• Puzzle initial and flourished initials, at the beginning of the Cartulary., Cartulary of the collegiate church of Edington in Wiltshire, containing charters relating to Romsey abbey in Hampshire

Smaller initials in blue with red foliate pen-flourishing. Cartulary of the collegiate church of Edington in Wiltshire, containing charters relating to Romsey abbey in Hampshire The collegiate church of Edington in Wiltshire.William Petty (~formerly~ Fitzmaurice) (b. 1737, d. 1805), 2nd

• Illuminated initials and border at the beginning of the Mass for Trinity Sunday (the first Sunday after Pentecost, which itself occurs on the 50th day after Easter)., Missal, use of Sarum, with a Calendar (ff. 1-6v), imperfect at the end

use of Sarum, with a Calendar (ff. 1-6v), imperfect at the end The parish church of Colwich, Staffordshire: the calendar includes the dedication of the church on 29 May (f. 3; see Legg 1904).? Thomas Parker (d. 1423 ?), prebendary

• Miniature of a standing John Chrysostom., Leitourgikon (containing the texts needed by the celebrant at the Eucharist in the Orothodox church: Liturgies of John Chrysostom, Basil the Great, and the Presanctified)

Initials in blue. Text in red. Leitourgikon (containing the texts needed by the celebrant at the Eucharist in the Orothodox church: Liturgies of John Chrysostom, Basil the Great, and the Presanctified) Written in 1644 by Michael, oikonomos, or treasurer of

• Miniature of a standing Basil., Leitourgikon (containing the texts needed by the celebrant at the Eucharist in the Orothodox church: Liturgies of John Chrysostom, Basil the Great, and the Presanctified)

Initials in blue. Text in red. Leitourgikon (containing the texts needed by the celebrant at the Eucharist in the Orothodox church: Liturgies of John Chrysostom, Basil the Great, and the Presanctified) Written in 1644 by Michael, oikonomos, or treasurer of

• Illuminated initial 'F'(ama) with an animal head, and a snake with a human ? head., Liber de quo Christus natus est de Virgine (ff. 1v-7v); Tract de conceptione Beatae Mariae Virginis (ff. 7v-9), fragmentary

de quo Christus natus est de Virgine (ff. 1v-7v); Tract de conceptione Beatae Mariae Virginis (ff. 7v-9), fragmentary The cathedral church of St Mary, Salisbury: listed in its catalogue (see Ker 1964).Added text (ff. 9v-10v).Sir Hans Sloane (b. 1660, d.

• Detail of a historiated initial 'C'(onsecracio) of a consecration of a church by a bishop., Omne Bonum (Circumcisio-Dona Spiritui Sancti)

'C'(onsecracio) of a consecration of a church by a bishop. The only known, and probably autograph copy of the Omne Bonum of James le Palmer, being a general encyclopaedia arranged in alphabetical order. Bound in four volumes: Royal 6 E

• Detail of a drawing of an author portrait of Aldhelm., De laudibus virginitatis; letter of Aldhelm to Ehfridus

Ehfridus, with corrections in the hand of Patrick Young, 17th century (ff. 163-165). Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Aldhelm Aldhelm Winchester England, S. (Winchester or Canterbury, Christ Church)

• Foliate initial 'C'(lemens) with a medallion of a portrait of the author, pope Clement I, at the beginning of the text., Collectio Lanfranci

acquired by the Upper Library at Westminster after the inventory of 1542.Added notes concerning questions of consanguinity, authority of the church hierarchy, etc. 16th century (e. g. ff. 3, 81, 87, 136).Added collation of part of the contents, early 17th

• Text page with rubric, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

alle . pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against

• Text page, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Text page, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding and

• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding and