• Illuminated initial 'D'(eus) and a marginal peacock and animal., Book of Hours, Use of Sarum ('Hours of Eleanor Worcester')

183v-184: added prayer in English by a contemporary professional hand, starting 'This prayer is written in a stone in the church of saint John Lateraneus in rome...'. 23 full-page miniatures with large decorated initials and full foliate borders, some with

• Illuminated initial and marginal hybrid and bird., Book of Hours, Use of Sarum ('Hours of Eleanor Worcester')

183v-184: added prayer in English by a contemporary professional hand, starting 'This prayer is written in a stone in the church of saint John Lateraneus in rome...'. 23 full-page miniatures with large decorated initials and full foliate borders, some with

• A drawing of a spirit, sun, man, and woman., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

~Theatrum chemicum britannicum~ (1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other

• A drawing of a man and woman embracing., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

~Theatrum chemicum britannicum~ (1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other

• Drawing of an eagle, a snake, a man and a frog, with a legend below., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

~Theatrum chemicum britannicum~ (1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other

• A drawing of a village., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

~Theatrum chemicum britannicum~ (1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other

• Drawing of vessels relating to alchemy., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

~Theatrum chemicum britannicum~ (1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other

• Canon table., Gospels (The Gospels of St Cyr of Nevers or sometimes the 'Gedeon Gospels of Nevers'), with prefaces, canon tables, and list of readings (ff. 264-271v)

cathedral of St Cyr, Nevers, before 860: inscribed with six elegiac lines recording the donation of the volume to the church of St. Cry by Herimann, bishop of Nevers (c. 841-859): 'Me quicumque legis Herimanni sis memor oro/ Cuius me

• Canon table., Gospels (The Gospels of St Cyr of Nevers or sometimes the 'Gedeon Gospels of Nevers'), with prefaces, canon tables, and list of readings (ff. 264-271v)

cathedral of St Cyr, Nevers, before 860: inscribed with six elegiac lines recording the donation of the volume to the church of St. Cry by Herimann, bishop of Nevers (c. 841-859): 'Me quicumque legis Herimanni sis memor oro/ Cuius me

• Canon table, with the name 'Gedeon' in the arch on the left side., Gospels (The Gospels of St Cyr of Nevers or sometimes the 'Gedeon Gospels of Nevers'), with prefaces, canon tables, and list of readings (ff. 264-271v)

cathedral of St Cyr, Nevers, before 860: inscribed with six elegiac lines recording the donation of the volume to the church of St. Cry by Herimann, bishop of Nevers (c. 841-859): 'Me quicumque legis Herimanni sis memor oro/ Cuius me

• Canon table, with animal interlace., Gospels (The Gospels of St Cyr of Nevers or sometimes the 'Gedeon Gospels of Nevers'), with prefaces, canon tables, and list of readings (ff. 264-271v)

cathedral of St Cyr, Nevers, before 860: inscribed with six elegiac lines recording the donation of the volume to the church of St. Cry by Herimann, bishop of Nevers (c. 841-859): 'Me quicumque legis Herimanni sis memor oro/ Cuius me

• Canon table., Gospels (The Gospels of St Cyr of Nevers or sometimes the 'Gedeon Gospels of Nevers'), with prefaces, canon tables, and list of readings (ff. 264-271v)

cathedral of St Cyr, Nevers, before 860: inscribed with six elegiac lines recording the donation of the volume to the church of St. Cry by Herimann, bishop of Nevers (c. 841-859): 'Me quicumque legis Herimanni sis memor oro/ Cuius me

• Beginning of the capitula of Mark., Gospels (The Gospels of St Cyr of Nevers or sometimes the 'Gedeon Gospels of Nevers'), with prefaces, canon tables, and list of readings (ff. 264-271v)

cathedral of St Cyr, Nevers, before 860: inscribed with six elegiac lines recording the donation of the volume to the church of St. Cry by Herimann, bishop of Nevers (c. 841-859): 'Me quicumque legis Herimanni sis memor oro/ Cuius me

• Detail of the end of the preface to Mark., Gospels (The Gospels of St Cyr of Nevers or sometimes the 'Gedeon Gospels of Nevers'), with prefaces, canon tables, and list of readings (ff. 264-271v)

cathedral of St Cyr, Nevers, before 860: inscribed with six elegiac lines recording the donation of the volume to the church of St. Cry by Herimann, bishop of Nevers (c. 841-859): 'Me quicumque legis Herimanni sis memor oro/ Cuius me

• Detail of capitula., Gospels (The Gospels of St Cyr of Nevers or sometimes the 'Gedeon Gospels of Nevers'), with prefaces, canon tables, and list of readings (ff. 264-271v)

cathedral of St Cyr, Nevers, before 860: inscribed with six elegiac lines recording the donation of the volume to the church of St. Cry by Herimann, bishop of Nevers (c. 841-859): 'Me quicumque legis Herimanni sis memor oro/ Cuius me

• Coloured initials at the beginning of John., Gospels (The Gospels of St Cyr of Nevers or sometimes the 'Gedeon Gospels of Nevers'), with prefaces, canon tables, and list of readings (ff. 264-271v)

cathedral of St Cyr, Nevers, before 860: inscribed with six elegiac lines recording the donation of the volume to the church of St. Cry by Herimann, bishop of Nevers (c. 841-859): 'Me quicumque legis Herimanni sis memor oro/ Cuius me

• Miniature of Catherine., Book of Hours, Use of Sarum, and Psalter

of Hours, Use of Sarum, and Psalter Includes a devotion to Clement (f. 32v), perhaps indicating a connection with a church or trade guild association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his

• Miniature of Barbara., Book of Hours, Use of Sarum, and Psalter

of Hours, Use of Sarum, and Psalter Includes a devotion to Clement (f. 32v), perhaps indicating a connection with a church or trade guild association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his

• Miniature of Margaret., Book of Hours, Use of Sarum, and Psalter

of Hours, Use of Sarum, and Psalter Includes a devotion to Clement (f. 32v), perhaps indicating a connection with a church or trade guild association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his

• Illuminated initial and border with foliate decoration., Book of Hours, Use of Sarum, and Psalter

of Hours, Use of Sarum, and Psalter Includes a devotion to Clement (f. 32v), perhaps indicating a connection with a church or trade guild association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his