• Detail of the prefatory miniature of David praying with an angel holding a sword, scourge, and skull, in an oval frame., Psalter and Canticles (the 'Psalter of the Earl of Arundel')

Detail of the prefatory miniature of David praying with an angel holding a sword, scourge, and skull, in an oval frame. Illuminated by a French artist, another manuscript decorated by him is Vatican Library, Vat. Lat. 14936, the 'Hours

• Prefatory miniature of the arms of Henry Fitzalan, earl of Arundel, with his motto, 'Virtutis laus actio', and his monogram., Psalter and Canticles (the 'Psalter of the Earl of Arundel')

Prefatory miniature of the arms of Henry Fitzalan, earl of Arundel, with his motto, 'Virtutis laus actio', and his monogram. Illuminated by a French artist, another manuscript decorated by him is Vatican Library, Vat. Lat. 14936, the 'Hours of

• Detail of display script by Petruccio Ubaldini, Psalm 1., Psalter and Canticles (the 'Psalter of the Earl of Arundel')

Detail of display script by Petruccio Ubaldini, Psalm 1. Illuminated by a French artist, another manuscript decorated by him is Vatican Library, Vat. Lat. 14936, the 'Hours of Catherine de Medici'. Includes the preface 'Psalterium Romae dudum' (f. 2v)

• Detail of a miniature of the funeral of Anne of Bohemia, at the beginning of chapter 39., Chroniques

Detail of a miniature of the funeral of Anne of Bohemia, at the beginning of chapter 39. Includes a volume 4 of the 'Chroniques' of Froissart, covering the period 1389-1400, preceded by a list of contents (ff. 2-5v).According to

• Miniature of the lawsuit of Jeanne, queen of Naples, with a partial border, at the beginning of chapter 49., Chroniques

Miniature of the lawsuit of Jeanne, queen of Naples, with a partial border, at the beginning of chapter 49. Includes a volume 4 of the 'Chroniques' of Froissart, covering the period 1389-1400, preceded by a list of contents (ff.

• Detail of a miniature of the lawsuit of Jeanne, queen of Naples, with a partial border, at the beginning of chapter 49., Chroniques

Detail of a miniature of the lawsuit of Jeanne, queen of Naples, with a partial border, at the beginning of chapter 49. Includes a volume 4 of the 'Chroniques' of Froissart, covering the period 1389-1400, preceded by a list

• An astrological diagram of the phases of the sun and moon, with vovelles., Miscellany with various astronomical, calendrical, medical, and philosophical texts

in red with blue pen-flourishing. Rubrics, paraphs, and underlining in red. Miscellany with various astronomical, calendrical, medical, and philosophical texts John...: inscribed with his name in the 16th century (f. 229). Samuel Knott (d. 1687), rector of Combe Raleigh, Devon

• Detail of a miniature of a bloodletting man with one foot in a bleeding pan and a spindle in his hand., Miscellany with various astronomical, calendrical, medical, and philosophical texts

in red with blue pen-flourishing. Rubrics, paraphs, and underlining in red. Miscellany with various astronomical, calendrical, medical, and philosophical texts John...: inscribed with his name in the 16th century (f. 229). Samuel Knott (d. 1687), rector of Combe Raleigh, Devon

• A diagram of the sphere of life and death used in prognostication., Miscellany with various astronomical, calendrical, medical, and philosophical texts

in red with blue pen-flourishing. Rubrics, paraphs, and underlining in red. Miscellany with various astronomical, calendrical, medical, and philosophical texts John...: inscribed with his name in the 16th century (f. 229). Samuel Knott (d. 1687), rector of Combe Raleigh, Devon

• Miniature of Richard II resigning his crown., Chroniques

Miniature of Richard II resigning his crown. Includes a volume 4 of the 'Chroniques' of Froissart, covering the period 1389-1400, preceded by a list of contents (ff. 2-5v).According to Kren and McKendrick 2003, two miniatures are attributed to the

• Detail of a miniature of Richard II resigning his crown., Chroniques

Detail of a miniature of Richard II resigning his crown. Includes a volume 4 of the 'Chroniques' of Froissart, covering the period 1389-1400, preceded by a list of contents (ff. 2-5v).According to Kren and McKendrick 2003, two miniatures are

• Miniature of a Charles VI on horseback entering a walled city., Chroniques

Miniature of a Charles VI on horseback entering a walled city. Includes a volume 4 of the 'Chroniques' of Froissart, covering the period 1389-1400, preceded by a list of contents (ff. 2-5v).According to Kren and McKendrick 2003, two miniatures

• Miniature of two knights (Peter Courtenay and De Clary) on horseback jousting., Chroniques

Miniature of two knights (Peter Courtenay and De Clary) on horseback jousting. Includes a volume 4 of the 'Chroniques' of Froissart, covering the period 1389-1400, preceded by a list of contents (ff. 2-5v).According to Kren and McKendrick 2003, two

• Detail of a miniature of a king on horseback entering a walled city., Chroniques

Detail of a miniature of a king on horseback entering a walled city. Includes a volume 4 of the 'Chroniques' of Froissart, covering the period 1389-1400, preceded by a list of contents (ff. 2-5v).According to Kren and McKendrick 2003,

• Miniature of the royal arms of England with a crest of a lion, supported by a red dragon and a white greyhound, with a motto reading 'Dieu ets mon droit', and two Beaufort badges of portcullises, with a full border containing the arms of Claude de Seyssel, preceding the prologue of the translator addressed to Henry VII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Miniature of Henry VII sitting on a throne decorated with the royal arms of England and inscribed with the motto 'Dieu est mon droit', and receiving the book from the translator, Claude de Seyssel, with an illuminated initial 'C'(ombien), and a full border including grotesque hybrids, at the beginning of the prologue addressed to Henry VII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Detail of a miniature of Henry VII sitting on a throne decorated with the royal arms of England and inscribed with the motto 'Dieu est mon droit', and receiving the book from the translator, Claude de Seyssel, at the beginning of the prologue addressed to Henry VII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Miniature of Louis XII enthroned receiving the book from the translator, Claude de Seyssel, with a full border including grotesque hybrids, flowers, and plants, at the beginning of the prologue of the translator addressed to Louis XII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Miniature of Isabel arriving at Paris in a litter carried by two white horses, with a full border containing two banners held by lions bearing the royal arms of England, and a shield with the royal arms of England surrounded by the Garter, and surmounted by a crowned helm with a mantling in Edward's colours of red and blue, and a lion crest with fleur-de-lis, supported by two lions; and an illuminated initial 'A'( la requeste)., Chroniques

Miniature of Isabel arriving at Paris in a litter carried by two white horses, with a full border containing two banners held by lions bearing the royal arms of England, and a shield with the royal arms of England

• Historiated border., Missal, Use of Rome

Missal, Use of Rome Executed at Lisbon for the rectification of the services of the Portuguese Church, by order of John III King of Portugal (1521-1557), and completed after his death under the patronage of his wife, Queen Catherine, and