• Detail of a miniature of Deianira and Nessus crossing a river on horseback, with Hercules with a drawn bow., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Jocasta killing herself, while Oedipus puts out his eyes and Polynices and Eteocles kill each other., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Minerva, crowned, instructing men in making armour, while a man uses counters and another plays the flageolet., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Marpesia and Lampeto, queens of the Amazons, with armed attendants and a shield bearer., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Medea, with Jason on a horse and a slaughter of a child with his sword, at the beginning of chapter 17., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Pamphila collecting cocoons of silk worms from trees and spinning the silk., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of men digging the grave of Rhea Silvia, with a wolf and twins behind., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Athaliah ordering the slaughter of the princes of Judah, with her death by stoning behind., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Theoxena in a ship, fleeing from Philip V of Macedon, and taking poison., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of the queen of Orgiagon presenting the head of her ravisher to the king of the Gaulgres., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Aemilia, wife of Scipio Africanus, condoning her husband's affair with a slave., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Seneca and his wife Pompeia Paulina being bled to death., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Faustina, the wife of Marcus Aurelius, with one of her lovers, and a man with an anvil., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Jeanne, queen of Jerusalem and Sicily, receiving gifts from her subjects., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of the Erithrean Sibyl writing, with a partial border and a foliate initial 'E'(rithire), at the beginning of chapter XXI., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Decorated initial with verse layout., De Consolatione Philosophiae (index Consolation of Philosophy)

Sheldonian, ,1697', but 1698?), II, no. 6411.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, appraised in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 212.Charles

• Detail of a miniature composed of four compartments of Boccaccio presenting the book to Andrea Acciaiuoli and a group of women., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Pen-flourished initial 'T'(he)., Various religious treatises, including a treatise on faith with an explication of the Apostles' Creed, treatises on the Ten Commandments, the Decalogue, the Lord's Prayer, etc.

the Harley Catalogue.The first section appears to be a copy of John Wycliffe's Pauper Rusticus (also known as the Confessio derelicti pauperis or the Pore Caitif)f. 108 is a parchment flyleaf with a Latin inscription in a cursive hand.Horizontal catchwords.

• Coloured initial 'P(ueri novissima hora est)., Sermons on John, I, imperfect at the end

parchment pastedown. Large initials in red (some oxidised). Rubrics in red. Capitals marked in red. Sermons on John, I, imperfect at the end Johannes Vlimmerius (d. 1597), prior of St. Martin's, Louvain from 1559 to 1562: inscriptions recording his gift

• Initial 'T'(his gospel) with the rubric, 'Fryday; the Gospel of Mark, viii c[hapter].', Homilies on the Gospels and Epistles, imperfect at the beginning

sorts & conditions, without exception; & his mentioning the Scole of Oxenforde: induce me to believe it might have been John Wycliffe.' Large plain initials in red. Text underlined in red. Homilies on the Gospels and Epistles, imperfect at the