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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

420 results from this resource . Displaying 161 to 180

St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the

St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the

colours and gold, of a Memento Mori (f. 6), Larewnce (f. 11), a male martyr saint (f. 8), and a church (f. 12) with one four-line red stave, musical notation and text on their versos. 3 foliate initials in colours

colours and gold, of a Memento Mori (f. 6), Larewnce (f. 11), a male martyr saint (f. 8), and a church (f. 12) with one four-line red stave, musical notation and text on their versos. 3 foliate initials in colours

colours and gold, of a Memento Mori (f. 6), Larewnce (f. 11), a male martyr saint (f. 8), and a church (f. 12) with one four-line red stave, musical notation and text on their versos. 3 foliate initials in colours

colours and gold, of a Memento Mori (f. 6), Larewnce (f. 11), a male martyr saint (f. 8), and a church (f. 12) with one four-line red stave, musical notation and text on their versos. 3 foliate initials in colours

colours and gold, of a Memento Mori (f. 6), Larewnce (f. 11), a male martyr saint (f. 8), and a church (f. 12) with one four-line red stave, musical notation and text on their versos. 3 foliate initials in colours

colours and gold, of a Memento Mori (f. 6), Larewnce (f. 11), a male martyr saint (f. 8), and a church (f. 12) with one four-line red stave, musical notation and text on their versos. 3 foliate initials in colours

colours and gold, of a Memento Mori (f. 6), Larewnce (f. 11), a male martyr saint (f. 8), and a church (f. 12) with one four-line red stave, musical notation and text on their versos. 3 foliate initials in colours

colours and gold, of a Memento Mori (f. 6), Larewnce (f. 11), a male martyr saint (f. 8), and a church (f. 12) with one four-line red stave, musical notation and text on their versos. 3 foliate initials in colours

of Rochester, politician, and Jacobite conspirator: his inscription (f. 1*); presented by him to Robert Harley when dean of Christh Church, Oxford, i.e. sometime between September 1711 and July 1713, as recorded by Harley's librarian, Humfrey Wanley in his catalogue

a monk and a queen entering a church. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated and

Godfrey of Bouillon praying in the church of the Holy Sepulchre, with a foliate initial 'L'(a). Contains the 'Historia rerum in partibus transmarinis gestarum' in the French translation of William of Tyre, with continuation to 1231, preceded by a list

with an inscription 'MARIA' on the wall of a church, with a partial border and a foliate initial 'U'(ne chose). Contains the 'Historia rerum in partibus transmarinis gestarum' in the French translation of William of Tyre, with continuation to 1231,

minister: his library sold on 21 November 1687, lot 108 (Wright 1972).Ambrose Bonwicke, the elder (b. 1652, d. 1722), nonjuring Church of England clergyman and schoolmaster, headmaster of the Merchant Taylors' School from 1686 to 1691: inscribed 'Ambrosij Bonvici 1687'

minister: his library sold on 21 November 1687, lot 108 (Wright 1972).Ambrose Bonwicke, the elder (b. 1652, d. 1722), nonjuring Church of England clergyman and schoolmaster, headmaster of the Merchant Taylors' School from 1686 to 1691: inscribed 'Ambrosij Bonvici 1687'

in a pit, while another man stands by a church. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium

a king leading a couple to church. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated and added

a man and a woman outside a church. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated and

a man leading a woman to church. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated and added

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 2 July 2024), https://www.manuscriptsonline.org/search/results?kw=church&sdf=1441&sr=ci&st=160