• Decorated initial 'V'(irginis) with penwork decoration containing a human head., Processional

a human head. Musical notation. A few large initials in blue with red penwork decoration or in red with brown penwork decoration. Large and small initials in plain red or blue. Processional Petrus Lauzelli, priest of the church of St.

• Detail of illuminated initial., Sonetti e canzoni (ff. 3-149v); Trionfi (index Triumphs) (ff. 150-189v); Poesie diverse (ff. 190-195v)

extensions into the margins, in colours and gold (f. 150). Smaller initials in gold on red, blue and green grounds. Smaller initials in plain blue. Spaces for initials (ff. 190-195v). Sonetti e canzoni (ff. 3-149v); Trionfi (index Triumphs) (ff. 150-189v);

• Detail of the arms of King Alfonso I of Naples., Sonetti e canzoni (ff. 3-149v); Trionfi (index Triumphs) (ff. 150-189v); Poesie diverse (ff. 190-195v)

extensions into the margins, in colours and gold (f. 150). Smaller initials in gold on red, blue and green grounds. Smaller initials in plain blue. Spaces for initials (ff. 190-195v). Sonetti e canzoni (ff. 3-149v); Trionfi (index Triumphs) (ff. 150-189v);

• Detail of text page, Aeneis (index Aeneid) , with a verse preface (ff. 1-201); Extract from Servius on Aeneis 6 (f. 202)

I is a paper flyleaf.Marginal commentary (ff. 87v to 97). 18 large initials in gold on red and blue grounds with red, blue, and brown penwork decoration (ff. 1, 1v, 2, 16, 16v, 32v, 47, 47v, 61v, 79, 79v, 97v,

• Puzzle initial 'V'(alerii), and fifteenth-century ownership inscription and pressmark of the Benedictine abbey of Santa Maria ad Martyres extra Muros, Trier., Commentarius in Valerium Maximum; Facta et dicta memorabilia

Benedictine abbey of Santa Maria ad Martyres extra Muros, Trier. 1 large puzzle initial in blue and red with red pen-flourishing (f. 1). 9 smaller blue and red puzzle initials with red pen-flourishing (ff. 2, 54v, 95v, 126v, 153, 183,

• White vine initial 'Q'(uintus) and partial border at the beginning of Cicero's De amicitia., De amicitia (ff. 2-30v), De senectute (ff. 31-58v), Paradoxa (ff. 59-72)

caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia

• White vine initial 'A'(nimadverti) at the beginning of Cicero's Paradoxa., De amicitia (ff. 2-30v), De senectute (ff. 31-58v), Paradoxa (ff. 59-72)

caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia

• In the lower margin, the ownership inscription of Margam abbey, at the beginning of the Domesday book., Domesday book (ends imperfectly)

62, 66, 70, 72, 77v, 78, 79v, 81v, 82).date checked JH Large and small initials in red with blue pen-flourishing or in blue with red pen-flourishing, some with reserved designs. Domesday book (ends imperfectly) The Cistercian abbey of St Mary,

• Flourished initials with records for Hertfordshire and Buckinghamshire in the Domesday book with small decorated initials., Domesday book (ends imperfectly)

62, 66, 70, 72, 77v, 78, 79v, 81v, 82).date checked JH Large and small initials in red with blue pen-flourishing or in blue with red pen-flourishing, some with reserved designs. Domesday book (ends imperfectly) The Cistercian abbey of St Mary,

• Marginal sketch in the lower margin, related to other marginal drawings in the manuscript, depicting royal and noble figures; with the ownership inscription Margam abbey in the upper margin., Domesday book (ends imperfectly)

62, 66, 70, 72, 77v, 78, 79v, 81v, 82).date checked JH Large and small initials in red with blue pen-flourishing or in blue with red pen-flourishing, some with reserved designs. Domesday book (ends imperfectly) The Cistercian abbey of St Mary,

• Illuminated white vine initial 'O' at the beginning of Cicero's De senectute., De amicitia (ff. 2-30v), De senectute (ff. 31-58v), Paradoxa (ff. 59-72)

caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia

• Inhabited foliate initial 'A'(bsenti) with small figures, at the beginning of Joannes de Milis's Repertorium aureum sive lexicon juridicum., Repertorium aureum sive lexicon juridicum

25v, 33, 62). 8 large puzzle initials in red and blue (ff. 79, 107, 117v, 129, 130v, 163v, 182v, 204v). 10 large and smaller initials in plain red or blue (ff. 190, 203, 283v, 284v [with reserved designs], 296, 311

• Detail of illuminated initial., De amicitia (ff. 2-30v), De senectute (ff. 31-58v), Paradoxa (ff. 59-72)

caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia

• Detail of lower border., De amicitia (ff. 2-30v), De senectute (ff. 31-58v), Paradoxa (ff. 59-72)

caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia

• Inhabited foliate initial 'A'(bsenti) with a seated man and a naked man, at the beginning of Joannes de Milis's Repertorium aureum sive lexicon juridicum., Repertorium aureum sive lexicon juridicum

25v, 33, 62). 8 large puzzle initials in red and blue (ff. 79, 107, 117v, 129, 130v, 163v, 182v, 204v). 10 large and smaller initials in plain red or blue (ff. 190, 203, 283v, 284v [with reserved designs], 296, 311

• Miniature of the Crucifixion, and full foliate border, facing the historiated initial 'T'(e) with the Instruments of the Passion of Christ, at the beginning of the 'Te igitur' in a Missal., Missal, Use of Rome

196v, 201, 203v, 206v, 227, 241v). 5 smaller puzzle initials in red and blue (ff. 193, 246v, 249v, 251, 256). Small initials in plain red or blue. Capital letters highlighted in yellow. Missal, Use of Rome The calendar includes Bernardinus,

• Calendar page and historiated initial 'A'(d) with David, at the beginning of a Missal., Missal, Use of Rome

196v, 201, 203v, 206v, 227, 241v). 5 smaller puzzle initials in red and blue (ff. 193, 246v, 249v, 251, 256). Small initials in plain red or blue. Capital letters highlighted in yellow. Missal, Use of Rome The calendar includes Bernardinus,

• Historiated initial 'R'(esurrexi) with the Resurrection of Christ, in a Missal., Missal, Use of Rome

196v, 201, 203v, 206v, 227, 241v). 5 smaller puzzle initials in red and blue (ff. 193, 246v, 249v, 251, 256). Small initials in plain red or blue. Capital letters highlighted in yellow. Missal, Use of Rome The calendar includes Bernardinus,

• White vine initial and three-sided white vine border with putti, birds, an ape, a lion, and a butterfly, at the beginning of Francesco Petrarca's I sonetti et canzoni., Sonetti e canzoni (ff. 3-149v); Trionfi (index Triumphs) (ff. 150-189v); Poesie diverse (ff. 190-195v)

extensions into the margins, in colours and gold (f. 150). Smaller initials in gold on red, blue and green grounds. Smaller initials in plain blue. Spaces for initials (ff. 190-195v). Sonetti e canzoni (ff. 3-149v); Trionfi (index Triumphs) (ff. 150-189v);

• Miniature of the miracle of saint Edmund's head: after Edmund's martyrdom, his head was hidden in a thicket, but a wolf guarded the head and protected it from other wild animals; this marginal miniature is placed next to the text of another miracle, explaining how the head cried out "Here! Here! Here!" enabling it to be found, and reunited with the body., Lives of St Edmund and St Fremund (ff. 4-46); Secrees of Old Philisoffres (ff. 52-81); Regiment of Princes (ff. 84-144v); imperfect

Large initials in gold with pink pen-flourishing. Smaller initials in blue with red pen-flourishing or in red with pink pen-flourishing gold, blue or with red pen-flourishing. Small initials in blue or red with red penwork decoration. Catchwords written on brown