• Illuminated initial 'V'(eritas) with a man standing on a dragon spearing an owl., Musical miscellany

in red, blue, and gold (ff. 92, 92v, 115). Large initials in gold or blue with pen-flourishing in gold, and/or red and usually blue forming a one-sided border. Small initials in gold with blue penwork decoration, or in blue with

• Illuminated initial 'B'(ulla) with foliate decoration., Musical miscellany

in red, blue, and gold (ff. 92, 92v, 115). Large initials in gold or blue with pen-flourishing in gold, and/or red and usually blue forming a one-sided border. Small initials in gold with blue penwork decoration, or in blue with

• Historiated initial 'A' with a standing Catherine, and the letter formed by an animal body and head., Musical miscellany

in red, blue, and gold (ff. 92, 92v, 115). Large initials in gold or blue with pen-flourishing in gold, and/or red and usually blue forming a one-sided border. Small initials in gold with blue penwork decoration, or in blue with

• Miniature of the Annunciation in the upper register and of the Nativity in the lower register., Psalter and Canticles

Initials in red with blue pen-flourishing or in blue with red pen-flourishing (initials in gold with blue pen-flourishing or in blue with red pen-flourishing, f. 73v), at the beginning of other Psalms. Initials in red or blue at the beginning

• Puzzle initial 'L'(a purveiance) with pen-flourishing forming a three-sided border including foliate motifs and a dragon, at the beginning of the prologue to the Livre de Sydrac., Livre de Sydrac (index Book of Sydrac; Book of Sidrac; La Fontaine de toutes sciences; Le Tresor des sciences; Le Roman du philosophe Sydrac)(ff. 1-140); Edmund's 'Mireour de seinte eglise' (index Speculum ecclesiae; Miroir de sainte eglise; Mirror of the church)(ff. 141-156); a short text in Latin attributed to Ambrose (f. 156); La vie nostre dame seinte marie' (f. 156); Robert Grosseteste's Commencement du monde (ff. 156-168)

ff. 2v, 49v, 57v, 99v, 102, 108v, 132, 132v, etc.), or with simpler blue pen-flourishing (from f. 141). Paraphs in red or blue. Line-fillers in red and/or blue, often in the shape of a fish (e.g., ff. 2v, 11). Livre

• Illuminated initials 'M'(ark) and 'T'(he) at the beginning of the prologue and Mark., New Testament, in the later Wycliffite version

Mark. Catchwords, pricking. 'Champ' initials in gold on blue and rose backgrounds with penwork decoration in white and foliate decoration with green washes and gold, at the beginning of books. Small blue initials with red pen-flourishing throughout the text. New

• Flap of the original binding., Book of Hours of the Sorrows of the Virgin

17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with dark purple pen-flourishing, at the beginning of Psalms, hymns, lections, capitula, and orationes, and smaller initials in blue with light purple pen-flourishing or in

• Text page from the Hours of the Sorrow of the Virgin, with an illuminated initial 'A'., Book of Hours of the Sorrows of the Virgin

17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with dark purple pen-flourishing, at the beginning of Psalms, hymns, lections, capitula, and orationes, and smaller initials in blue with light purple pen-flourishing or in

• Text page from the Hours of the Sorrow of the Virgin, with coloured lettering., Book of Hours of the Sorrows of the Virgin

17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with dark purple pen-flourishing, at the beginning of Psalms, hymns, lections, capitula, and orationes, and smaller initials in blue with light purple pen-flourishing or in

• Puzzle initial 'T'(he) with pen-flourishing at the beginning of the text, and ownership inscription in the upper margin., Troilus and Criseyde

are of parchment.Leaf signatures. Catchwords written horizontally. Puzzle initial in blue and red with pen-flourishing in the same colours framing the text (f. 1). 7 initials in red or blue with pen-flourishing in the other colour (ff. 20v, 51v, 52v,

• Text and pen-flourished initial 'I'(ntendimus)., Commentaries on the Ars medicine (index Ars medicinae), and other medical texts

Text and pen-flourished initial 'I'(ntendimus). Annotated by medieval readers. Initials in blue or red with pen-flourishing. Paraphs in blue or red. Rubrics in red. Marginal pen sketches of human faces or profiles (ff. 5, 11, 28, 34, 35v). Commentaries on

• Decorated initials., Breviary, imperfect at the beginning and at the end

floral sprays, some large, some small. Large initials in gold with brown pen-flourishing or in blue with red pen-flourishing. Smaller initials in gold or in blue with red penwork decoration. Breviary, imperfect at the beginning and at the end Robert

• Decorated initial 'P'(opulus)., Epitoma de Tito Livio (index Epitome of Livy)

leaves.Vertical catchwords in the inner margin. 4 large initials in red, yellow, blue, and green with foliate motifs (pp. 1, 18, 38, 60). Smaller plain initials in blue and red. Rubrics in red. Epitoma de Tito Livio (index Epitome of

• Decorated initials., Breviary, imperfect at the beginning and at the end

floral sprays, some large, some small. Large initials in gold with brown pen-flourishing or in blue with red pen-flourishing. Smaller initials in gold or in blue with red penwork decoration. Breviary, imperfect at the beginning and at the end Robert

• Decorated iInitial 'I(n) at the beginning of Ovid's Metamorphoses, and in the lower margin, a circular diagram of the Golden Chain of Macrobius, labelled in the centre ‘Aurea cathena macrobii’, with intersecting semi-circles marked ‘Ignis’, ‘calidus’, ‘aer’, ‘humidus’, etc., Metamorphoses (ff. 3-180); Commentary on the Metamorphoses (f. 181v-191); and other short texts

‘calidus’, ‘aer’, ‘humidus’, etc. Large initials in red with blue flourishing, or vice versa, the penwork ocasionally incorporating an animal or animal head (e.g., ff. 189v, 154v). Small initials alternately blue or red. 4 diagrams (ff. 3, 3v, 150v, 191v).

• Diagram of the harmony of the planets, marked with names of Saturn, Jupiter, Mars, Mercury, Venus, the Sun, and the Moon, with the page number '380' in Twysden's handwriting., Metamorphoses (ff. 3-180); Commentary on the Metamorphoses (f. 181v-191); and other short texts

'380' in Twysden's handwriting. Large initials in red with blue flourishing, or vice versa, the penwork ocasionally incorporating an animal or animal head (e.g., ff. 189v, 154v). Small initials alternately blue or red. 4 diagrams (ff. 3, 3v, 150v, 191v).

• Opening page of Cicero's Philippic orations, with a decorated intial 'A'(ntequam), and an added illuminated foliate border and heraldry., Philippics

large blue initial with later added foliate decoration, and an added full foliate border, in colours and gold, perhaps 18th century, and added arms of the Gonzaga family of Venice (f. 2). Large initials in plain red or blue at

• Decorated initial 'B'(ritanina) and the inscriptions of Edward Fox and Robert Sansfeld in the right margin., Chronicle

the inscriptions of Edward Fox and Robert Sansfeld in the right margin. Blue initial with red penwork decoration and pen-flourishing. Large simple red initials. Small red or blue initials. Yellow highlighting of letters. Simple red line-fillers. Cadels. Chronicle Inscribed, 16th

• Historiated initial 'W'(ir) with the emperor Ludwig, and partial foliate border, at the beginning of 'das recht puch das kayser ludweig gemacht hat'., Collection of laws of the German Empire (in five parts)

in colours and gold (ff. 15, 88, 108). 1 large initial in gold on a blue and red ground (f. 15). 1 large initial in blue with reserved designs, and pen-flourishing in red (f. 157). Spaces for illuminated initials left

• Decorated initial 'M'(an) and historiated initial 'Z'(w) with emperor and seven electors, and partial foliate border, at the beginning of the prologue and the 'recht puch das die pebst und keyser gemacht haben'., Collection of laws of the German Empire (in five parts)

in colours and gold (ff. 15, 88, 108). 1 large initial in gold on a blue and red ground (f. 15). 1 large initial in blue with reserved designs, and pen-flourishing in red (f. 157). Spaces for illuminated initials left