table lifting his cup and saying the blessing over food. Captions of the drawings are perhaps in Judeo-Italian. Watermark of a ~fleur-de-lis~, f. [183], unidentified. Decorated initial-word panel with full floral border (f. 1). 3 drawings illustrating the text, in
Agrippina, the wife of Germanicus, refusing food. Illuminated by the Talbot Master, an artist active in Rouen, named after two manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of
Under the table, there is a big cat. Beneath the scene, two figures are preparing food for the Seder. Captions of the drawings are perhaps in Judeo-Italian. Watermark of a ~fleur-de-lis~, f. [183], unidentified. Decorated initial-word panel with full floral
imprisoned Margaret receiving food from a maid. Horizontal catchwords. Miniatures in colours and gold of scenes from Margaret of Antioch's life and martyrdom: 2 full page (ff. 5, 31); 3 three-quarter page (ff. 26v, 29, 30); 12 half page (ff.
explains the punishment due to the Gluttons, who see food they cannot reach. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral, in building during these years. 3 large
Donati, who explains the punishment due to the Gluttons, who see food they cannot reach. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral, in building during these years.