Agrippina, the wife of Germanicus, refusing food. Illuminated by the Talbot Master, an artist active in Rouen, named after two manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of
table lifting his cup and saying the blessing over food. Captions of the drawings are perhaps in Judeo-Italian. Watermark of a ~fleur-de-lis~, f. [183], unidentified. Decorated initial-word panel with full floral border (f. 1). 3 drawings illustrating the text, in
Under the table, there is a big cat. Beneath the scene, two figures are preparing food for the Seder. Captions of the drawings are perhaps in Judeo-Italian. Watermark of a ~fleur-de-lis~, f. [183], unidentified. Decorated initial-word panel with full floral
explains the punishment due to the Gluttons, who see food they cannot reach. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral, in building during these years. 3 large
Donati, who explains the punishment due to the Gluttons, who see food they cannot reach. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral, in building during these years.
scene of a woman offering food to a man. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated
imprisoned Margaret receiving food from a maid. Horizontal catchwords. Miniatures in colours and gold of scenes from Margaret of Antioch's life and martyrdom: 2 full page (ff. 5, 31); 3 three-quarter page (ff. 26v, 29, 30); 12 half page (ff.