• Text page with added notes., Life of Thomas Becket (index Vie de Thomas Becket), in Anglo-Norman verse, followed by an Anglo-Norman crusade noted song ‘S’onques nus hom pour dure’ (ff. 14-14v); Anglo-Norman romance Guy of Warwick (index Gui de Warewic) (ff. 15-26)

B clefs), England, second half of the 13th century (f. 14) Large initial in blue with pen-work decoration in red (f. 1). Initials in red and blue. Musical notation on 4-line staves (f. 14). Life of Thomas Becket (index Vie

• Detail of Illuminated initial 'O'., Aeneid (index Aeneis), with Pseudo-Ovid (prologues)

the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of

• White vine initial 'P'(roficiscenti)., Apologeticus and various sermons

la Mare 1985)Horizontal catchwords.Marginal commentary. 1 large white vine initial in colours and gold (f. 1). 6 plain initials In blue (f. 2, 27, 48, 50, 57v, 66v) . Rubrics, paraphs, and colophon in red. Apologeticus and various sermons Ser

• Diagrams in brown ink in the main text., Commentary on Cicero's De somno Scipionis

(ff. 39v, 50v, 53v, 70) and in the margins (ff. 12v, 28v, 37v, 42v, 43, 52v). 1 large initial in blue with a reserved design and red pen-flourishing (f. 1). Initials wanting (ff. 6v, 43v, 46v). Pointing hands, human faces

• Detail of a miniature of monks singing a requiem, with the celebrant wearing spectacles, at the beginning of the Office of the Dead., Book of Hours, Use of Paris

pages with partial foliate borders, in colours and gold. Large and small initials and line-fillers in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Paris Perhaps written for a woman: the prayer

• Miniature of David penitent, with a harp and a dog, decorated initial 'D'(omine) and foliate borders, at the beginning of the Penitential Psalms., Book of Hours, Use of Paris

and partial foliate borders on recto, in colours and gold. Small initials and line fillers in gold on red and blue grounds. Book of Hours, Use of Paris Inscription, 16th century (f. 1).Ownership mark dated 1640 (f. 2).The Harley Collection,

• Miniature of the Visitation, at the beginning of Lauds in the Hours of the Virgin., Book of Hours, Use of Paris

and partial foliate borders on recto, in colours and gold. Small initials and line fillers in gold on red and blue grounds. Book of Hours, Use of Paris Inscription, 16th century (f. 1).Ownership mark dated 1640 (f. 2).The Harley Collection,

• Miniature of the Burial with battle between an angel and the devil about a soul in the background, decorated initial 'D'(ilexi) and foliate borders, at the beginning of the Hours of the Dead., Book of Hours, Use of Paris

and partial foliate borders on recto, in colours and gold. Small initials and line fillers in gold on red and blue grounds. Book of Hours, Use of Paris Inscription, 16th century (f. 1).Ownership mark dated 1640 (f. 2).The Harley Collection,

• null, Chronica pontificum et imperatorum, ending imperfectly

i recto. Large initials in blue with red flourishing and foliate infill, or red with brown flourishing and infill, at the start of texts and major divisions. Small initials similar but simpler. Chronica pontificum et imperatorum, ending imperfectly Medieval ownership(?)

• null, Chronica pontificum et imperatorum, ending imperfectly

i recto. Large initials in blue with red flourishing and foliate infill, or red with brown flourishing and infill, at the start of texts and major divisions. Small initials similar but simpler. Chronica pontificum et imperatorum, ending imperfectly Medieval ownership(?)

• Detail of decorated initial., Breviarum ab urbe condita

in gold with penwork decoration in an unusual green (ff. 7v, 14v, 20v, etc.). Small initials in plain red or blue. Breviarum ab urbe condita Written perhaps in 1460 by Carlo Reguardati of Nursia/Norcia: inscribed, apparently by the main scribe

• Miniature of John on Patmos, decorated initial 'I'(n) and full foliate borders, at the beginning of the Gospel Lessons., Book of Hours, Use of Paris

pages with partial foliate borders, in colours and gold. Large and small initials and line-fillers in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Paris Perhaps written for a woman: the prayer

• Miniature of the Flight into Egypt, decorated initial 'D'(eus) and full foliate borders, at the beginning of Vespers in the Hours of the Virgin., Book of Hours, Use of Paris

pages with partial foliate borders, in colours and gold. Large and small initials and line-fillers in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Paris Perhaps written for a woman: the prayer

• Pen-flourished initials, Meditations on the Life of Christ

catchwords. Alternating initials in blue with red pen-flourishing or in red with violet pen-flourishing. Rubrics in red (now faded). Meditations on the Life of Christ Written in 1454 by Jacobus de Parma in Bologna for Frater Gabriel, provincial vicar: colophon,

• Detail of white vine initial 'P'(roficiscenti)., Apologeticus and various sermons

la Mare 1985)Horizontal catchwords.Marginal commentary. 1 large white vine initial in colours and gold (f. 1). 6 plain initials In blue (f. 2, 27, 48, 50, 57v, 66v) . Rubrics, paraphs, and colophon in red. Apologeticus and various sermons Ser

• Drawing of two shepherds, one standing with his flock, the other seated, playing a pipe., Bucolica (index Bucolics, Eclogues) (ff. 1-4v); Georgica (index Georgics) (ff. 4v-14v0; Aeneis (index Aeneid) with verse preface (ff. 15-61); various works by Lucan (ff. 61v-101); Statius Thebaid (ff. 101-120v); Horace (ff. 121-155v); Persius (ff. 156-159); Juvenal (ff. 159-159v); and Ovid (ff. 160-173)

7). 5 drawings in brown ink of agricultural tasks (ff. 1, 4v, 9v, 12, 15, the last, added). Initials in blue with red pen-flourishing and in red with purple pen-flourishing (ff. 121-139v). Rubrics in red. Capitals marked in red. Bucolica

• Miniature of a man pruning vines., Bucolica (index Bucolics, Eclogues) (ff. 1-4v); Georgica (index Georgics) (ff. 4v-14v0; Aeneis (index Aeneid) with verse preface (ff. 15-61); various works by Lucan (ff. 61v-101); Statius Thebaid (ff. 101-120v); Horace (ff. 121-155v); Persius (ff. 156-159); Juvenal (ff. 159-159v); and Ovid (ff. 160-173)

7). 5 drawings in brown ink of agricultural tasks (ff. 1, 4v, 9v, 12, 15, the last, added). Initials in blue with red pen-flourishing and in red with purple pen-flourishing (ff. 121-139v). Rubrics in red. Capitals marked in red. Bucolica

• Detail of a drawing of a shepherd with his flock., Bucolica (index Bucolics, Eclogues) (ff. 1-4v); Georgica (index Georgics) (ff. 4v-14v0; Aeneis (index Aeneid) with verse preface (ff. 15-61); various works by Lucan (ff. 61v-101); Statius Thebaid (ff. 101-120v); Horace (ff. 121-155v); Persius (ff. 156-159); Juvenal (ff. 159-159v); and Ovid (ff. 160-173)

7). 5 drawings in brown ink of agricultural tasks (ff. 1, 4v, 9v, 12, 15, the last, added). Initials in blue with red pen-flourishing and in red with purple pen-flourishing (ff. 121-139v). Rubrics in red. Capitals marked in red. Bucolica

• Drawing of an armed horseman., Bucolica (index Bucolics, Eclogues) (ff. 1-4v); Georgica (index Georgics) (ff. 4v-14v0; Aeneis (index Aeneid) with verse preface (ff. 15-61); various works by Lucan (ff. 61v-101); Statius Thebaid (ff. 101-120v); Horace (ff. 121-155v); Persius (ff. 156-159); Juvenal (ff. 159-159v); and Ovid (ff. 160-173)

7). 5 drawings in brown ink of agricultural tasks (ff. 1, 4v, 9v, 12, 15, the last, added). Initials in blue with red pen-flourishing and in red with purple pen-flourishing (ff. 121-139v). Rubrics in red. Capitals marked in red. Bucolica

• Detail of marginal notes from a text page of Ovid's Metamorphoses., Bucolica (index Bucolics, Eclogues) (ff. 1-4v); Georgica (index Georgics) (ff. 4v-14v0; Aeneis (index Aeneid) with verse preface (ff. 15-61); various works by Lucan (ff. 61v-101); Statius Thebaid (ff. 101-120v); Horace (ff. 121-155v); Persius (ff. 156-159); Juvenal (ff. 159-159v); and Ovid (ff. 160-173)

7). 5 drawings in brown ink of agricultural tasks (ff. 1, 4v, 9v, 12, 15, the last, added). Initials in blue with red pen-flourishing and in red with purple pen-flourishing (ff. 121-139v). Rubrics in red. Capitals marked in red. Bucolica