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1475]', end of the 15th century (f. 211).Cecilia Welles (d. 1507), daughter of Edward IV, king of England, wife of John Welles: inscribed with her name 'Ciecyl Welles' (under erasure), (f. 1).Henry VIII (b. 1491, d. 1547), king of England
1475]', end of the 15th century (f. 211).Cecilia Welles (d. 1507), daughter of Edward IV, king of England, wife of John Welles: inscribed with her name 'Ciecyl Welles' (under erasure), (f. 1).Henry VIII (b. 1491, d. 1547), king of England
1475]', end of the 15th century (f. 211).Cecilia Welles (d. 1507), daughter of Edward IV, king of England, wife of John Welles: inscribed with her name 'Ciecyl Welles' (under erasure), (f. 1).Henry VIII (b. 1491, d. 1547), king of England
2nd and 3rd editions of 1519 and of 1522, see Brown 1984, pp. 352, 369), probably after the death of John Colet, the manuscript's patron. This volume is the first of a three or four-volume set. The second volume, containing
1475]', end of the 15th century (f. 211).Cecilia Welles (d. 1507), daughter of Edward IV, king of England, wife of John Welles: inscribed with her name 'Ciecyl Welles' (under erasure), (f. 1).Henry VIII (b. 1491, d. 1547), king of England
1475]', end of the 15th century (f. 211).Cecilia Welles (d. 1507), daughter of Edward IV, king of England, wife of John Welles: inscribed with her name 'Ciecyl Welles' (under erasure), (f. 1).Henry VIII (b. 1491, d. 1547), king of England
1475]', end of the 15th century (f. 211).Cecilia Welles (d. 1507), daughter of Edward IV, king of England, wife of John Welles: inscribed with her name 'Ciecyl Welles' (under erasure), (f. 1).Henry VIII (b. 1491, d. 1547), king of England
Manuscriptorum Bibliothecae Wigorniensis, Made in 1622-1623~, ed. by Ivor Atkins and N. Ker (Cambridge: Cambridge University Press, 1944), no. 309. John Theyer (bap. 1598, d. 1673), antiquary: inscribed with his name 'Ioannes Theyer', with a dated note of 1649 (f.
with in two compartments John the Baptist pointing his disciples to Christ, and the crucifixion of Andrew, full border and bas-de-page scene with Christ calling Andrew and Peter from their fishing-boat. Musical notation.For a large number of images of the
'S'(tabat) with two compartments, of John the Baptist pointing his disciples towards Christ, and Andrew being tied upon his cross. Musical notation.For a large number of images of the other part of the manuscript, Verdun, Bibliothèque municipale, ms. 107, see
Psalter (Arundel 83 II), with the Virgin Mary, John the Evangelist, and eight other Apostles witnessing the figure of Christ disappearing behind a layer of clouds. Musical notation (the Howard Psalter-Hours). 10 diagrams, in colours and gold (ff. 123v, 125v,
the dove of the Holy Spirit descending upon the Virgin Mary, Peter, and John the Evangelist, as well as the other Apostles. Musical notation (the Howard Psalter-Hours). 10 diagrams, in colours and gold (ff. 123v, 125v, 126, 126v, 127v, 128,
of Wisdom, from John of Metz, from the De Lisle Psalter (Arundel 83 II), an allegorical representation and personification of Christian virtues. Musical notation (the Howard Psalter-Hours). 10 diagrams, in colours and gold (ff. 123v, 125v, 126, 126v, 127v, 128,
scene of John standing naked in a cauldon of boiling whilst two men encourage the fire from either side. Includes 150 Psalms (ff. 85-280) with a calendar of Sarum use (ff. 71v-83), canticles (ff. 280v-302) and litany (ff. 302v-318).Catchwords and
bas-de-page scene of John standing naked in a cauldon of boiling whilst two men encourage the fire from either side. Includes 150 Psalms (ff. 85-280) with a calendar of Sarum use (ff. 71v-83), canticles (ff. 280v-302) and litany (ff. 302v-318).Catchwords
scene of John the Baptist leaning out of a building and being beheaded by a man with a raised sword, with Salome alongside. Includes 150 Psalms (ff. 85-280) with a calendar of Sarum use (ff. 71v-83), canticles (ff. 280v-302) and
bas-de-page scene of John the Baptist leaning out of a building and being beheaded by a man with a raised sword, with Salome alongside. Includes 150 Psalms (ff. 85-280) with a calendar of Sarum use (ff. 71v-83), canticles (ff. 280v-302)
on the left, John on the right; (bottom left) Pilate and the High Priest giving orders to the soldier, (bottom right) the Entombment, Joseph supporting Christ's head, Nicodemus holding a pot of spices, the Virgin, weeping, and John behind, with
on the left, John on the right; (bottom left) Pilate and the High Priest giving orders to the soldier, (bottom right) the Entombment, Joseph supporting Christ's head, Nicodemus holding a pot of spices, the Virgin, weeping, and John behind. Includes
'B'(enedictus) with John the Baptist with the Agnus Dei standing on a hill, and Pharisees questioning him, with a bas-de-page scene of Thomas Becket being welcomed by the Abbot of Pontigny. Includes 150 Psalms (ff. 85-280) with a calendar of