• Miniature of pagan priest worshiping an idol, and of a Christian mass in front of an altar, with a full border containing the royal arms of England surmounted by a crowned helm with mantling in Edward's colours of red and blue and surrounded by the Garter, with two escutcheons bearing the royal arms for his sons, Edward, the Prince of Wales and Richard, duke of York, two banners with the royal arms of England, and the Yorkist badge of the white ~rose-en-soleil~ with a motto 'Dieu et mon droit', with a puzzle initial 'D'(e ceulz), at the beginning of book 6., City of God (La cité de Dieu)

in gold on blue and rose grounds with penwork decoration in white, or puzzle initials in gold and blue, at the beginning of books (ff. 8v, 54, 129v). Initials in gold with black pen-flourishing, or in blue with red pen-flourishing.

• Detail from the full border of the royal arms of England surmounted by a crowned helm with mantling in Edward's colours of red and blue and surrounded by the Garter, with two escutcheons bearing the royal arms for his sons, Edward, the Prince of Wales and Richard, duke of York, two banners with the royal arms of England, and the Yorkist badge of the white ~rose-en-soleil~ with a motto 'Dieu et mon droit'., City of God (La cité de Dieu)

in gold on blue and rose grounds with penwork decoration in white, or puzzle initials in gold and blue, at the beginning of books (ff. 8v, 54, 129v). Initials in gold with black pen-flourishing, or in blue with red pen-flourishing.

• Miniature of Charles V, king of France, receiving the book from the translator, Raoul des Presles, with a full border containing the royal arms of England surmounted by a crowned helm with mantling in Edward's colours of red and blue and surrounded by the Garter, with two escutcheons bearing the royal arms differenced by labels of three points for his sons, Edward, the Prince of Wales and Richard, duke of York, two banners bearing the royal arms of England held by angels, and the Yorkist badge of the white ~rose-en-soleil~ with a motto 'Dieu et mon droit', with a foliate initial 'A'(vous) at the beginning of the prologue., City of God (La cité de Dieu)

in gold on blue and rose grounds with penwork decoration in white, or puzzle initials in gold and blue, at the beginning of books (ff. 8v, 54, 129v). Initials in gold with black pen-flourishing, or in blue with red pen-flourishing.

• Added prayer and miniature of Sebastian sewn to the parchment., Book of Hours, Use of Sarum

and blue ground with foliate extensions into the margins, at the beginning of the prayer O intemerata (f. 45). Small initials in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue

• Miniature with the Annunciation in the lower part and an initial with a trinitary head, at the beginning of Matins in the Hours of the Virgin., Hours, Use of Rome

initials in red and blue with pen-flourishing in blue and red. Smaller initials in red with blue pen-flourishing or in blue with red pen-flourishing. Small initials in plain red or blue. Line-fillers decorated in red and blue. Hours, Use of

• Miniature of the Visitation, at the beginning of Lauds in the Hours of the Virgin., Hours, Use of Rome

initials in red and blue with pen-flourishing in blue and red. Smaller initials in red with blue pen-flourishing or in blue with red pen-flourishing. Small initials in plain red or blue. Line-fillers decorated in red and blue. Hours, Use of

• Miniature of the Nativity, at the beginning of Prime in the Hours of the Virgin., Hours, Use of Rome

initials in red and blue with pen-flourishing in blue and red. Smaller initials in red with blue pen-flourishing or in blue with red pen-flourishing. Small initials in plain red or blue. Line-fillers decorated in red and blue. Hours, Use of

• Miniature of the Annunciation to the Shepherds, at the beginning of Terce in the Hours of the Virgin., Hours, Use of Rome

initials in red and blue with pen-flourishing in blue and red. Smaller initials in red with blue pen-flourishing or in blue with red pen-flourishing. Small initials in plain red or blue. Line-fillers decorated in red and blue. Hours, Use of

• Miniature of the Adoration of the Magi, at the beginning of Sext in the Hours of the Virgin., Hours, Use of Rome

initials in red and blue with pen-flourishing in blue and red. Smaller initials in red with blue pen-flourishing or in blue with red pen-flourishing. Small initials in plain red or blue. Line-fillers decorated in red and blue. Hours, Use of

• Miniature of the Adoration of the Magi, at the beginning of Sext in the Hours of the Virgin., Hours, Use of Rome

initials in red and blue with pen-flourishing in blue and red. Smaller initials in red with blue pen-flourishing or in blue with red pen-flourishing. Small initials in plain red or blue. Line-fillers decorated in red and blue. Hours, Use of

• Miniature of the Presentation, at the beginning of None in the Hours of the Virgin., Hours, Use of Rome

initials in red and blue with pen-flourishing in blue and red. Smaller initials in red with blue pen-flourishing or in blue with red pen-flourishing. Small initials in plain red or blue. Line-fillers decorated in red and blue. Hours, Use of

• Miniature of the Flight into Egypt, at the beginning of Vespers in the Hours of the Virgin., Hours, Use of Rome

initials in red and blue with pen-flourishing in blue and red. Smaller initials in red with blue pen-flourishing or in blue with red pen-flourishing. Small initials in plain red or blue. Line-fillers decorated in red and blue. Hours, Use of

• Miniature of the Coronation, at the beginning of Compline in the Hours of the Virgin., Hours, Use of Rome

initials in red and blue with pen-flourishing in blue and red. Smaller initials in red with blue pen-flourishing or in blue with red pen-flourishing. Small initials in plain red or blue. Line-fillers decorated in red and blue. Hours, Use of

• Miniature of David, at the beginning of the Penitential Psalms., Hours, Use of Rome

initials in red and blue with pen-flourishing in blue and red. Smaller initials in red with blue pen-flourishing or in blue with red pen-flourishing. Small initials in plain red or blue. Line-fillers decorated in red and blue. Hours, Use of

• Miniature of the Crucifixion, at the beginning of the Hours of the Cross., Hours, Use of Rome

initials in red and blue with pen-flourishing in blue and red. Smaller initials in red with blue pen-flourishing or in blue with red pen-flourishing. Small initials in plain red or blue. Line-fillers decorated in red and blue. Hours, Use of

• Miniature of Pentecost, at the beginning of the Hours of the Holy Spirit., Hours, Use of Rome

initials in red and blue with pen-flourishing in blue and red. Smaller initials in red with blue pen-flourishing or in blue with red pen-flourishing. Small initials in plain red or blue. Line-fillers decorated in red and blue. Hours, Use of

• Miniature of the Crucifixion of the 11,000, at the beginning of a prayer., Hours, Use of Rome

initials in red and blue with pen-flourishing in blue and red. Smaller initials in red with blue pen-flourishing or in blue with red pen-flourishing. Small initials in plain red or blue. Line-fillers decorated in red and blue. Hours, Use of

• Illuminated border and initial. The brown ink inscription in the top right corner is a Durham cathedral press-mark., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• Puzzle initials with pen-flourishing with trefoils or spiky holly-leaf shapes., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• Puzzle initial 'D' and partial border., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological