket of Canterbury., Book of Hours, Use of Sarum

red and blue grounds with foliate extensions into the margins, at the beginning of prayers (ff. 47v, 48v). Small initials (2 lines) in gold on red and blue grounds. Small initials in gold with blue pen-flourishing or in blue with

• Detail of miniature of Mary Magdalene., Book of Hours, Use of Sarum

red and blue grounds with foliate extensions into the margins, at the beginning of prayers (ff. 47v, 48v). Small initials (2 lines) in gold on red and blue grounds. Small initials in gold with blue pen-flourishing or in blue with

• Detail of miniature of the Agony in the Garden., Book of Hours, Use of Sarum

red and blue grounds with foliate extensions into the margins, at the beginning of prayers (ff. 47v, 48v). Small initials (2 lines) in gold on red and blue grounds. Small initials in gold with blue pen-flourishing or in blue with

• Miniature of the Agony in the Garden., Book of Hours, Use of Sarum

red and blue grounds with foliate extensions into the margins, at the beginning of prayers (ff. 47v, 48v). Small initials (2 lines) in gold on red and blue grounds. Small initials in gold with blue pen-flourishing or in blue with