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scene of John standing naked in a cauldon of boiling whilst two men encourage the fire from either side. Includes 150 Psalms (ff. 85-280) with a calendar of Sarum use (ff. 71v-83), canticles (ff. 280v-302) and litany (ff. 302v-318).Catchwords and
bas-de-page scene of John standing naked in a cauldon of boiling whilst two men encourage the fire from either side. Includes 150 Psalms (ff. 85-280) with a calendar of Sarum use (ff. 71v-83), canticles (ff. 280v-302) and litany (ff. 302v-318).Catchwords
scene of John the Baptist leaning out of a building and being beheaded by a man with a raised sword, with Salome alongside. Includes 150 Psalms (ff. 85-280) with a calendar of Sarum use (ff. 71v-83), canticles (ff. 280v-302) and
bas-de-page scene of John the Baptist leaning out of a building and being beheaded by a man with a raised sword, with Salome alongside. Includes 150 Psalms (ff. 85-280) with a calendar of Sarum use (ff. 71v-83), canticles (ff. 280v-302)
on the left, John on the right; (bottom left) Pilate and the High Priest giving orders to the soldier, (bottom right) the Entombment, Joseph supporting Christ's head, Nicodemus holding a pot of spices, the Virgin, weeping, and John behind, with
on the left, John on the right; (bottom left) Pilate and the High Priest giving orders to the soldier, (bottom right) the Entombment, Joseph supporting Christ's head, Nicodemus holding a pot of spices, the Virgin, weeping, and John behind. Includes
'B'(enedictus) with John the Baptist with the Agnus Dei standing on a hill, and Pharisees questioning him, with a bas-de-page scene of Thomas Becket being welcomed by the Abbot of Pontigny. Includes 150 Psalms (ff. 85-280) with a calendar of
historiated initial 'B'(enedictus) with John the Baptist with the Agnus Dei standing on a hill, and Pharisees questioning him. Includes 150 Psalms (ff. 85-280) with a calendar of Sarum use (ff. 71v-83), canticles (ff. 280v-302) and litany (ff. 302v-318).Catchwords and
scene of John, standing with a palm-branch in his hand, preaching before three others, with a decorated initial 'C'(onfitebor). Includes 150 Psalms (ff. 85-280) with a calendar of Sarum use (ff. 71v-83), canticles (ff. 280v-302) and litany (ff. 302v-318).Catchwords and
bas-de-page scene of John, standing with a palm-branch in his hand, preaching before three others, with a decorated initial 'C'(onfitebor). Includes 150 Psalms (ff. 85-280) with a calendar of Sarum use (ff. 71v-83), canticles (ff. 280v-302) and litany (ff. 302v-318).Catchwords
of John the Baptist preaching, with an ox, a lion and a calf behind him, with four figures in niches, two on each side, with a bas-de-page scene of two devils pushing a sacristan off a bridge and the Virgin
a miniature of John the Baptist preaching, with an ox, a lion and a calf behind him, with four figures in niches, two on each side. Includes 150 Psalms (ff. 85-280) with a calendar of Sarum use (ff. 71v-83), canticles
Canon in circular form with a horseman, a dragon and the motto of the Garter, 'Hony soit qui mal y pense' in the centre. Musical notation. 2 miniatures in colours and gold of the royal arms and the badge
Calligraphic initials 'A'(bsalon), 'T'(enor), 'C', and 'B'. Musical notation. 2 miniatures in colours and gold of the royal arms and the badge of a portcullis (ff. 2v-3). Two illuminated initials in colours and gold with partial trompe l'oeil borders.
later owned by Firmin-Didot; perhaps bound for him; annotated perhaps by him with several notes concerning the Hospitallers of St John, and '+ de moy patriarche de alexandrie +' and 'sera(?) de moy lyon(?) est' (f. 122).This is the earlier
later owned by Firmin-Didot; perhaps bound for him; annotated perhaps by him with several notes concerning the Hospitallers of St John, and '+ de moy patriarche de alexandrie +' and 'sera(?) de moy lyon(?) est' (f. 122).This is the earlier
Puzzle initial ''R'(everendo) and smaller decorated initials, at the beginning of Guillelmus Duranti's Repertorium juris canonici.. For other manuscripts owned by Morton see Arundel 366 and 454.Pecia notes occur throughout the manuscript.According to notes supplied by Magnus Ryan, the
Text page, with small decorated initials and the pecia mark 'xvii p' in the right margin. For other manuscripts owned by Morton see Arundel 366 and 454.Pecia notes occur throughout the manuscript.According to notes supplied by Magnus Ryan, the
later owned by Firmin-Didot; perhaps bound for him; annotated perhaps by him with several notes concerning the Hospitallers of St John, and '+ de moy patriarche de alexandrie +' and 'sera(?) de moy lyon(?) est' (f. 122).This is the earlier
later owned by Firmin-Didot; perhaps bound for him; annotated perhaps by him with several notes concerning the Hospitallers of St John, and '+ de moy patriarche de alexandrie +' and 'sera(?) de moy lyon(?) est' (f. 122).This is the earlier