• Decorated initial 'D'(ominus) at the beginning of Psalm 22., Psalter, in the Roman version, with Old English gloss, and 12 canticles

century (ff. 9, 29v, 62v, 69).The Benedictine abbey of Christ Church, Canterbury: Christ Church pressmark 'r' with a title 'Psalteriu[m] s[anc]ti Jeronimi glosatu[m]', 12th century (f. 8) and Christ Church script, 11th century (ff. 197-198, according to Ker, 1957).Thomas Cranmer

• Initial 'D'(ixit) at the beginning of Psalm 109., Psalter, in the Roman version, with Old English gloss, and 12 canticles

century (ff. 9, 29v, 62v, 69).The Benedictine abbey of Christ Church, Canterbury: Christ Church pressmark 'r' with a title 'Psalteriu[m] s[anc]ti Jeronimi glosatu[m]', 12th century (f. 8) and Christ Church script, 11th century (ff. 197-198, according to Ker, 1957).Thomas Cranmer

• Initial 'Q'(omodo) with a human face, at the beginning of Psalm 118., Psalter, in the Roman version, with Old English gloss, and 12 canticles

century (ff. 9, 29v, 62v, 69).The Benedictine abbey of Christ Church, Canterbury: Christ Church pressmark 'r' with a title 'Psalteriu[m] s[anc]ti Jeronimi glosatu[m]', 12th century (f. 8) and Christ Church script, 11th century (ff. 197-198, according to Ker, 1957).Thomas Cranmer

• Initial 'Q'(uicumque) with a human face., Psalter, in the Roman version, with Old English gloss, and 12 canticles

century (ff. 9, 29v, 62v, 69).The Benedictine abbey of Christ Church, Canterbury: Christ Church pressmark 'r' with a title 'Psalteriu[m] s[anc]ti Jeronimi glosatu[m]', 12th century (f. 8) and Christ Church script, 11th century (ff. 197-198, according to Ker, 1957).Thomas Cranmer

• Miniature of a church with two towers and a large censer in front of it, and decorated initial 'D'(eus) accompanying texts concerning the dedication of a church., Collectar ('The Ottobeuren Collectar')

Miniature of a church with two towers and a large censer in front of it, and decorated initial 'D'(eus) accompanying texts concerning the dedication of a church. 1 bifolium (ff. 19-22) has been misbound: f. 19 should follow f. 17,

• Initial 'S' with decoration., Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews

penwork decoration in colours. Small initials and rubrics in red. Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 154 in Patrick Young's 1622 catalogue of the cathedral

• Initial 'Q' with foliate decoration., Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews

penwork decoration in colours. Small initials and rubrics in red. Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 154 in Patrick Young's 1622 catalogue of the cathedral

• Puzzle initial 'H' with foliate decoration., Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews

penwork decoration in colours. Small initials and rubrics in red. Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 154 in Patrick Young's 1622 catalogue of the cathedral

• Puzzle initial 'H' with foliate decoration., Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews

penwork decoration in colours. Small initials and rubrics in red. Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 154 in Patrick Young's 1622 catalogue of the cathedral

• Puzzle initial 'U' with foliate decoration., Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews

penwork decoration in colours. Small initials and rubrics in red. Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 154 in Patrick Young's 1622 catalogue of the cathedral

• Initial 'S' with foliate decoration., Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews

penwork decoration in colours. Small initials and rubrics in red. Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 154 in Patrick Young's 1622 catalogue of the cathedral

• Flourished initials and marginal drawing of a hand holding a fishing rod, line, and hook., De fide orthodoxa

by the later provenance, and by the marginal glosses and chapter numbering in arabic numerals.Hannibal Gamon (bap. 1582, d. 1650/51), Church of England clergyman: inscribed 'Hannibal Gamon. Tandem -- D.O.M.' (f. 1); Gammon aided Richard, 1st Baron Robartes, in collecting

• Initial 'C'(onversione) decorated with foliate forms., Miscellaneous theological texts

Mary, Bohéries, Picardy (founded in 1141 from Foigny): the calendar (ff. 74-79v) has the added (13th century) dedication of the church at 15 October, highly graded with 12 lessons; use of the punctus flexus punctuation mark. Inscribed 'Ceste present liure

• Initial 'N'(atura), table of chapters, and a circular diagram, with evidence of having been made using a compass., Miscellaneous theological texts

Mary, Bohéries, Picardy (founded in 1141 from Foigny): the calendar (ff. 74-79v) has the added (13th century) dedication of the church at 15 October, highly graded with 12 lessons; use of the punctus flexus punctuation mark. Inscribed 'Ceste present liure

• Circular diagram, with evidence of having been made using a compass., Miscellaneous theological texts

Mary, Bohéries, Picardy (founded in 1141 from Foigny): the calendar (ff. 74-79v) has the added (13th century) dedication of the church at 15 October, highly graded with 12 lessons; use of the punctus flexus punctuation mark. Inscribed 'Ceste present liure

• Initial 'C'(onversione) decorated with foliate forms., Miscellaneous theological texts

Mary, Bohéries, Picardy (founded in 1141 from Foigny): the calendar (ff. 74-79v) has the added (13th century) dedication of the church at 15 October, highly graded with 12 lessons; use of the punctus flexus punctuation mark. Inscribed 'Ceste present liure

• null, De fide orthodoxa

by the later provenance, and by the marginal glosses and chapter numbering in arabic numerals.Hannibal Gamon (bap. 1582, d. 1650/51), Church of England clergyman: inscribed 'Hannibal Gamon. Tandem -- D.O.M.' (f. 1); Gammon aided Richard, 1st Baron Robartes, in collecting

• Detail of a bas-de-page scene of a man ringing a church bell with another kneeling behind him; to their right, a priest is at an altar., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

of a man ringing a church bell with another kneeling behind him; to their right, a priest is at an altar. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the

• Detail of a miniature of the consecration of a church, with a foliate initial 'D'(e), at the beginning of pars 3, De consecratione., Decretum, with the Glossa ordinaria

of the consecration of a church, with a foliate initial 'D'(e), at the beginning of pars 3, De consecratione. Illuminated by the artist of Bibliothèque nationale, lat. 830, a Missal for Paris use, and Giessen, Universitatsbibliothek 945, Justinian's Codex in

• Puzzle initial 'Q'(uod) and pen-flourished initial 'D'(e)., Compendium of theological truths in seven books with an alphabetical index (ff. 128-135v) (index Compendium theologiae veritatis)

church of the Holy Cross, Crediton, Devon, 14th century (see Wright 1972).William Mugg, 16th century: his 'ex libris' and an ownership inscription recording his gift of the manuscript to Gerorge Mason (f. 1).George Mason, last dean of the Collegiate