• Added flyleaf with church music, and initial 'H'(enricus) with pen-flourishing, at the beginning of the Magna Carta., 2 leaves with church music, used as flyleaves and pastedowns at the beginning and the end

Added flyleaf with church music, and initial 'H'(enricus) with pen-flourishing, at the beginning of the Magna Carta. Large initials in blue with red foliate pen-flourishing. 2 leaves with church music, used as flyleaves and pastedowns at the beginning and the

• Miniature of the Crucifixion, with Gervasius de Someren, his wife, and a knight of the Church of St John Baptist in prayer., Missal, Use of Utrecht?

of Utrecht? Gervasius de Someren of Utrecht, for the Church of St John Baptist, Utrecht, 1510, four Latin verses stating that Gervasius de Someren presented the manuscript in 1510 to the Church of St John Baptist: inscribed 'Annis verbgene quingentis

• Initial 'T' of the dedication of a church., Cutting from an Antiphoner (index Antiphonal, antiphonary)

the dedication of a church. Italian cutting.The present cutting is boxed with Add. 60630, ff. 1-9 and 11- 42. To see this cutting in the Manuscripts Reading Room order Add. 60630. To see the Ascott Album which originally contained all

• Historiated initial with the Resurrection; inscription dated 1510., Missal, Use of Utrecht?

of Utrecht? Gervasius de Someren of Utrecht, for the Church of St John Baptist, Utrecht, 1510, four Latin verses stating that Gervasius de Someren presented the manuscript in 1510 to the Church of St John Baptist: inscribed 'Annis verbgene quingentis

• Zoomorphic initial 'H'(esterno) [Hesternam] with interlace and a bird's head, at the beginning of Augustine's Tractatus 25 on the Gospel of John., Tractatus in Evangelium Ioannis, imperfect, lacking tracts 18 and 19 and substituting Sermo 125 (ff. 66-70)

of the consecration of the abbey church of S. Mariae de Poplina in 1100, during the reign of Pope Pascal II (reigned 1099 to 1118), (f. 2v). Inscription regarding the consecration of the church of S. Michael de Puplena in

• Zoomorphic initial 'Q'(uales) with interlace and an animal's head, and a snake? forming the tail of the letter, at the beginning of Augustine's Tractatus 103 on the Gospel of John., Sermon 7 in natale sanctae Mariae, imperfect

of the consecration of the abbey church of S. Mariae de Poplina in 1100, during the reign of Pope Pascal II (reigned 1099 to 1118), (f. 2v). Inscription regarding the consecration of the church of S. Michael de Puplena in

• null, Tractatus in Evangelium Ioannis, imperfect, lacking tracts 18 and 19 and substituting Sermo 125 (ff. 66-70)

of the consecration of the abbey church of S. Mariae de Poplina in 1100, during the reign of Pope Pascal II (reigned 1099 to 1118), (f. 2v). Inscription regarding the consecration of the church of S. Michael de Puplena in

• null, Tractatus in Evangelium Ioannis, imperfect, lacking tracts 18 and 19 and substituting Sermo 125 (ff. 66-70)

of the consecration of the abbey church of S. Mariae de Poplina in 1100, during the reign of Pope Pascal II (reigned 1099 to 1118), (f. 2v). Inscription regarding the consecration of the church of S. Michael de Puplena in

• Coloured initial 'D'(omine), at the beginning of Psalm 101., Psalter, in the Roman version, with Old English gloss, and 12 canticles

century (ff. 9, 29v, 62v, 69).The Benedictine abbey of Christ Church, Canterbury: Christ Church pressmark 'r' with a title 'Psalteriu[m] s[anc]ti Jeronimi glosatu[m]', 12th century (f. 8) and Christ Church script, 11th century (ff. 197-198, according to Ker, 1957).Thomas Cranmer

• Detail of a bas-de-page scene of men building a church, and two monks carrying a burden on poles., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

scene of men building a church, and two monks carrying a burden on poles. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous

• Zoomorphic initial 'Q'(uid glorias) with interlace, foliate decoration, and a grotesque dragon extender., Psalter, with glosses

overpainted in gold and colours, 17th century (f. 1v). Psalter, with glosses William Crashawe (index Crashaw) (bap. 1572, d. 1625/6), Church of England clergyman, religious controversialist and poet: his table of contents (f. 242, upside-down; see Watson 1966.Sir Simonds d'Ewes

• Zoomorphic initial 'D'(omine) with interlace, foliate decoration, and a grotesque dragon extender, with a horned and tonsured head., Psalter, with glosses

overpainted in gold and colours, 17th century (f. 1v). Psalter, with glosses William Crashawe (index Crashaw) (bap. 1572, d. 1625/6), Church of England clergyman, religious controversialist and poet: his table of contents (f. 242, upside-down; see Watson 1966.Sir Simonds d'Ewes

• Calendar page for December., Breviary, Ambrosian use

son of the late Messer Antonio degli Uberti of Margno in Valsasina, for 22 years a beneficed priest of the church of Santa Maria at Valtorta, and 'healthy in body though because of human frailty now deficient in natural heat,

• Decorated initial 'D'(ilexi), at the beginning of the Office and Mass of the Dead., Office and Mass of the Dead (vol. 1)

in plain red or blue. Office and Mass of the Dead (vol. 1) Apparently written for use in the cathedral church of St Lambert at Liège: includes the anniversary of the election of the bishop Everard de la Marck (d.

• Flourished initial 'M'(isere), in the Office and Mass of the Dead., Office and Mass of the Dead (vol. 1)

in plain red or blue. Office and Mass of the Dead (vol. 1) Apparently written for use in the cathedral church of St Lambert at Liège: includes the anniversary of the election of the bishop Everard de la Marck (d.

• Heraldic arms, at the beginning of the Office and Mass of the Dead., Office and Mass of the Dead (vol. 1)

in plain red or blue. Office and Mass of the Dead (vol. 1) Apparently written for use in the cathedral church of St Lambert at Liège: includes the anniversary of the election of the bishop Everard de la Marck (d.

• Coloured initials., Trilingual Psalter

from the Greek by Abu l-Fath Abd Allah b. al-Fadl b. Abd Allah al-Mutran al-Antakie, deacon of the Melkite church of Antioch in the mid-eleventh century. This may be the earliest surviving manuscript of this translation. Headpieces in red (f.

• Coloured initials at the beginning of Psalm 80, and marginal annotation in Arabic noting that this is the reading for Fridays., Trilingual Psalter

made from the Greek by Abu l-Fath Abd Allah b. al-Fadl b. Abd Allah al-Mutran al-Antakie, deacon of the Melkite church of Antioch in the mid-eleventh century. This may be the earliest surviving manuscript of this translation. Headpieces in red

• Decorated initial 'B'(EATVS) overpainted., Psalter, with glosses

overpainted in gold and colours, 17th century (f. 1v). Psalter, with glosses William Crashawe (index Crashaw) (bap. 1572, d. 1625/6), Church of England clergyman, religious controversialist and poet: his table of contents (f. 242, upside-down; see Watson 1966.Sir Simonds d'Ewes

• Decorated initial 'M'(illesimo), at the beginning of Book 6 of Henry of Huntingdon's Historia Anglorum; in the lower margin the beginning of an ownership and anathema inscription (which finishes on the facing page), stating that the manuscript belongs to the church of St Mary's, Southwick., Historia Anglorum

beginning of an ownership and anathema inscription (which finishes on the facing page), stating that the manuscript belongs to the church of St Mary's, Southwick. Sketch of a human figure (recto of first medieval parchment flyleaf). Sketches of heraldic arms