• Text page with colophon of Franciscus de Camuciis supplied by Bartolomeo Sanvito in epigraphic captials., Aeneid (index Aeneis), with Pseudo-Ovid (prologues)

the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of

• Detail of Illuminated initial 'O'., Aeneid (index Aeneis), with Pseudo-Ovid (prologues)

the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of

• Table of eclipses of the sun., Astronomical Calendar

Man, in an arrow-shaped space (f. 12). 1 circular diagram entitled 'Tabula Paschalis' and eclipses of sun and moon, in blue and gold or in black and white, in red roundels (ff. 12v-14). Initials in colours and, at the beginning

• Illuminated initial 'A'(d honorem) at the beginning of John Somer's preface., Astronomical Calendar

Man, in an arrow-shaped space (f. 12). 1 circular diagram entitled 'Tabula Paschalis' and eclipses of sun and moon, in blue and gold or in black and white, in red roundels (ff. 12v-14). Initials in colours and, at the beginning

• Decorated initial 'D'(omine) with foliate borders., Missal, Augustinian use

decorated initials, in colours and gold (ff. 28v, 38 (x2), 38v, 114 (x2), 115 (x2)). Small initials in plain red, blue or green, a few with pen-flourishing or penwork decoration in green, red or brown.ff. 148-250v: 1 large initial in

• Ink sketch of a decorated initial 'P'(uer) with foliate borders., Missal, Augustinian use

decorated initials, in colours and gold (ff. 28v, 38 (x2), 38v, 114 (x2), 115 (x2)). Small initials in plain red, blue or green, a few with pen-flourishing or penwork decoration in green, red or brown.ff. 148-250v: 1 large initial in

• Table of Virtues in the form of a tree, with coats of arms, a partial rinceaux border, and two wild men wielding clubs., Ethica (index Ethics); De quatuor virtutibus (index On the Four Virtues)

119). Initials in red and blue with red and black pen-flourishing and penwork decoration (ff. 12, 21v, 33v, 46, 58v, 67, 80v, 92v, 104v). Smaller initials and paraphs in blue or red. Running headers in blue and red. Rubrics in

• Illuminated initial on a text page., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Historiated initial with the dove of the Holy Spirit., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Historiated initial with an angel., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• null, Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Detail of an historiated initial 'O' of Christ rising from the tomb., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Detail of an historiated initial 'D' of Christ in glory, displaying his wounds., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Detail of an historiated initial 'D' of clerics and mourners surrounding a black-draped coffin., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Detail of an historiated initial 'B' of a soul being lifted from the grave by two angels., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'M'(oicti), and full border, at the beginning of Book 2., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'A'(ussi), and full border, at the beginning of Book 3., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Detail of a miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 2., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Detail of a miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 3., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Historiated initial 'D'(omine) of the Annunciation, with floral borders with a peacock, owl, and a bear playing bagpipes, at the beginning of Matins of the Virgin., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours