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Decorated panels, the upper with a standing figure. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form
Detail of plaque, with standing figure. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of headstones
Panel with the Latin inscription ('Vale Tiberi'). Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of
Detail of panel with Latin inscription. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of headstones
Drawing of a epithet with putti. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of headstones
Detail of drawing of a epithet with putti. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form
Drawing of a panel with a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of
Detail of a panel with a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of
Text pages with drawing of a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of
Detail of a drawiing of a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of
Augustinian monastery of S. Giovanni in Verdara, Padua: given to them in 1478 by Pietro de Montagnana (see inscription above). John Gibson (fl. 1720-1726), dealer: sold to Edward Harley on 12 February 1719/20 (~Diary~ 1966; Wright 1972).The Harley Collection, formed
Augustinian monastery of S. Giovanni in Verdara, Padua: given to them in 1478 by Pietro de Montagnana (see inscription above). John Gibson (fl. 1720-1726), dealer: sold to Edward Harley on 12 February 1719/20 (~Diary~ 1966; Wright 1972).The Harley Collection, formed
Historiated initial 'S'(ororem) with a man reading (Terence?), and full border of acanthus and flowers on unpainted ground, with a bird, and an angel holding unidentified arms. f. 1* is a parchment flyleaf. Historiated initial in colours and gold
1500), daughter and heiress of Sir Robert Harling and Jane Gonvile, East Anglian resident, with connections to, among others, Sir John Fastolf and the Pastons: inscribed, 15th century, 'Thys ys the boke of dame Anne Wyngefeld of Har[l]yng' (f. 153,
the manuscript. Book of Hours, Use of Rome A member of the Guicciardini family of Florence: its arms (f. 13). John Gibson (fl. 1720-1726), dealer; sold to Edward Harley on 13 February 1723/4 (see ~Diary~ 1966; Wright 1972).The Harley Collection,
the manuscript. Book of Hours, Use of Rome A member of the Guicciardini family of Florence: its arms (f. 13). John Gibson (fl. 1720-1726), dealer; sold to Edward Harley on 13 February 1723/4 (see ~Diary~ 1966; Wright 1972).The Harley Collection,
White vine initial 'Q'(uanquam) combined with a three-sided border including putti holding a wreath originally designed to contain a heraldic motif, at the beginning of Cicero' De officiis. A composite volume: ff. 40 and 41 are the former end
the Virgin (ff. 32-37); the Gospel Lessons (ff. 37-41v); prayers to the Virgin (ff. 42-47v); suffrages to the Trinity, Michael, John the Baptist, Peter and Paul, Nicholas, Mary Magdalene, Catherine, and Barbara (ff. 48-51v); the Hours of the Virgin (ff.
earl of Arundel (b. 1512, d. 1580): inscribed 'Arundel' (f. 2); the Arundel collection bequeathed to Lord Lumley, his son-in-law. John Lumley, 1st baron Lumley (b. c.1533, d. 1609), collector and conspirator: inscribed with his name (f. 2). ? Perhaps
the Virgin (ff. 32-37); the Gospel Lessons (ff. 37-41v); prayers to the Virgin (ff. 42-47v); suffrages to the Trinity, Michael, John the Baptist, Peter and Paul, Nicholas, Mary Magdalene, Catherine, and Barbara (ff. 48-51v); the Hours of the Virgin (ff.