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Smaller red initials with pen-flourishing in purple ink, or blue with red flourishing. Marginal red ink drawing: a knight in armour (f. 1). Small coloured initials and paraphs in red or blue. Line-fillers in red ink. Various religious and historical
Smaller red initials with pen-flourishing in purple ink, or blue with red flourishing. Marginal red ink drawing: a knight in armour (f. 1). Small coloured initials and paraphs in red or blue. Line-fillers in red ink. Various religious and historical
Large initials in gold with pink pen-flourishing. Smaller initials in blue with red pen-flourishing or in red with pink pen-flourishing gold, blue or with red pen-flourishing. Small initials in blue or red with red penwork decoration. Catchwords written on brown
B clefs), England, second half of the 13th century (f. 14) Large initial in blue with pen-work decoration in red (f. 1). Initials in red and blue. Musical notation on 4-line staves (f. 14). Life of Thomas Becket (index Vie
B clefs), England, second half of the 13th century (f. 14) Large initial in blue with pen-work decoration in red (f. 1). Initials in red and blue. Musical notation on 4-line staves (f. 14). Life of Thomas Becket (index Vie
la Mare 1985)Horizontal catchwords.Marginal commentary. 1 large white vine initial in colours and gold (f. 1). 6 plain initials In blue (f. 2, 27, 48, 50, 57v, 66v) . Rubrics, paraphs, and colophon in red. Apologeticus and various sermons Ser
(ff. 39v, 50v, 53v, 70) and in the margins (ff. 12v, 28v, 37v, 42v, 43, 52v). 1 large initial in blue with a reserved design and red pen-flourishing (f. 1). Initials wanting (ff. 6v, 43v, 46v). Pointing hands, human faces
pages with partial foliate borders, in colours and gold. Large and small initials and line-fillers in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Paris Perhaps written for a woman: the prayer
and partial foliate borders on recto, in colours and gold. Small initials and line fillers in gold on red and blue grounds. Book of Hours, Use of Paris Inscription, 16th century (f. 1).Ownership mark dated 1640 (f. 2).The Harley Collection,
and partial foliate borders on recto, in colours and gold. Small initials and line fillers in gold on red and blue grounds. Book of Hours, Use of Paris Inscription, 16th century (f. 1).Ownership mark dated 1640 (f. 2).The Harley Collection,
and partial foliate borders on recto, in colours and gold. Small initials and line fillers in gold on red and blue grounds. Book of Hours, Use of Paris Inscription, 16th century (f. 1).Ownership mark dated 1640 (f. 2).The Harley Collection,
i recto. Large initials in blue with red flourishing and foliate infill, or red with brown flourishing and infill, at the start of texts and major divisions. Small initials similar but simpler. Chronica pontificum et imperatorum, ending imperfectly Medieval ownership(?)
i recto. Large initials in blue with red flourishing and foliate infill, or red with brown flourishing and infill, at the start of texts and major divisions. Small initials similar but simpler. Chronica pontificum et imperatorum, ending imperfectly Medieval ownership(?)
in gold with penwork decoration in an unusual green (ff. 7v, 14v, 20v, etc.). Small initials in plain red or blue. Breviarum ab urbe condita Written perhaps in 1460 by Carlo Reguardati of Nursia/Norcia: inscribed, apparently by the main scribe
pages with partial foliate borders, in colours and gold. Large and small initials and line-fillers in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Paris Perhaps written for a woman: the prayer
pages with partial foliate borders, in colours and gold. Large and small initials and line-fillers in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Paris Perhaps written for a woman: the prayer
catchwords. Alternating initials in blue with red pen-flourishing or in red with violet pen-flourishing. Rubrics in red (now faded). Meditations on the Life of Christ Written in 1454 by Jacobus de Parma in Bologna for Frater Gabriel, provincial vicar: colophon,
la Mare 1985)Horizontal catchwords.Marginal commentary. 1 large white vine initial in colours and gold (f. 1). 6 plain initials In blue (f. 2, 27, 48, 50, 57v, 66v) . Rubrics, paraphs, and colophon in red. Apologeticus and various sermons Ser
7). 5 drawings in brown ink of agricultural tasks (ff. 1, 4v, 9v, 12, 15, the last, added). Initials in blue with red pen-flourishing and in red with purple pen-flourishing (ff. 121-139v). Rubrics in red. Capitals marked in red. Bucolica
7). 5 drawings in brown ink of agricultural tasks (ff. 1, 4v, 9v, 12, 15, the last, added). Initials in blue with red pen-flourishing and in red with purple pen-flourishing (ff. 121-139v). Rubrics in red. Capitals marked in red. Bucolica