• null, Commentary on Unum ex quatuor

155, 158). Space left, perhaps for a miniature, with an inscription: 'Salomon, David, Nathan' (30v). Commentary on Unum ex quatuor John Leyre, rector of Great Doddington, Northans (1377-81), presented to the church of Doddington, in the diocese of Lincoln in

• null, Commentary on Unum ex quatuor

155, 158). Space left, perhaps for a miniature, with an inscription: 'Salomon, David, Nathan' (30v). Commentary on Unum ex quatuor John Leyre, rector of Great Doddington, Northans (1377-81), presented to the church of Doddington, in the diocese of Lincoln in

• Illuminated initial 'D'(a michi), with a full border, at the beginning of the prologue., Commentary on Unum ex quatuor

155, 158). Space left, perhaps for a miniature, with an inscription: 'Salomon, David, Nathan' (30v). Commentary on Unum ex quatuor John Leyre, rector of Great Doddington, Northans (1377-81), presented to the church of Doddington, in the diocese of Lincoln in

• null, Commentary on Unum ex quatuor

155, 158). Space left, perhaps for a miniature, with an inscription: 'Salomon, David, Nathan' (30v). Commentary on Unum ex quatuor John Leyre, rector of Great Doddington, Northans (1377-81), presented to the church of Doddington, in the diocese of Lincoln in

• Bas-de-page scene of John the Baptist preaching holding a disk before a seated group of people., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John the Baptist preaching holding a disk before a seated group of people. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important

• Bas-de-page scene of John the Baptist before a seated Herod with a sword., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John the Baptist before a seated Herod with a sword. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to

• Bas-de-page scene of John being pushed into a prison tower by a man holding a club., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John being pushed into a prison tower by a man holding a club. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important

• Bas-de-page scene of John kneeling in a tower doorway, with an executioner holding him by the hair and a raised sword, and behind him Salome holding a golden bowl., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John kneeling in a tower doorway, with an executioner holding him by the hair and a raised sword, and behind him Salome holding a golden bowl. The style and subject, especially the many bas-de-page narratives ranging from romance

• Bas-de-page scene of Salome presenting the head of John in a golden bowl to her seated mother., Book of Hours, Use of Sarum ('The Taymouth Hours')

presenting the head of John in a golden bowl to her seated mother. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought

• Bas-de-page scene of two men holding bones in their arms, and the skeleton of John in a tomb., Book of Hours, Use of Sarum ('The Taymouth Hours')

in their arms, and the skeleton of John in a tomb. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to have

• Bas-de-page scene of Peter and John visiting the sepulchre and removing the sudarium., Book of Hours, Use of Sarum ('The Taymouth Hours')

of Peter and John visiting the sepulchre and removing the sudarium. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to have

• Bas-de-page scene of Christ beckoning Peter and John while they are out fishing., Book of Hours, Use of Sarum ('The Taymouth Hours')

Christ beckoning Peter and John while they are out fishing. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to have been

• Miniature of the Trinity, between the four Evangelists, with eight heads in the borders within quatrefoils., La Bible historiale complétée (Genesis - Psalms)

(Oxford: Sheldonian, '1697', but 1698?), II, no.6439;Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 3.Charles

• Detail of a miniature of the Trinity, between the four Evangelists, with eight heads in the borders within quatrefoils., La Bible historiale complétée (Genesis - Psalms)

(Oxford: Sheldonian, '1697', but 1698?), II, no.6439;Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 3.Charles

• Miniature of Abraham sacrificing Isaac., La Bible historiale complétée (Genesis - Psalms)

(Oxford: Sheldonian, '1697', but 1698?), II, no.6439;Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 3.Charles

• Detail of a miniature of Abraham sacrificing Isaac., La Bible historiale complétée (Genesis - Psalms)

(Oxford: Sheldonian, '1697', but 1698?), II, no.6439;Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 3.Charles

• Miniature in four compartments: 1. Solomon instructing Rehoboam; 2. Solomon ordering three sons to shoot at their father's corpse to test their legitimacy; 3. The Judgement of Solomon; 4. Solomon and three men; and a foliate initial 'L'(es paraboles) with a full border and a bas-de-page scene of a lion, a dog and four apes, at the beginning of Proverbs., La Bible historiale complétée (Genesis - Psalms)

(Oxford: Sheldonian, '1697', but 1698?), II, no.6439;Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 3.Charles

• Detail of a miniature in four compartments: 1. Solomon instructing Rehoboam; 2. Solomon ordering three sons to shoot at their father's corpse to test their legitimacy; 3. The Judgement of Solomon; 4. Solomon and three men., La Bible historiale complétée (Proverbs - Revelation)

(Oxford: Sheldonian, '1697', but 1698?), II, no.6439;Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 3.Charles

• Detail of a bas-de-page scene of a lion, a dog and four apes, at the beginning of Proverbs., La Bible historiale complétée (Proverbs - Revelation)

(Oxford: Sheldonian, '1697', but 1698?), II, no.6439;Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 3.Charles

• null, Book of Hours

Ormond', Elizabeth, countess of Shrewsbury, sister of 5th, 6th, and 7th earls of Ormond (d. 1473), 'Obitus Elizabeth comitisse Salop.', John, 6th earl of Ormond (d. c. 1477), 'Obitus Johannis comitis Ormond', Lore, 2nd wife of Thomas, 7th earl of