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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

70 results from this resource . Displaying 1 to 20

IV, later extended to Henry VII, in humanistic cursive script (f. 224v).Francis Blomefield (b. 1705, d. 1752), topographical historian and Church of England clergyman: presumably acquired before 1727, while he was a student at Gonville and Caius College, Cambridge: inscribed

inscribed, 'card(...ale)' , half erased (f. 1v) (see de la Mare, 1984, p. 272).Rome S. Andrea [? della Valle, mother church of the Theatines, founded 1524]: late-16th century book stamp (almost entirely effaced): 'BIBLIOTECAE S. ANDREAE ROMAE' (f. 3).John Wright,

inscribed, 'card(...ale)' , half erased (f. 1v) (see de la Mare, 1984, p. 272).Rome S. Andrea [? della Valle, mother church of the Theatines, founded 1524]: late-16th century book stamp (almost entirely effaced): 'BIBLIOTECAE S. ANDREAE ROMAE' (f. 3).John Wright,

inscribed, 'card(...ale)' , half erased (f. 1v) (see de la Mare, 1984, p. 272).Rome S. Andrea [? della Valle, mother church of the Theatines, founded 1524]: late-16th century book stamp (almost entirely effaced): 'BIBLIOTECAE S. ANDREAE ROMAE' (f. 3).John Wright,

inscribed, 'card(...ale)' , half erased (f. 1v) (see de la Mare, 1984, p. 272).Rome S. Andrea [? della Valle, mother church of the Theatines, founded 1524]: late-16th century book stamp (almost entirely effaced): 'BIBLIOTECAE S. ANDREAE ROMAE' (f. 3).John Wright,

inscribed, 'card(...ale)' , half erased (f. 1v) (see de la Mare, 1984, p. 272).Rome S. Andrea [? della Valle, mother church of the Theatines, founded 1524]: late-16th century book stamp (almost entirely effaced): 'BIBLIOTECAE S. ANDREAE ROMAE' (f. 3).John Wright,

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

ends 'Say we so alle . pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands,

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 19 July 2024), https://www.manuscriptsonline.org/search/results?kw=church&sdf=1469&sdt=1473