• Coloured drawing of the Crucifixion., Passion poem

10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f. 1). Passion poem Sancreed church (Cornwall): thought to have been found in Sancreed church.John Anstis the elder (b. 1669, d. 1744), herald and antiquary: his gift to Robert

• Coloured drawing of the Trinity at the beginning of the text., Passion poem

6v, 7v, 9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f. 1). Passion poem Sancreed church (Cornwall): thought to have been found in Sancreed church.John Anstis the elder (b. 1669, d. 1744), herald and antiquary: his

• Coloured drawing of the Original Sin, with Adam and Eve on either side of the tree., Passion poem

2, 6v, 7v, 9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f. 1). Passion poem Sancreed church (Cornwall): thought to have been found in Sancreed church.John Anstis the elder (b. 1669, d. 1744), herald and antiquary:

• Coloured drawing of the Betrayal with Judas kissing Christ and soldiers standing by., Passion poem

2, 6v, 7v, 9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f. 1). Passion poem Sancreed church (Cornwall): thought to have been found in Sancreed church.John Anstis the elder (b. 1669, d. 1744), herald and antiquary:

• Coloured drawing of Christ before Pilate., Passion poem

9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f. 1). Passion poem Sancreed church (Cornwall): thought to have been found in Sancreed church.John Anstis the elder (b. 1669, d. 1744), herald and antiquary: his gift to

• Coloured drawing of the Carrying of the Cross., Passion poem

7v, 9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f. 1). Passion poem Sancreed church (Cornwall): thought to have been found in Sancreed church.John Anstis the elder (b. 1669, d. 1744), herald and antiquary: his gift

• Initial with penwork decoration., St David's Register and Statute Book, including copies of episcopal, royal and papal documents and grants, imperfect

David's 1509-1522 (see Harper 2007).The Catholic church of St David's, co. Pembroke (see Wright 1972).Inscribed in 1588 by Thomas Huett, Richard Edwards and Thomas Lloyd (f. 3v).Thomas Baker (b. 1656, d. 1740), nonjuring Church of England clergyman and antiquary: his

• Large initial 'C' in blue and red, with pen-flourishing in the same colours., Alphabetical list of plants and their uses

of sundry points, specially the controversies of the Church of England.Edward Stillingfleet (b. 1635, d. 1699), bishop of Worcester and theologian (see Wright 1972). Edward Stillingfleet (b. 1661, d. 1708), physician and Church of England clergyman, son of the former;

• Initial 'A' with penwork decoration, Sermons, letters and tracts

or blue at the beginning of lines and verses (ff. 60-89). Rubrics in red. Sermons, letters and tracts The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 155 in Patrick Young's 1622 catalogue of the cathedral

• Miniature of a standing John Chrysostom., Leitourgikon (containing the texts needed by the celebrant at the Eucharist in the Orothodox church: Liturgies of John Chrysostom, Basil the Great, and the Presanctified)

Initials in blue. Text in red. Leitourgikon (containing the texts needed by the celebrant at the Eucharist in the Orothodox church: Liturgies of John Chrysostom, Basil the Great, and the Presanctified) Written in 1644 by Michael, oikonomos, or treasurer of

• Miniature of a standing Basil., Leitourgikon (containing the texts needed by the celebrant at the Eucharist in the Orothodox church: Liturgies of John Chrysostom, Basil the Great, and the Presanctified)

Initials in blue. Text in red. Leitourgikon (containing the texts needed by the celebrant at the Eucharist in the Orothodox church: Liturgies of John Chrysostom, Basil the Great, and the Presanctified) Written in 1644 by Michael, oikonomos, or treasurer of

• Marginal miniature of a centaur., De legibus et consuetudinibus Angliæ (imperfect at the beginning)

(b. 1635, d. 1699), bishop of Worcester and theologian (see Wright 1972). Edward Stillingfleet (b. 1661, d. 1708), physician and Church of England clergyman, son of the former; in 1707 acquired by Robert Harley (see Wright 1972).The Harley Collection, formed

• Pen-flourished initials, 'O'(rdo), 'D'(omine), and 'B'(eati)., Missal, use of Sarum, imperfect

(b. 1635, d. 1699), bishop of Worcester and theologian (see Wright 1972). Edward Stillingfleet (b. 1661, d. 1708), physician and Church of England clergyman, son of the former; in 1707 acquired by Robert Harley (see Wright 1972).The Harley Collection, formed

• Illuminated initial 'F'(ama) with an animal head, and a snake with a human ? head., Liber de quo Christus natus est de Virgine (ff. 1v-7v); Tract de conceptione Beatae Mariae Virginis (ff. 7v-9), fragmentary

de quo Christus natus est de Virgine (ff. 1v-7v); Tract de conceptione Beatae Mariae Virginis (ff. 7v-9), fragmentary The cathedral church of St Mary, Salisbury: listed in its catalogue (see Ker 1964).Added text (ff. 9v-10v).Sir Hans Sloane (b. 1660, d.

• Detail of a bas-de-page scene of men building a church, and two monks carrying a burden on poles., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

scene of men building a church, and two monks carrying a burden on poles. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous

• Historiated miniature of Agnes Enthroned flanked by two musician angels, below (left) the saint's statue holding out its finger to receive an emerald ring from Paulinus, a priest of the church of Saint Agnes who wished to be allowed to marry, and (right) Agnes appearing to relatives maintaining a vigil besides her tomb. Historiated full-page border in colours and gold, of foliage and birds with three medallions in the lower margin containing two scenes of Agnes surviving being thrown into flames at the order of Aspasius and a male and female member of the Compagnia di Sant'Agnese kneeling in prayer. Beneath the miniature is a single four-line red stave, musical notation and a single line of text in gold capitals 'Sancta Agnese da dio'., Leaf of a Hymnal (index laudario), containing part of the hymns to Agnes and Anthony

holding out its finger to receive an emerald ring from Paulinus, a priest of the church of Saint Agnes who wished to be allowed to marry, and (right) Agnes appearing to relatives maintaining a vigil besides her tomb. Historiated full-page

• Miniature of messengers sent to the church of Saint Martin at Tours to ask for a sign of victory. They were greeted by the Psalm 'Sire thou did gird me with strength for battle . . . Thou did make my assailants sink under me', in a scene from the life of Clovis., Chroniques de France ou de St Denis

sent to the church of Saint Martin at Tours to ask for a sign of victory. They were greeted by the Psalm 'Sire thou did gird me with strength for battle . . . Thou did make my assailants sink

• Detail of a miniature of messengers sent to the church of Saint Martin at Tours to ask for a sign of victory. They were greeted by the Psalm 'Sire thou did gird me with strength for battle . . . Thou did make my assailants sink under me', in a scene from the life of Clovis., Chroniques de France ou de St Denis

of messengers sent to the church of Saint Martin at Tours to ask for a sign of victory. They were greeted by the Psalm 'Sire thou did gird me with strength for battle . . . Thou did make my

• Text page with rubric, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

alle . pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against

• Text page, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding