• Illuminated white vine-stem border and illuminated initial 'A'(ntequam), with square capitals used as display script in an unfinished four-colour sequence; at the beginning of Cicero's Philippic orations., 14 Philippic orations (ff. 1-168); Somnium scipionis (ff. 168v-178v)

and 22; A. C. de la Mare also attributed Add. 16983 and Burney 292 to the same scribe; see also John W. Bradley, ~A Dictionary of Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 248; II, 11-2.Unidentified

• Illuminated white vine-stem initial 'V'(ellem), and square capitals in a three-colour sequence; at the beginning of Cicero's ninth Philippic oration., 14 Philippic orations (ff. 1-168); Somnium scipionis (ff. 168v-178v)

and 22; A. C. de la Mare also attributed Add. 16983 and Burney 292 to the same scribe; see also John W. Bradley, ~A Dictionary of Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 248; II, 11-2.Unidentified

• null, 14 Philippic orations (ff. 1-168); Somnium scipionis (ff. 168v-178v)

and 22; A. C. de la Mare also attributed Add. 16983 and Burney 292 to the same scribe; see also John W. Bradley, ~A Dictionary of Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 248; II, 11-2.Unidentified

• null, 14 Philippic orations (ff. 1-168); Somnium scipionis (ff. 168v-178v)

and 22; A. C. de la Mare also attributed Add. 16983 and Burney 292 to the same scribe; see also John W. Bradley, ~A Dictionary of Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 248; II, 11-2.Unidentified

• null, 14 Philippic orations (ff. 1-168); Somnium scipionis (ff. 168v-178v)

and 22; A. C. de la Mare also attributed Add. 16983 and Burney 292 to the same scribe; see also John W. Bradley, ~A Dictionary of Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 248; II, 11-2.Unidentified

• Miniature of the Annunciation, decorated initial 'D'(omine), and full border, at the beginning of the Hours of the Virigin., Hours, Use of Rome ('Hours of Jacques de Brégilles')

Pierre Berès 5th sale, 3rd part, at Drouot Richeliue, Paris, 13 December 2006, now in the Morgan Library). We thank John Bidwell, Astor Curator of Printed Books and Bindings, The Morgan Library & Museum, for this information.Thomas Shadford Walker (b.

• Detail of a miniature of the Crucifixion, at the beginning of the Hours of the Cross., Hours, Use of Rome ('Hours of Jacques de Brégilles')

Pierre Berès 5th sale, 3rd part, at Drouot Richeliue, Paris, 13 December 2006, now in the Morgan Library). We thank John Bidwell, Astor Curator of Printed Books and Bindings, The Morgan Library & Museum, for this information.Thomas Shadford Walker (b.

• Miniature of Pentecost, decorated initial 'D'(omine), and full border, at the beginning of the Hours of the Holy Spirit., Hours, Use of Rome ('Hours of Jacques de Brégilles')

Pierre Berès 5th sale, 3rd part, at Drouot Richeliue, Paris, 13 December 2006, now in the Morgan Library). We thank John Bidwell, Astor Curator of Printed Books and Bindings, The Morgan Library & Museum, for this information.Thomas Shadford Walker (b.

• Detail of a miniature of David in Penitence, at the beginning of the Penitential Psalms., Hours, Use of Rome ('Hours of Jacques de Brégilles')

Pierre Berès 5th sale, 3rd part, at Drouot Richeliue, Paris, 13 December 2006, now in the Morgan Library). We thank John Bidwell, Astor Curator of Printed Books and Bindings, The Morgan Library & Museum, for this information.Thomas Shadford Walker (b.

• Historiated initial 'I'(sta) with Apollonia holding tooth, at the beginning of her suffrage., Hours, Use of Rome ('Hours of Jacques de Brégilles')

Pierre Berès 5th sale, 3rd part, at Drouot Richeliue, Paris, 13 December 2006, now in the Morgan Library). We thank John Bidwell, Astor Curator of Printed Books and Bindings, The Morgan Library & Museum, for this information.Thomas Shadford Walker (b.

• Historiated initial 'I'(n) with Luke painting the Virgin, at the beginning of his Gospel., Hours, Use of Rome ('Hours of Jacques de Brégilles')

Pierre Berès 5th sale, 3rd part, at Drouot Richeliue, Paris, 13 December 2006, now in the Morgan Library). We thank John Bidwell, Astor Curator of Printed Books and Bindings, The Morgan Library & Museum, for this information.Thomas Shadford Walker (b.

• Decorated initial 'C'(um), and, in the lower margin, the initials 'R. R.' and arms of Roger Rotherham, azure, on a mount, three pointed, vert, a stag in full course or., Strategemata (index Strategematica, De re militari)

(possibly a fellow-commoner of Corpus Christi in 1544): his name inscribed (f. 1) (see Watson 1979).Unidentified shelfmark, '38' (f. 1). John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator: inscribed with his name (f. 1); listed

• Detail of the lower margin, with initials 'R. R.' and arms of Roger Rotherham, azure, on a mount, three pointed, vert, a stag in full course or., Strategemata (index Strategematica, De re militari)

(possibly a fellow-commoner of Corpus Christi in 1544): his name inscribed (f. 1) (see Watson 1979).Unidentified shelfmark, '38' (f. 1). John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator: inscribed with his name (f. 1); listed

• Detail of an historiated initial 'P'(etrus) of Peter and Paul, in semi-grisaille, with partial foliate borders., Hours, Use of Rome ('Hours of Jacques de Brégilles')

Pierre Berès 5th sale, 3rd part, at Drouot Richeliue, Paris, 13 December 2006, now in the Morgan Library). We thank John Bidwell, Astor Curator of Printed Books and Bindings, The Morgan Library & Museum, for this information.Thomas Shadford Walker (b.

• White vine initial 'Q'(uintus) with decoration extending into the margins; unidentified coat of arms in a wreath in the lower margin., De amicitia (ff. 44-61); Paradoxa stoicorum (ff. 62-70); De senectute (ff. 71-87)' De officiis (ff. 90-163v)

White vine initial 'Q'(uintus) with decoration extending into the margins; unidentified coat of arms in a wreath in the lower margin. A composite volume: ff. 40 and 41 are the former end flyleaves of the first manuscript; ff. 42

• Detail of a historiated initial with a portrait of a famous man, at the beginning of his biography., Lives

Detail of a historiated initial with a portrait of a famous man, at the beginning of his biography. Probably the second of two volumes; the first volume is likely Modena, Bibl. Estense MS lat. 429 (α J.1.4) (see de

• Illuminated initial 'I'(n) in gold and colours with foliate feathering, including acanthus leaves extending in the margins to form 2-3-sided partial borders., Various religious and moral treatises including The Clensing of Man's Soul (ff. 1-68v), a Passion poem (ff. 106-108v), Life of Catherine (ff. 115-123v), Life of Margaret (ff. 124-130), Life of Anne in verse (ff. 130v-139v), an excerpt from St Patrick's Purgatory (ff. 140-151v).

1500), daughter and heiress of Sir Robert Harling and Jane Gonvile, East Anglian resident, with connections to, among others, Sir John Fastolf and the Pastons: inscribed, 15th century, 'Thys ys the boke of dame Anne Wyngefeld of Har[l]yng' (f. 153,

• Miniature of Benedictine monks chanting at a lectern; another takes holy water on entering, and an initial 'K'. On the reverse one and a half four-line red staves, musical notation and partial text 'Kyrie /... leison'., Cuttings from a Gradual

Room order Add. 39636. An initial 'E' of Paul, introducing the Gradual to the Mass for the feast of Saints John and Paul Martyrs (26 June) ‘Ecce quam bonum et quam iucundum habitare fratres in unum’, formerly in the collection

• Historiated and zoomorphic initial 'B' of Benedict seated and holding a crozier, the body of the initial composed of horns sprouting foliage and a hedgehog. One the reverse two four-line red staves, musical notation and text 'co[mmunio] / …te om[n]es a[n]'., Cuttings from a Gradual

Room order Add. 39636. An initial 'E' of Paul, introducing the Gradual to the Mass for the feast of Saints John and Paul Martyrs (26 June) ‘Ecce quam bonum et quam iucundum habitare fratres in unum’, formerly in the collection

• Historiated and zoomorphic initial 'S' of Pentecost, the body of the initial composed of two intertwining dragons. On the reverse two four-line red staves, musical notation and text '...lleluia alle / …luia. Ps(almus)'., Cuttings from a Gradual

Room order Add. 39636. An initial 'E' of Paul, introducing the Gradual to the Mass for the feast of Saints John and Paul Martyrs (26 June) ‘Ecce quam bonum et quam iucundum habitare fratres in unum’, formerly in the collection