• Illuminated border and historiated initial 'L'(audeamus) of Anne, lying in a large bed as a midwife presents the infant Mary to her, at the feast of the birth of the Virgin, with a note, possibly an instruction to the illuminator or later note identifying the subject matter in the lower margin: 'the nativitie'., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

Line-fillers in gold, red, and blue. Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers The church of St Lawrence in London, given in 1446 by William Melreth, alderman, textile merchant of Broad Street, member of

• Illuminated border and historiated initial 'B'(enedicite) of a winged Michael holding a sword and a gold shield standing on the devil, at the feast of Michael, with a note, possibly an instruction to the illuminator or later note identifying the subject matter in the lower margin: 'archangele'., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

Line-fillers in gold, red, and blue. Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers The church of St Lawrence in London, given in 1446 by William Melreth, alderman, textile merchant of Broad Street, member of

• Miniature of Bernard with the monks of Citeaux taking possession of the Abbey of Clairvaux, decorated initial 'S'(aint), and scatter border of flowers, bird, and butterfly, in the Chroniques abrégées des Anciens Rois et Ducs de Bourgogne; the church in the background is based on St Servatius in Maastricht., Chroniques abrégées des Anciens Rois et Ducs de Bourgogne

scatter border of flowers, bird, and butterfly, in the Chroniques abrégées des Anciens Rois et Ducs de Bourgogne; the church in the background is based on St Servatius in Maastricht. The text is ascribed traditionally to Olivier de la Marche,

• Inhabited foliate initial 'A'(bsenti) with small figures, at the beginning of Joannes de Milis's Repertorium aureum sive lexicon juridicum., Repertorium aureum sive lexicon juridicum

Anno m [cccc] quinquagesimo quarto', followed by the initials 'IK' (f. 330).Perhaps written or owned in Mainz, which had a church dedicated to St Alban: with a contemporary or near-contemporary inscription 'Presulis Albani habens ossa que Ruffini / Talis in

• Miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'A'(ussi), and full border, at the beginning of Book 3., Débat de félicité

the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'A'(ussi), and full border, at the beginning of Book 3. Single leaf which doesn't belong to this manuscript taken out in 1947 and

• Inhabited foliate initial 'A'(bsenti) with a seated man and a naked man, at the beginning of Joannes de Milis's Repertorium aureum sive lexicon juridicum., Repertorium aureum sive lexicon juridicum

Anno m [cccc] quinquagesimo quarto', followed by the initials 'IK' (f. 330).Perhaps written or owned in Mainz, which had a church dedicated to St Alban: with a contemporary or near-contemporary inscription 'Presulis Albani habens ossa que Ruffini / Talis in

• Detail of a miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 2., Débat de félicité

of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 2. Single leaf which doesn't belong to this manuscript taken out in 1947 and kept separately as Arundel

• Detail of a miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 3., Débat de félicité

of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 3. Single leaf which doesn't belong to this manuscript taken out in 1947 and kept separately as Arundel

• null, Epitome bellorum omnium annorum DCC

1 large foliate initial in colours on a burnished punched gold ground (f. 1, perhaps 19th-century ?), with a three-sided border incorporating heraldic arms. Small initials alternately plain red or blue, often in unusual angular forms. Epitome bellorum omnium

• null, Epitome bellorum omnium annorum DCC

1 large foliate initial in colours on a burnished punched gold ground (f. 1, perhaps 19th-century ?), with a three-sided border incorporating heraldic arms. Small initials alternately plain red or blue, often in unusual angular forms. Epitome bellorum omnium

• Illuminated initials., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

Line-fillers in gold, red, and blue. Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers The church of St Lawrence in London, given in 1446 by William Melreth, alderman, textile merchant of Broad Street, member of

• Illuminated initials., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

Line-fillers in gold, red, and blue. Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers The church of St Lawrence in London, given in 1446 by William Melreth, alderman, textile merchant of Broad Street, member of

• Miniature of an eminent envoy sent by the head of the church being brought before the Grand Duke Dmitri., Skazanie o Mamaevom Poboishche (the Tale of the Rout of Mamai)

sent by the head of the church being brought before the Grand Duke Dmitri. The Skazanie is a romance, composed in the 15th century, relating the struggle of the Muscovian Grand Prince, Dmitri Donskoj, against his Tartar opponent, Mamai. The

• Decorated initial 'X' with an abbreviated form of Christ's name, 'Xpi' at the beginning of Matthew 1.18., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the

• A frame with five roundels and interlace panels (probably intended for a 'Christ in Majesty' miniature)., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the

• Calendar with manumissions written on the outer edge of the page., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the

• Text page with decorated initial 'N'(ovum)., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the

• Canon tables with decoration., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the

• Canon tables with Bodmin manumissions., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the

• Decorated initials 'IN' with 'I' forming interlace pattern borderat the beginning of Mark's gospel., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the