IV, later extended to Henry VII, in humanistic cursive script (f. 224v).Francis Blomefield (b. 1705, d. 1752), topographical historian and Church of England clergyman: presumably acquired before 1727, while he was a student at Gonville and Caius College, Cambridge: inscribed
as taking place in Florence, in front of the church of San Giovannino, with the Medici Palace on the right and a view up the Via Gori in the background, at the beginning of Lauds in the Hours of the
inscribed, 'card(...ale)' , half erased (f. 1v) (see de la Mare, 1984, p. 272).Rome S. Andrea [? della Valle, mother church of the Theatines, founded 1524]: late-16th century book stamp (almost entirely effaced): 'BIBLIOTECAE S. ANDREAE ROMAE' (f. 3).John Wright,
inscribed, 'card(...ale)' , half erased (f. 1v) (see de la Mare, 1984, p. 272).Rome S. Andrea [? della Valle, mother church of the Theatines, founded 1524]: late-16th century book stamp (almost entirely effaced): 'BIBLIOTECAE S. ANDREAE ROMAE' (f. 3).John Wright,
inscribed, 'card(...ale)' , half erased (f. 1v) (see de la Mare, 1984, p. 272).Rome S. Andrea [? della Valle, mother church of the Theatines, founded 1524]: late-16th century book stamp (almost entirely effaced): 'BIBLIOTECAE S. ANDREAE ROMAE' (f. 3).John Wright,
inscribed, 'card(...ale)' , half erased (f. 1v) (see de la Mare, 1984, p. 272).Rome S. Andrea [? della Valle, mother church of the Theatines, founded 1524]: late-16th century book stamp (almost entirely effaced): 'BIBLIOTECAE S. ANDREAE ROMAE' (f. 3).John Wright,
inscribed, 'card(...ale)' , half erased (f. 1v) (see de la Mare, 1984, p. 272).Rome S. Andrea [? della Valle, mother church of the Theatines, founded 1524]: late-16th century book stamp (almost entirely effaced): 'BIBLIOTECAE S. ANDREAE ROMAE' (f. 3).John Wright,
humanists Janus Vitez (index John Vitez) and Petrus Garazda (index Peter Garazda), medallions with saints (probably the Fathers of the Church: three of them are bishops and the fourth one is probably Peter), a wolf and hen, winged putti, a
with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.
with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.
with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.
with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.
with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.
with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.
with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.
with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.
with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.
ends 'Say we so alle . pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands,
. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding
. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding