• null, Facta et dicta memorabilia (ff. 2-179v), followed by a capitula list (ff. 180-181)

by a three-sided border (f. 2). Large initials in gold on grounds of red and blue. Small initials alternately red with blue flourishing, or blue with red flourishing. Facta et dicta memorabilia (ff. 2-179v), followed by a capitula list (ff.

• null, Facta et dicta memorabilia (ff. 2-179v), followed by a capitula list (ff. 180-181)

by a three-sided border (f. 2). Large initials in gold on grounds of red and blue. Small initials alternately red with blue flourishing, or blue with red flourishing. Facta et dicta memorabilia (ff. 2-179v), followed by a capitula list (ff.

• Puzzle initial 'P'(aschales) below a rubric with the date 1465 in medieval arabic numerals, at the beginning of a prologue, Carmen paschale; Hymns; Psychomachia; Cathemerinon; Peristephanon; etc.

are notes by Barthélemy Mercier (b. 1734 d. 1799), abbé de St.-Léger. Large and small puzzle initials in red and blue. Carmen paschale; Hymns; Psychomachia; Cathemerinon; Peristephanon; etc. Apparently written in 1465: a rubric reads 'Prologus sedulij primus incipit 1465'

• null, Carmen paschale; Hymns; Psychomachia; Cathemerinon; Peristephanon; etc.

abbé de St.-Léger. Large and small puzzle initials in red and blue. Carmen paschale; Hymns; Psychomachia; Cathemerinon; Peristephanon; etc. Apparently written in 1465: a rubric reads 'Prologus sedulij primus incipit 1465' (f. 7v).The Celestine convent of the Holy Trinity, Marcoussis,

• null, Comediae (index Comedies), preceded by arguments and prologues: Andria (ff. 1-27v), Eunuchus (ff. 28-57v), Heauton tirorumenos (ff. 58-87), Adelphoe (f. 87-113v), Hecyra (ff. 114-137v), Phormio (ff. 138-166v)

and shell gold, at the beginnings of the arguments (ff. 28, 29v, 58, 87, 114, 114v, 138). Small initials alternately blue or red. Headings in red capitals Comediae (index Comedies), preceded by arguments and prologues: Andria (ff. 1-27v), Eunuchus (ff.

• null, Commentary on the Psalms (imperfect, starting in the middle of the commentary on Psalm 9 and ending in the middle of the commentary on Psalm 146)

painted initial with acanthus leaf decoration at the beginning of Psalm 68 (f. 111), and other large and small red, blue, green, and yellow simple initials, some decorated around the letter or in the bowl with simple patterns in other

• null, Commentary on the Psalms (imperfect, starting in the middle of the commentary on Psalm 9 and ending in the middle of the commentary on Psalm 146)

painted initial with acanthus leaf decoration at the beginning of Psalm 68 (f. 111), and other large and small red, blue, green, and yellow simple initials, some decorated around the letter or in the bowl with simple patterns in other

• Decorated initials., Catalan version of the Old Testament (Genesis to Psalms)

257v, 264v, 272, 286). 9 large puzzle initials in blue and red with pen-flourishing in red and purple (ff. 136v, 208, 208v, 239, 252, 257v, 264, 271v, 286). Large initials in blue with red pen-flourishing, or in red with purple

• Illuminated initial 'A' with a duck and bird, and puzzle initial 'I' at the beginning of Psalms., Catalan version of the Old Testament (Genesis to Psalms)

257v, 264v, 272, 286). 9 large puzzle initials in blue and red with pen-flourishing in red and purple (ff. 136v, 208, 208v, 239, 252, 257v, 264, 271v, 286). Large initials in blue with red pen-flourishing, or in red with purple

• Historiated initial with God in Majesty, and roundels of the days of Creation in the margins., Catalan version of the Old Testament (Genesis to Psalms)

257v, 264v, 272, 286). 9 large puzzle initials in blue and red with pen-flourishing in red and purple (ff. 136v, 208, 208v, 239, 252, 257v, 264, 271v, 286). Large initials in blue with red pen-flourishing, or in red with purple

• Illuminated intial 'A'(rma) and foliate bar border., Aeneid (index Aeneis), with Pseudo-Ovid (prologues)

the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of

• Illuminated initial 'O'(ceanu)., Aeneid (index Aeneis), with Pseudo-Ovid (prologues)

the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of

• Text page with colophon of Franciscus de Camuciis supplied by Bartolomeo Sanvito in epigraphic captials., Aeneid (index Aeneis), with Pseudo-Ovid (prologues)

the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of

• Detail of Illuminated initial 'O'., Aeneid (index Aeneis), with Pseudo-Ovid (prologues)

the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of

• Table of eclipses of the sun., Astronomical Calendar

Man, in an arrow-shaped space (f. 12). 1 circular diagram entitled 'Tabula Paschalis' and eclipses of sun and moon, in blue and gold or in black and white, in red roundels (ff. 12v-14). Initials in colours and, at the beginning

• Illuminated initial 'A'(d honorem) at the beginning of John Somer's preface., Astronomical Calendar

Man, in an arrow-shaped space (f. 12). 1 circular diagram entitled 'Tabula Paschalis' and eclipses of sun and moon, in blue and gold or in black and white, in red roundels (ff. 12v-14). Initials in colours and, at the beginning

• Decorated initial 'D'(omine) with foliate borders., Missal, Augustinian use

decorated initials, in colours and gold (ff. 28v, 38 (x2), 38v, 114 (x2), 115 (x2)). Small initials in plain red, blue or green, a few with pen-flourishing or penwork decoration in green, red or brown.ff. 148-250v: 1 large initial in

• Ink sketch of a decorated initial 'P'(uer) with foliate borders., Missal, Augustinian use

decorated initials, in colours and gold (ff. 28v, 38 (x2), 38v, 114 (x2), 115 (x2)). Small initials in plain red, blue or green, a few with pen-flourishing or penwork decoration in green, red or brown.ff. 148-250v: 1 large initial in

• Table of Virtues in the form of a tree, with coats of arms, a partial rinceaux border, and two wild men wielding clubs., Ethica (index Ethics); De quatuor virtutibus (index On the Four Virtues)

119). Initials in red and blue with red and black pen-flourishing and penwork decoration (ff. 12, 21v, 33v, 46, 58v, 67, 80v, 92v, 104v). Smaller initials and paraphs in blue or red. Running headers in blue and red. Rubrics in

• Historiated initial with the dove of the Holy Spirit., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours