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a bend dancetty azure charged in chief with a six-pointed star argent erased, but visible under ultraviolet light (f. 219).Sir John Donne (d. 1503), soldier and administrator: his arms of a wolf rampant erased (f. 219); includes autograph greetings to
a bend dancetty azure charged in chief with a six-pointed star argent erased, but visible under ultraviolet light (f. 219).Sir John Donne (d. 1503), soldier and administrator: his arms of a wolf rampant erased (f. 219); includes autograph greetings to
a bend dancetty azure charged in chief with a six-pointed star argent erased, but visible under ultraviolet light (f. 219).Sir John Donne (d. 1503), soldier and administrator: his arms of a wolf rampant erased (f. 219); includes autograph greetings to
a bend dancetty azure charged in chief with a six-pointed star argent erased, but visible under ultraviolet light (f. 219).Sir John Donne (d. 1503), soldier and administrator: his arms of a wolf rampant erased (f. 219); includes autograph greetings to
Decorated panels, the upper with a standing figure. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form
Detail of plaque, with standing figure. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of headstones
Panel with the Latin inscription ('Vale Tiberi'). Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of
Detail of panel with Latin inscription. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of headstones
Drawing of a epithet with putti. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of headstones
Detail of drawing of a epithet with putti. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form
Drawing of a panel with a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of
Detail of a panel with a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of
Text pages with drawing of a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of
Detail of a drawiing of a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of
Text page. Probably the second of two volumes; the first volume is likely Modena, Bibl. Estense MS lat. 429 (α J.1.4) (see de la Mare 1984, p. 272).The scribe who copied this manuscript is known as the 'Omnium rerum'
Decorated initial 'P'(eripoltas). Probably the second of two volumes; the first volume is likely Modena, Bibl. Estense MS lat. 429 (α J.1.4) (see de la Mare 1984, p. 272).The scribe who copied this manuscript is known as the 'Omnium
Historiated initial 'L'(ucii), with a portrait of Lucullus, crowned with a garland, holding a book. Probably the second of two volumes; the first volume is likely Modena, Bibl. Estense MS lat. 429 (α J.1.4) (see de la Mare 1984,
Missal, Use of Rome Executed at Lisbon for the rectification of the services of the Portuguese Church, by order of John III King of Portugal (1521-1557), and completed after his death under the patronage of his wife, Queen Catherine, and
Missal, Use of Rome Executed at Lisbon for the rectification of the services of the Portuguese Church, by order of John III King of Portugal (1521-1557), and completed after his death under the patronage of his wife, Queen Catherine, and
Architectural frontispiece with an historiated initial, a portrait of Josephus, and the coat of arms and mottos of Aragon. The manuscript was copied in Florence and illuminated in Rome. The miniaturist, Gaspare da Padova, also known as the Master