• Initial 'A' with filigree decoration., Leaves from an Antiphoner (index antiphonal, antiphonary)

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

• Historiated initial 'T' of a Romanesque church with a rose window by a lake, measuring 100 x 115. On the reverse, partial four-line stave, musical notation and text: '...deficit'., Cuttings from a Gradual

of a Romanesque church with a rose window by a lake, measuring 100 x 115. On the reverse, partial four-line stave, musical notation and text: '...deficit'. Italian cuttings.The present cuttings are bound in an album with other cuttings and leaves

• Initial 'A' with penwork decoration, Sermons, letters and tracts

or blue at the beginning of lines and verses (ff. 60-89). Rubrics in red. Sermons, letters and tracts The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 155 in Patrick Young's 1622 catalogue of the cathedral

• Text page with note perhaps in the hand of Patrick Young., Synonyma, Homilies, Commentaries on the Song of Songs

in red (f. 1) or brown. Rubrics in rustic capitals. Synonyma, Homilies, Commentaries on the Song of Songs The cathedral church of St Mary, Salisbury: probably to be identified with no. 31 in Patrick Young's 1622 catalogue of the cathedral

• Historiated initial 'I' of a saint., Cuttings from a choir book

the Manuscripts Reading Room order Add. 29902.Musical notation. 11 historiated initials in colours and gold, of the dedication of a church (f. 3a); Christ's Entry into Jerusalem (f. 3b); the Nativity and the Annunciation to the Shepherds (f. 3c); a

• Historiated initial 'L' of a deacon saint in an act of charity., Cuttings from a choir book

the Manuscripts Reading Room order Add. 29902.Musical notation. 11 historiated initials in colours and gold, of the dedication of a church (f. 3a); Christ's Entry into Jerusalem (f. 3b); the Nativity and the Annunciation to the Shepherds (f. 3c); a

• Historiated initial 'U' of the Assumption of the Virgin., Cuttings from a choir book

the Manuscripts Reading Room order Add. 29902.Musical notation. 11 historiated initials in colours and gold, of the dedication of a church (f. 3a); Christ's Entry into Jerusalem (f. 3b); the Nativity and the Annunciation to the Shepherds (f. 3c); a

• Historiated initial 'I' of the Circumcision., Cuttings from a choir book

the Manuscripts Reading Room order Add. 29902.Musical notation. 11 historiated initials in colours and gold, of the dedication of a church (f. 3a); Christ's Entry into Jerusalem (f. 3b); the Nativity and the Annunciation to the Shepherds (f. 3c); a

• Historiated initial 'C' of Christ, a female saint and musicians., Cuttings from a choir book

the Manuscripts Reading Room order Add. 29902.Musical notation. 11 historiated initials in colours and gold, of the dedication of a church (f. 3a); Christ's Entry into Jerusalem (f. 3b); the Nativity and the Annunciation to the Shepherds (f. 3c); a

• Initial 'S' with decoration., Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews

penwork decoration in colours. Small initials and rubrics in red. Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 154 in Patrick Young's 1622 catalogue of the cathedral

• Initial 'Q' with foliate decoration., Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews

penwork decoration in colours. Small initials and rubrics in red. Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 154 in Patrick Young's 1622 catalogue of the cathedral

• Puzzle initial 'H' with foliate decoration., Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews

penwork decoration in colours. Small initials and rubrics in red. Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 154 in Patrick Young's 1622 catalogue of the cathedral

• Puzzle initial 'H' with foliate decoration., Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews

penwork decoration in colours. Small initials and rubrics in red. Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 154 in Patrick Young's 1622 catalogue of the cathedral

• Puzzle initial 'U' with foliate decoration., Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews

penwork decoration in colours. Small initials and rubrics in red. Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 154 in Patrick Young's 1622 catalogue of the cathedral

• Initial 'S' with foliate decoration., Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews

penwork decoration in colours. Small initials and rubrics in red. Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 154 in Patrick Young's 1622 catalogue of the cathedral

• Miniature of a standing John Chrysostom., Leitourgikon (containing the texts needed by the celebrant at the Eucharist in the Orothodox church: Liturgies of John Chrysostom, Basil the Great, and the Presanctified)

Initials in blue. Text in red. Leitourgikon (containing the texts needed by the celebrant at the Eucharist in the Orothodox church: Liturgies of John Chrysostom, Basil the Great, and the Presanctified) Written in 1644 by Michael, oikonomos, or treasurer of

• Miniature of a standing Basil., Leitourgikon (containing the texts needed by the celebrant at the Eucharist in the Orothodox church: Liturgies of John Chrysostom, Basil the Great, and the Presanctified)

Initials in blue. Text in red. Leitourgikon (containing the texts needed by the celebrant at the Eucharist in the Orothodox church: Liturgies of John Chrysostom, Basil the Great, and the Presanctified) Written in 1644 by Michael, oikonomos, or treasurer of

• Detail of a coloured drawing depicting idol worship and blood-sacrifice at the church of Calamye., Travels (index Itinerarium)

idol worship and blood-sacrifice at the church of Calamye. Written in a Norfolk dialect. Combination of the beginning of text B with the end of text A (Doyle, 1986).Made in a vertical quarto shape, perhaps for travel or for carrying:

• Calendar page for February, with the dedication of the church of St. Lawrence, Ludlow (the largest parish church in Shropshire): about half-way down the page, written in red ink at 13 February, is 'Dedicacion de la eglise seint Laurence de Lodelawe'., Miscellany, including a calendar, Psalter with prayers and Hours of the Virgin, imperfect, Bestiaire d'amour; Rules, and the Chronicle of Turpin (see Notes)

Calendar page for February, with the dedication of the church of St. Lawrence, Ludlow (the largest parish church in Shropshire): about half-way down the page, written in red ink at 13 February, is 'Dedicacion de la eglise seint Laurence de

• Initials with penwork decoration for the month of April in the liturgical calendar., 'Liber memorandum prioratus de Barnwell', a collection of material relating to the history and organisation of the Augustinian priory of St. Giles, Barnwell ('The Barnwell cartulary', 'The Barnwell register'), divided into 8 books, preceded by a calendar (ff. 2*-7*v) and including copies of a few royal and other charters

book of things to be remembered about the conventual church of Barnwell'; two principal feasts included in the liturgical calendar relate to the church of Barnwell: the dedication of St Giles's church on 22 April, its octave on the 29