• Initials with penwork decoration., The Canterbury Tales, including the spurious Tale of Gamelyn (ff. 46-55), imperfect

in colours and gold. Initials in gold against grounds of blue and red with white tracery and spray decoration. Initials in blue or red with penwork decoration in red or blue. Running titles in black. Rubrics and marginal notes in

• Bar border and initial 'A' with foliate and spray decoration at the beginning of the Nun's Priest's Tale., The Canterbury Tales, including the spurious Tale of Gamelyn (ff. 46-55), imperfect

in colours and gold. Initials in gold against grounds of blue and red with white tracery and spray decoration. Initials in blue or red with penwork decoration in red or blue. Running titles in black. Rubrics and marginal notes in

• Decorated initial 'W'(ete) and space left blank for miniature at the beginning of the Prologue of the Manciple's Tale, with space left blank for a miniature., The Canterbury Tales, including the spurious Tale of Gamelyn (ff. 46-55), imperfect

in colours and gold. Initials in gold against grounds of blue and red with white tracery and spray decoration. Initials in blue or red with penwork decoration in red or blue. Running titles in black. Rubrics and marginal notes in

• Bar border and initial 'W'(han) with foliate and spray decoration at the beginning of the Manciple's Tale., The Canterbury Tales, including the spurious Tale of Gamelyn (ff. 46-55), imperfect

in colours and gold. Initials in gold against grounds of blue and red with white tracery and spray decoration. Initials in blue or red with penwork decoration in red or blue. Running titles in black. Rubrics and marginal notes in

• Bar border and initial 'O' with foliate and spray decoration at the beginning of the Parson's Tale., The Canterbury Tales, including the spurious Tale of Gamelyn (ff. 46-55), imperfect

in colours and gold. Initials in gold against grounds of blue and red with white tracery and spray decoration. Initials in blue or red with penwork decoration in red or blue. Running titles in black. Rubrics and marginal notes in

• Bar border and initial 'N'(ow) with foliate and spray decoration at the beginning of Chaucer's Retraction., The Canterbury Tales, including the spurious Tale of Gamelyn (ff. 46-55), imperfect

in colours and gold. Initials in gold against grounds of blue and red with white tracery and spray decoration. Initials in blue or red with penwork decoration in red or blue. Running titles in black. Rubrics and marginal notes in

• A fragment of the original parchment flyleaf with ownership inscriptions., The Canterbury Tales, including the spurious Tale of Gamelyn (ff. 46-55), imperfect

in colours and gold. Initials in gold against grounds of blue and red with white tracery and spray decoration. Initials in blue or red with penwork decoration in red or blue. Running titles in black. Rubrics and marginal notes in

• The arms of René d'Anjou, King of Naples., Book of Hours, Use of Paris ('The Hours of René d'Anjou')

39, 42, 45). Small initials in blue with purple pen-flourishing or in purple with blue pen-flourishing (f. 14r-v), in gold with blue pen-flourishing (f. 23v), and in red with brown pen-flourishing or in blue with red pen-flourishing (ff. 43v-44). Book

• The arms of René d'Anjou, King of Naples, Book of Hours, Use of Paris ('The Hours of René d'Anjou')

39, 42, 45). Small initials in blue with purple pen-flourishing or in purple with blue pen-flourishing (f. 14r-v), in gold with blue pen-flourishing (f. 23v), and in red with brown pen-flourishing or in blue with red pen-flourishing (ff. 43v-44). Book

• Detail of a miniature of the Wafer of Dijon., Book of Hours, Use of Paris ('The Hours of René d'Anjou')

39, 42, 45). Small initials in blue with purple pen-flourishing or in purple with blue pen-flourishing (f. 14r-v), in gold with blue pen-flourishing (f. 23v), and in red with brown pen-flourishing or in blue with red pen-flourishing (ff. 43v-44). Book

• Detail of a full-page miniature of the three heroes bringing King David a cup of water from the well of Bethlehem., Book of Hours, Use of Paris ('The Hours of René d'Anjou')

39, 42, 45). Small initials in blue with purple pen-flourishing or in purple with blue pen-flourishing (f. 14r-v), in gold with blue pen-flourishing (f. 23v), and in red with brown pen-flourishing or in blue with red pen-flourishing (ff. 43v-44). Book

• Detail of inscription., Domesday book (ends imperfectly)

62, 66, 70, 72, 77v, 78, 79v, 81v, 82).date checked JH Large and small initials in red with blue pen-flourishing or in blue with red pen-flourishing, some with reserved designs. Domesday book (ends imperfectly) The Cistercian abbey of St Mary,

• Decorated initial 'P'(ost), with the book number in the upper margin. Citations of the Gospel are marked with their first letters in red (contrasting with green for sections of the commentary) and a diplet in the margin by each line., In Lucam

part of 12.2, according to unpublished notes of Michael Gullick.Quire signatures in small Roman numerals. Catchwords. 7 large initials in blue, red, and green with intricate penwork decoration at the beginning of books and prefatory material (ff. 2, 7, 42v,

• Decorated initial 'V'(irginis) with penwork decoration containing a human head., Processional

a human head. Musical notation. A few large initials in blue with red penwork decoration or in red with brown penwork decoration. Large and small initials in plain red or blue. Processional Petrus Lauzelli, priest of the church of St.

• In the lower margin, the ownership inscription of Margam abbey, at the beginning of the Domesday book., Domesday book (ends imperfectly)

62, 66, 70, 72, 77v, 78, 79v, 81v, 82).date checked JH Large and small initials in red with blue pen-flourishing or in blue with red pen-flourishing, some with reserved designs. Domesday book (ends imperfectly) The Cistercian abbey of St Mary,

• Flourished initials with records for Hertfordshire and Buckinghamshire in the Domesday book with small decorated initials., Domesday book (ends imperfectly)

62, 66, 70, 72, 77v, 78, 79v, 81v, 82).date checked JH Large and small initials in red with blue pen-flourishing or in blue with red pen-flourishing, some with reserved designs. Domesday book (ends imperfectly) The Cistercian abbey of St Mary,

• Marginal sketch in the lower margin, related to other marginal drawings in the manuscript, depicting royal and noble figures; with the ownership inscription Margam abbey in the upper margin., Domesday book (ends imperfectly)

62, 66, 70, 72, 77v, 78, 79v, 81v, 82).date checked JH Large and small initials in red with blue pen-flourishing or in blue with red pen-flourishing, some with reserved designs. Domesday book (ends imperfectly) The Cistercian abbey of St Mary,

• Circular diagram against lightning; below, a diagram connected with solar and lunar cycles., Medical recipes and charms

British Library, Royal 17 B XLIX and Royal 17 B L. Circular ink diagrams (f. 1). Initials in red or blue. Medical recipes and charms On f. 21 is the colophon 'Amen quod I. ff. [] qui scripsit hoc (sic)

• Decorated initial 'E'(t)., The Historia Aseneth (ff. 53-64v) and Testamenta xii. Patriarcharum filiorum Jacob (ff. 65-96v)

Catchwords Initials in blue with red penwork decoration. Small initials in brown, some with penwork decoration, especially of two parallel lines. The Historia Aseneth (ff. 53-64v) and Testamenta xii. Patriarcharum filiorum Jacob (ff. 65-96v) Allatby(?) Williams: 14th-century inscription (f. 96v).

• Miniatures forming a diptych with Adam and Eve and the Annunciation, accompanied by angels and the Marriage of the Virgin in the frame, at the beginning of the Hours of the Virgin., Book of Hours, Use of Rome (ends imperfectly)

Large and smaller initials in light pink on gold and red grounds. Small initials and line-fillers in gold on red, blue or brown grounds. Book of Hours, Use of Rome (ends imperfectly) Inscribed 'XXIX D' (f. 1v).Sir Hans Sloane (b.