• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding and

• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding and

• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding and

• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding and

• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding and

• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding and

• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding and

• Front cover., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Calendar for October with drawings of a man sowing (labour of the month), symbols of saints: a bishop's mitre (for Leger), a hand with stigmata ( Francis), joined hands (Fides), a church (Dionysus), an archbishop (Wilfrid)., Agricultural almanac containing an astronomical calendar (1420), miscellaneous tables, mnemonic verses and charms

saints: a bishop's mitre (for Leger), a hand with stigmata ( Francis), joined hands (Fides), a church (Dionysus), an archbishop (Wilfrid). Contents very similar to Harley 2332.Prologue to a letter from St Louis to King Charles in Middle English (f.

• Miniatures of September, with a man threshing, and October, with a man sowing., Folding almanac, with prognostications, etc., imperfect, beginning with July

Folding almanac, with prognostications, etc., imperfect, beginning with July Norwich: In the calendar for September is a representation of a church over which is written 'dedicacio Norwyc[ensis ecelesiæ]' in red, Edmund is also in red.Bought by the British Museum in

• Miniatures of July with a man with a scythe, and August with a number of people with scythes., Folding almanac, with prognostications, etc., imperfect, beginning with July

Folding almanac, with prognostications, etc., imperfect, beginning with July Norwich: In the calendar for September is a representation of a church over which is written 'dedicacio Norwyc[ensis ecelesiæ]' in red, Edmund is also in red.Bought by the British Museum in

• Miniatures of November, with a man killing a cow or deer, and December, with a king seated on a throne., Folding almanac, with prognostications, etc., imperfect, beginning with July

Folding almanac, with prognostications, etc., imperfect, beginning with July Norwich: In the calendar for September is a representation of a church over which is written 'dedicacio Norwyc[ensis ecelesiæ]' in red, Edmund is also in red.Bought by the British Museum in

• Puzzle initial 'E'(xemplum) at the beginning of the Gesta Romanorum., Tabula super methodo fulgentii, Gesta Romanorum (index Deeds of the Romans), Liber de vitiis, various sermons

librario sancti Augustini ex Cantuariensis' (f. 1*v); 'liber de librario s[anc]ti Augusti[ni] Cant[uariensis].' (f. 2).John Batteley (b. 1647, d. 1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John

• The Cartulary beginning with the year 701 in which the abbey was founded. Aethelred, son of Penda and king of Mercia, supports Ecgwine in his efforts to dedicate an abbey to the Virgin Mary. Following entries tell of further royal support from King Kenred of Mercia., Cartulary and Register of Evesham

of further royal support from King Kenred of Mercia. The volume is a composite miscellany including:- Proceedings relating to the church of Ombersley (Worcerstershire) in 1284 (ff. 3-44);- 14th-century letters and papers relating to churches, pensions and other matters, mainly

• Illuminated initial 'H'(ail) at the beginning of the tract on the Ave Maria., Various tracts, including, among others, an explication of the Pater Noster, the Ave Maria, the Creed, and the Ten Commandments (index Counseylour of Recchis, Counseylour of Wrecchis)

and the Ten Commandments (index Counseylour of Recchis, Counseylour of Wrecchis) Ambrose Bonwicke, the elder (b. 1652, d. 1722), nonjuring Church of England clergyman and schoolmaster, headmaster of the Merchant Taylors' School from 1686 to 1691 (see Wright 1972).William Bowyer,

• Illuminated initials and border with foliate decoration., Book of Hours, Use of Sarum, with a calendar (ff. 1-6v), imperfect

of Hours, Use of Sarum, with a calendar (ff. 1-6v), imperfect Erased inscription (f. 65v).John Batteley (b. 1647, d. 1708), Church of England clergyman and antiquary: his name (f. 1); sold to Edward Harley with the rest of his collection

• Decorated initial 'B'(EATVS) overpainted., Psalter, with glosses

overpainted in gold and colours, 17th century (f. 1v). Psalter, with glosses William Crashawe (index Crashaw) (bap. 1572, d. 1625/6), Church of England clergyman, religious controversialist and poet: his table of contents (f. 242, upside-down; see Watson 1966.Sir Simonds d'Ewes

• Puzzle initial 'Q'(uid) with a partial border., Various secular and ecclesistical statutes from the reign of Edward III, including a copy of a charter of Edward II containing liberites and privleges granted to the city of Cork, Ireland

(b. 1635, d. 1699), bishop of Worcester and theologian (see Wright 1972). Edward Stillingfleet (b. 1661, d. 1708), physician and Church of England clergyman, son of the former; in 1707 acquired by Robert Harley (see Wright 1972).The Harley Collection, formed