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(f. 37v). 5 initials in blue with blue, red and dark purple pen-flourishing extending into the margins at the beginning of each book (ff. 10, 32, 64, 89, 140v). Coloured initials in red or blue. Polychronicon (to the 25th year
yellow, gold or white on a red, green or blue panel. Initials in gold on a ground combining blue, red and green (from f. 91). Coloured initials in gold or blue (ff. 11-20v). Historia naturalis (index Natural history) Aeneas Silvius
in blue for minor divisions. Square capitals used as display script with words in blue or gold (f. 1).Initials attributed to Gioacchino de Gigantibus (the parrots characteristic of his style). Square capitals used as display script with words in blue
colours and gold, at the beginning of the books (ff. 1, 25v). Small initials in plain red or blue. De iustitia et iure Paolo Mauroceni, senator of Venice and governor of Lombardy: dedicated to him 'Ad clarissimum virum Paulum Maurocenum
colours and gold, at the beginning of the books (ff. 1, 25v). Small initials in plain red or blue. De iustitia et iure Paolo Mauroceni, senator of Venice and governor of Lombardy: dedicated to him 'Ad clarissimum virum Paulum Maurocenum
cityscape. Small initials in gold on a blue field. Headings in multi-coloured and gold display capitals.The small gold-on-blue initials change after fol. 62v (the end of quire 6): the edges of the blue field are usually indented up to this
23v, 57, 70, 76, 80v, 84v, 89, 96v, 115). Smaller and small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Paris Sir Hans Sloane (b. 1660, d. 1753), baronet, physician and collector: inscribed
23v, 57, 70, 76, 80v, 84v, 89, 96v, 115). Smaller and small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Paris Sir Hans Sloane (b. 1660, d. 1753), baronet, physician and collector: inscribed
large initials in gold on red and blue grounds at the beginning of the litany and the Obsecro te (ff. 98v, 147v). Small initials and line fillers in gold on red and blue grounds. Book of Hours, unidentified Use Unidentified
large initials in gold on red and blue grounds at the beginning of the litany and the Obsecro te (ff. 98v, 147v). Small initials and line fillers in gold on red and blue grounds. Book of Hours, unidentified Use Unidentified
of two bishops in green, red, and brown on a blue ground (f. 1). 2 large initials with animals or animals heads in red, green, and brown, or also with blue (ff. 1, 18v). Simple initials in red or green,
colours and gold, with three-sided border incorporating arms. Small initials in gold on a ground of red, blue, and green; or in plain blue. De caelesti hierarchia (ff. 3-117), De mystica theologia (ff. 117v-120v), and Epistolae (ff. 120v-135v), preceded (ff.
colours and gold, with three-sided border incorporating arms. Small initials in gold on a ground of red, blue, and green; or in plain blue. De caelesti hierarchia (ff. 3-117), De mystica theologia (ff. 117v-120v), and Epistolae (ff. 120v-135v), preceded (ff.
colours and gold, with three-sided border incorporating arms. Small initials in gold on a ground of red, blue, and green; or in plain blue. De caelesti hierarchia (ff. 3-117), De mystica theologia (ff. 117v-120v), and Epistolae (ff. 120v-135v), preceded (ff.
incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),
incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),
incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),
caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia
caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia
caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia