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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

157 results from this resource . Displaying 81 to 100

in plain red or blue. Office and Mass of the Dead (vol. 2) Apparently written for use in the cathedral church of St Lambert at Liège: includes the anniversary of the election of the bishop Everard de la Marck (d.

(b. 1635, d. 1699), bishop of Worcester and theologian (see Wright 1972). Edward Stillingfleet (b. 1661, d. 1708), physician and Church of England clergyman, son of the former; in 1707 acquired by Robert Harley (see Wright 1972).The Harley Collection, formed

a procession into church. Several prayers added in the 17th century on originally blank parchment (ff. 13-16v, 23v-24v, 33r-v, 93v-95v, 119r-v, 163v-165v). 26 full-page miniatures with large decorated initials and full foliate borders, some probably originally left unfinished, in colours

a procession into church. Several prayers added in the 17th century on originally blank parchment (ff. 13-16v, 23v-24v, 33r-v, 93v-95v, 119r-v, 163v-165v). 26 full-page miniatures with large decorated initials and full foliate borders, some probably originally left unfinished, in colours

Jarrow, Life of Ceolfrid, Lives of Pope Calixtus I and other martyrs, the legend of Theophilus Perhaps written at Christ Church, Canterbury: see discussion Bishop 1963.Eleventh-century additons of music, including a sheet from a discarded Troper (f. 35): see discussion

Kellie: inscribed, early 17th century 'David Kellie' (ff. 2, 16, 49v).George Hickes (b. 1642, d. 1715), bishop of the nonjuring Church of England and antiquary: inscribed, 'Given by Mr. Hickes' (f. 1*). The Harley Collection, formed by Robert Harley (b.

(b. 1635, d. 1699), bishop of Worcester and theologian (see Wright 1972). Edward Stillingfleet (b. 1661, d. 1708), physician and Church of England clergyman, son of the former; in 1707 acquired by Robert Harley (see Wright 1972).The Harley Collection, formed

quire marks decorated with brown pen-flourishing. Historia ecclesiastica; Vita s. Guillelmi Gellonensis (index Guillaume of Aquitaine) (ff. 181-191v) The cathedral church of St-Nazaire, Carcassonne (Aude, France), 14th century: inscribed 'Iste liber est eccl[es]ie sedis s[an]c[t]I Nazarii Carcassone' (f. 1).The Harley

Annunciata Varisii (ff. 1, 203v; see Watson 1973).With marginal notes in a 15th-century cursive hand.Conyers Middleton (b. 1683, d. 1750), Church of England clergyman and author, fellow of Trinity College, Cambridge from 1706, head librarian of the University Library at

17th centuries: his name occurs in an English prayer on a stub (between ff. 70-71).John Batteley (b. 1647, d. 1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John

17th centuries: his name occurs in an English prayer on a stub (between ff. 70-71).John Batteley (b. 1647, d. 1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John

Coloured initials in red or blue. Capitals marked with red. Baarlam et Josaphat, imperfect John Batteley (b. 1647, d. 1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John

made from the Greek by Abu l-Fath Abd Allah b. al-Fadl b. Abd Allah al-Mutran al-Antakie, deacon of the Melkite church of Antioch in the mid-eleventh century. This may be the earliest surviving manuscript of this translation. Headpieces in red

defended by the fathers of the church, Gregory, Augustine, Jerome, and Ambrose fighting demons, with a full border containing a space for a coat of arms, and an illuminated initial 'A'(pres), at the beginning of book 5. In two volumes,

colours and gold, of a Memento Mori (f. 6), Larewnce (f. 11), a male martyr saint (f. 8), and a church (f. 12) with one four-line red stave, musical notation and text on their versos. 3 foliate initials in colours

colours and gold, of a Memento Mori (f. 6), Larewnce (f. 11), a male martyr saint (f. 8), and a church (f. 12) with one four-line red stave, musical notation and text on their versos. 3 foliate initials in colours

colours and gold, of a Memento Mori (f. 6), Larewnce (f. 11), a male martyr saint (f. 8), and a church (f. 12) with one four-line red stave, musical notation and text on their versos. 3 foliate initials in colours

colours and gold, of a Memento Mori (f. 6), Larewnce (f. 11), a male martyr saint (f. 8), and a church (f. 12) with one four-line red stave, musical notation and text on their versos. 3 foliate initials in colours

colours and gold, of a Memento Mori (f. 6), Larewnce (f. 11), a male martyr saint (f. 8), and a church (f. 12) with one four-line red stave, musical notation and text on their versos. 3 foliate initials in colours

colours and gold, of a Memento Mori (f. 6), Larewnce (f. 11), a male martyr saint (f. 8), and a church (f. 12) with one four-line red stave, musical notation and text on their versos. 3 foliate initials in colours

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 8 July 2024), https://www.manuscriptsonline.org/search/results?kw=church&sdf=1478&sr=ci&st=80