• Interlace initial 'N'(untiatum), at the beginning of Book 12 of Aulus Gellius's Noctes Atticae., Noctes Atticae, with list of chapters (ff. 1-2)

cityscape. Small initials in gold on a blue field. Headings in multi-coloured and gold display capitals.The small gold-on-blue initials change after fol. 62v (the end of quire 6): the edges of the blue field are usually indented up to this

• Initial 'P'(lutarchus) decorated with foliate decoration in the style of 'white vine', but coloured, and full borders incorporating putti, birds, animals, buildings, at the beginning of Aulus Gellius's Noctes Atticae., Noctes Atticae, with list of chapters (ff. 1-2)

cityscape. Small initials in gold on a blue field. Headings in multi-coloured and gold display capitals.The small gold-on-blue initials change after fol. 62v (the end of quire 6): the edges of the blue field are usually indented up to this

• Detail of the heraldic arms of Ludovico Maria Sforza, at the beginning of Aulus Gellius's Noctes Atticae, from the lower border., Noctes Atticae, with list of chapters (ff. 1-2)

cityscape. Small initials in gold on a blue field. Headings in multi-coloured and gold display capitals.The small gold-on-blue initials change after fol. 62v (the end of quire 6): the edges of the blue field are usually indented up to this

• Initial 'P'(lutarchus) decorated with foliate decoration in the style of 'white vine', but coloured, at the beginning of Aulus Gellius's Noctes Atticae., Noctes Atticae, with list of chapters (ff. 1-2)

cityscape. Small initials in gold on a blue field. Headings in multi-coloured and gold display capitals.The small gold-on-blue initials change after fol. 62v (the end of quire 6): the edges of the blue field are usually indented up to this

• Detail of border., Noctes Atticae, with list of chapters (ff. 1-2)

cityscape. Small initials in gold on a blue field. Headings in multi-coloured and gold display capitals.The small gold-on-blue initials change after fol. 62v (the end of quire 6): the edges of the blue field are usually indented up to this

• Miniature of David in Prayer, at the beginning of the Penitential Psalms., Book of Hours, Use of Rome

2 lines) in gold on red and blue grounds, with sprays and flowers. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in red, blue and gold. Book of Hours, Use of

• Miniature of the Adoration of the Magi, Virgin and child sitting in a bed, decorated initial 'D'(eus), and full foliate border, at the beginning of Sext in the Hours of the Virgin., Book of Hours, Use fo Tournai

126, 126v, 127v, 128). Smaller initials in gold on red and blue grounds. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in blue. Book of Hours, Use fo Tournai Calendar with a choice

• Coloured print with Christ as the Man of Sorrows surrounded by symbols of the Passion pasted to a page painted in red covered with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

the Rosary (f. 2v). 1 large decorated initial, in red and blue (f. 29). Small initials in plain red or blue. 1 headpiece with roses, in red and blue (f. 29v). Psalter and Rosary of the Virgin (from f. 27),

• Coloured print with the symbols of the Passion pasted to a page painted in red covered with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

the Rosary (f. 2v). 1 large decorated initial, in red and blue (f. 29). Small initials in plain red or blue. 1 headpiece with roses, in red and blue (f. 29v). Psalter and Rosary of the Virgin (from f. 27),

• Pages painted black with red drops of blood, representing the wounds of Christ, worn, perhaps as the result of kissing., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

the Rosary (f. 2v). 1 large decorated initial, in red and blue (f. 29). Small initials in plain red or blue. 1 headpiece with roses, in red and blue (f. 29v). Psalter and Rosary of the Virgin (from f. 27),

• Print with the Virgin nursing the Child., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

the Rosary (f. 2v). 1 large decorated initial, in red and blue (f. 29). Small initials in plain red or blue. 1 headpiece with roses, in red and blue (f. 29v). Psalter and Rosary of the Virgin (from f. 27),

• Pages painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

the Rosary (f. 2v). 1 large decorated initial, in red and blue (f. 29). Small initials in plain red or blue. 1 headpiece with roses, in red and blue (f. 29v). Psalter and Rosary of the Virgin (from f. 27),

• Decorated initial., Commentary on the Ethics of Aristotle

Musical notation: square notation on four-line red staves. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing, with decorated extensions in red and blue. Commentary on the Ethics of Aristotle f. 2: from the same manuscript

• Page painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

the Rosary (f. 2v). 1 large decorated initial, in red and blue (f. 29). Small initials in plain red or blue. 1 headpiece with roses, in red and blue (f. 29v). Psalter and Rosary of the Virgin (from f. 27),

• Puzzle initial., Les Ethiques d'Aristote

by a large initial in gold on a red and blue ground (f. 1). 2 large puzzle initials in red and blue (ff. 31, 51). 7 large initials in plain blue (ff. 88, 119, 158, 183, 219, 249, 282). Small

• Page painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

the Rosary (f. 2v). 1 large decorated initial, in red and blue (f. 29). Small initials in plain red or blue. 1 headpiece with roses, in red and blue (f. 29v). Psalter and Rosary of the Virgin (from f. 27),

• Page painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

the Rosary (f. 2v). 1 large decorated initial, in red and blue (f. 29). Small initials in plain red or blue. 1 headpiece with roses, in red and blue (f. 29v). Psalter and Rosary of the Virgin (from f. 27),

• Illuminated white vine-stem initial 'Q'(uid) at the beginning of Book II of Martial's Epigrams; the text attributed to Pomponio Leto., Epigrams, preceeded by the Liber de Spectaculis (ff. 1-5, imperfect)

in blue for minor divisions. Square capitals used as display script with words in blue or gold (f. 1).Initials attributed to Gioacchino de Gigantibus (the parrots characteristic of his style). Square capitals used as display script with words in blue

• Opening of Martial's Liber de Spectaculis, with the title in the square capitals attributed to Bartolomeo Sanvito, and the text to Pompino Leto, with the illuminated white vine-stem initial 'B'(arbara)., Epigrams, preceeded by the Liber de Spectaculis (ff. 1-5, imperfect)

in blue for minor divisions. Square capitals used as display script with words in blue or gold (f. 1).Initials attributed to Gioacchino de Gigantibus (the parrots characteristic of his style). Square capitals used as display script with words in blue

• Illuminated initial 'Q'(uae) and lower border with white vine-stem decoration, green parrots, and putti holding a wreath (left blank, perhaps for the addition of a coat of arms)., Epigrams, preceeded by the Liber de Spectaculis (ff. 1-5, imperfect)

in blue for minor divisions. Square capitals used as display script with words in blue or gold (f. 1).Initials attributed to Gioacchino de Gigantibus (the parrots characteristic of his style). Square capitals used as display script with words in blue