• Detail of a miniature of the installation of abbot Baldwin and the building of the abbey at Bury St. Edmond's., Metrical lives of Saints Edmund and Fremund, in the presentation copy for Henry VI, including the prologue (ff. 1v-5)

decoration extending into the margins (ff. 2, 4, 4v, 5, 6, 118v, 119v). Large initials in gold on red and blue patterned grounds, with foliate sprays in colours and/or gold extending into the margins. Large initial in green, pink, and

• Detail of a miniature of the entombment of Edmund in the abbey at Bury St. Edmunds., Metrical lives of Saints Edmund and Fremund, in the presentation copy for Henry VI, including the prologue (ff. 1v-5)

decoration extending into the margins (ff. 2, 4, 4v, 5, 6, 118v, 119v). Large initials in gold on red and blue patterned grounds, with foliate sprays in colours and/or gold extending into the margins. Large initial in green, pink, and

• Detail of a miniature of Edmund praying, and the miraculous appearance of five springs., Metrical lives of Saints Edmund and Fremund, in the presentation copy for Henry VI, including the prologue (ff. 1v-5)

decoration extending into the margins (ff. 2, 4, 4v, 5, 6, 118v, 119v). Large initials in gold on red and blue patterned grounds, with foliate sprays in colours and/or gold extending into the margins. Large initial in green, pink, and

• Miniature of the death of Sweyn, the king of the Danes, and on the right, a woman being pulled from the shrine of Edmund., Metrical lives of Saints Edmund and Fremund, in the presentation copy for Henry VI, including the prologue (ff. 1v-5)

decoration extending into the margins (ff. 2, 4, 4v, 5, 6, 118v, 119v). Large initials in gold on red and blue patterned grounds, with foliate sprays in colours and/or gold extending into the margins. Large initial in green, pink, and

• Historiated initial 'D' of Matthew writing wiith his symbol holding the book at the beginning of his Gospel., Bible (ff. 1-455), with tables of the ecclesiastical lessons, and the office of the Mass

at the beginning of the prologues or books of Genesis and Matthew (ff. 3v, 4, 368v, 369). Large initials in blue, purple, red, green, or brown, or combinations of these colours with pen-flourishing in red, purple, or green, or combinations

• Illuminated initial 'I'(in principio) at the beginning of the book of Genesis., Bible (ff. 1-455), with tables of the ecclesiastical lessons, and the office of the Mass

at the beginning of the prologues or books of Genesis and Matthew (ff. 3v, 4, 368v, 369). Large initials in blue, purple, red, green, or brown, or combinations of these colours with pen-flourishing in red, purple, or green, or combinations

• Large white vine initial 'O'(mnes) enclosing a putto, with a butterfly in the margin, at the beginning of the text., Catilina (ff. 1-16), Jugurtha (ff. 16-46), Epitome historiarum Trogi Pompeii (ff. 46-137v), Epitoma de Tito Livio (index Epitome of Livy) (ff. 138-176v)

a butterfly in the margin (f. 1). Numerous large white vine initials in gold and colours. Numerous smaller initials in blue ink. Catilina (ff. 1-16), Jugurtha (ff. 16-46), Epitome historiarum Trogi Pompeii (ff. 46-137v), Epitoma de Tito Livio (index Epitome

• Historiated initial 'C'(um) depicting a layman in profile (Priscian?) holding a book, at the beginning of Priscian's Grammatica maior., Grammatica maior

for pouncing. 1 large historiated initial, with partial border, in colours (f. 4). Large and small initials alternately red or blue, with red penwork decoration. Grammatica maior Written in part in 1434 by Iohannes de Drizona (? Drizzona, between Cremona

• Initial 'D' with pen-flourishing, in Priscian's Grammatica maior., Grammatica maior

for pouncing. 1 large historiated initial, with partial border, in colours (f. 4). Large and small initials alternately red or blue, with red penwork decoration. Grammatica maior Written in part in 1434 by Iohannes de Drizona (? Drizzona, between Cremona

• Detail of historiated initial., Grammatica maior

for pouncing. 1 large historiated initial, with partial border, in colours (f. 4). Large and small initials alternately red or blue, with red penwork decoration. Grammatica maior Written in part in 1434 by Iohannes de Drizona (? Drizzona, between Cremona

• null, Ab urbe condita; each Decade preceded by the tables attributed to Donato degli Albanzani (ff. 1-3v, 103-105v, 195-196v) (index History of Rome from its foundation)

124v, 133v, 141v, 150v, 160v, 170v, 180, 187, 197, 204v, 210v, 219, 226v, 233, 242, 251v, 260). Small initials alternately blue with red pen-flourishing, or red with purple pen-flourishing. Three partial borders incorporating the arms of Cardinal Pietro Riario, at

• Decorated initial 'A'(gypty), corrected with 'E', in the Historia Alexandri Magni., Historia Alexandri Magni

Magni. Offsets of Hebrew on f. i recto. Large initials in blue with red penwork decoration and pen-flourishing, or red with brown penwork decoration and pen-flourishing, at the start of texts and major divisions. Small initials similar but simpler. Historia

• null, Historia Alexandri Magni

i recto. Large initials in blue with red penwork decoration and pen-flourishing, or red with brown penwork decoration and pen-flourishing, at the start of texts and major divisions. Small initials similar but simpler. Historia Alexandri Magni Medieval ownership(?) inscription in

• Detail of decorated initial., Grammatica maior

for pouncing. 1 large historiated initial, with partial border, in colours (f. 4). Large and small initials alternately red or blue, with red penwork decoration. Grammatica maior Written in part in 1434 by Iohannes de Drizona (? Drizzona, between Cremona

• Miniature of the Creation of Eve, and a full foliate border, at the beginning of an extract from the Old Testament., Book of Hours ('The Entwisle Hours'), Use of Sarum

and gold. Large and smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. 1 quire including the Annunciation (f. 41) and the Visitation (f. 45v) related to the Master of the

• Miniature of the Trinity, decorated initial 'D'(eus), and full foliate borders, at the beginning of the suffrages., Book of Hours ('The Entwisle Hours'), Use of Sarum

and gold. Large and smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. 1 quire including the Annunciation (f. 41) and the Visitation (f. 45v) related to the Master of the

• Miniature of the Annunciation, full foliate borders including prophets and heraldic arms, at the beginning of the Hours of the Virgin., Book of Hours ('The Entwisle Hours'), Use of Sarum

and gold. Large and smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. 1 quire including the Annunciation (f. 41) and the Visitation (f. 45v) related to the Master of the

• Miniature of the Nativity., Book of Hours ('The Entwisle Hours'), Use of Sarum

and gold. Large and smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. 1 quire including the Annunciation (f. 41) and the Visitation (f. 45v) related to the Master of the

• Miniature of the Trinity., Book of Hours ('The Entwisle Hours'), Use of Sarum

and gold. Large and smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. 1 quire including the Annunciation (f. 41) and the Visitation (f. 45v) related to the Master of the

• Miniature of the Crucifixion., Book of Hours ('The Entwisle Hours'), Use of Sarum

and gold. Large and smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. 1 quire including the Annunciation (f. 41) and the Visitation (f. 45v) related to the Master of the