• Coloured initials., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

a rectangular border in red, green, and blue (f. 3v). Large interlace initials with animal heads in brown and red (ff. 2, 4, 45). Large initials in red or green (one in blue), some with penwork decoration, 3 including of

• Coloured and decorated initials., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

a rectangular border in red, green, and blue (f. 3v). Large interlace initials with animal heads in brown and red (ff. 2, 4, 45). Large initials in red or green (one in blue), some with penwork decoration, 3 including of

• Diagram., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

a rectangular border in red, green, and blue (f. 3v). Large interlace initials with animal heads in brown and red (ff. 2, 4, 45). Large initials in red or green (one in blue), some with penwork decoration, 3 including of

• Historiated initial with the Adoration of the Magi at Sext in the Hours of the Virgin, with a hybrid creature in the lower margin., Psalter-Hours

with foliate decoration. Numerous small initials in blue with red penwork decoration or in gold with dark blue penwork. Larger initials with cadels in brown ink (f. 226v, 228v). Line-fillers in gold, blue and red ink (some with fish or

• Coloured initials with the hymns for vespers on the day for the commemoration of the birth of Cuthbert. The words of the songs are written in black, while the terms identifying them (such as 'a' for 'antiphon', 'pt' for 'psalm' or 'responsory') are written in red. Above each line, the music is written in Breton neumes., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

a rectangular border in red, green, and blue (f. 3v). Large interlace initials with animal heads in brown and red (ff. 2, 4, 45). Large initials in red or green (one in blue), some with penwork decoration, 3 including of

• Decorated initial 'O' at the beginning of a series of hymns added to the manuscript in the middle of the twelfth century., Canticles, litany, and collects (ff. 135-144v); Hymnal and Office of the Dead (ff. 147-170v)

some charters for King Cnut. Large initials in red, green, yellow, and blue with foliate decoration (ff. 147, 162v). Large and small initials in green, red, yellow, or blue, some with simple penwork decoration, sometimes in another colour or colours.

• Large decorated initial 'N'., De officiis ministrorum

in green with penwork decoration. Two large initials in red, one with penwork decoration in blue (f. 1), and one in green (f. 80). Numerous small initials in red with penwork decoration. Rubrics in red. Paraphs and capitals highlighted in

• Detail of a miniature of the Greek army., Historia destructionis Troiae in a French translation

85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription

• Detail of a miniature of a battle between Greeks and Trojans., Historia destructionis Troiae in a French translation

85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription

• Detail of Priam and another king in tents., Historia destructionis Troiae in a French translation

85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription

• Detail of a miniature of negotiations for peace., Historia destructionis Troiae in a French translation

85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription

• Detail of a miniature of the murder of Agamemnon., Historia destructionis Troiae in a French translation

85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription

• Detail of a miniature of the death of Aegisthus., Historia destructionis Troiae in a French translation

85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription

• Detail of a miniature of the death of Philisthenes and Menelippus., Historia destructionis Troiae in a French translation

85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription

• Detail of a miniature of the death of Telegonus., Historia destructionis Troiae in a French translation

85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription

• Canon tables in architectural frames, with decorated capitals and bases., Gospels, with the Epistle to Damasus, canon tables, and prefaces

in small Roman numerals. Canon tables in decorated architectural frames in green, red, blue, and yellow (ff. 9v-13v). 6 large initials in brown, with painted decoration in colours, at the beginning of Gospels or prologues (ff. 14, 51, 73, 77v,

• Canon table in an architectural frame, and decorated initial 'L'(iber) at the beginning of the Gospel of Mathew., Gospels, with the Epistle to Damasus, canon tables, and prefaces

of Mathew. Quire signatures in small Roman numerals. Canon tables in decorated architectural frames in green, red, blue, and yellow (ff. 9v-13v). 6 large initials in brown, with painted decoration in colours, at the beginning of Gospels or prologues (ff.

• Miniature of the Ascension., Gospel Lectionary, imperfect

silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures

• Anitphon with neumes., Fragments of an Antiphoner including parts of offices for Lawrence, Hippolitus, and Peter and Paul

the Laws of Alfred and Ine (f. 42). Large simple initials in green or red; small initial and rubrication in blue or red; the original order of leaves: ff. 71, 72, 70, 69. Musical notation: Anglo-Saxon neumes, England (Canterbury), 11th

• Miniature of the Ascension., Gospel Lectionary, imperfect

silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures