• Detail of a miniature of Artaxerxes enthroned, with his courtiers; the arrest of Cyrus; Darius ill in bed, and a physician with a flask., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Miniature of the Greek army with Xenophon, and piles of the dead, with grotesque hybrids, flowers, and plants in the full foliate border., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Detail of a miniature of the Greek army with Xenophon, and piles of the dead., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Detail of a miniature of Louis XII enthroned receiving the book from the translator, Claude de Seyssel, at the beginning of the prologue of the translator addressed to Louis XII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Display script by Petruccio Ubaldini, Prologue., Psalter and Canticles (the 'Psalter of the Earl of Arundel')

Display script by Petruccio Ubaldini, Prologue. Illuminated by a French artist, another manuscript decorated by him is Vatican Library, Vat. Lat. 14936, the 'Hours of Catherine de Medici'. Includes the preface 'Psalterium Romae dudum' (f. 2v) and an index

• Prefatory miniature of David praying with an angel holding a sword, scourge, and skull, in an oval frame., Psalter and Canticles (the 'Psalter of the Earl of Arundel')

Prefatory miniature of David praying with an angel holding a sword, scourge, and skull, in an oval frame. Illuminated by a French artist, another manuscript decorated by him is Vatican Library, Vat. Lat. 14936, the 'Hours of Catherine de

• Display script by Petruccio Ubaldini, Psalm 1., Psalter and Canticles (the 'Psalter of the Earl of Arundel')

Display script by Petruccio Ubaldini, Psalm 1. Illuminated by a French artist, another manuscript decorated by him is Vatican Library, Vat. Lat. 14936, the 'Hours of Catherine de Medici'. Includes the preface 'Psalterium Romae dudum' (f. 2v) and an

• Detail of the prefatory miniature of David praying with an angel holding a sword, scourge, and skull, in an oval frame., Psalter and Canticles (the 'Psalter of the Earl of Arundel')

Detail of the prefatory miniature of David praying with an angel holding a sword, scourge, and skull, in an oval frame. Illuminated by a French artist, another manuscript decorated by him is Vatican Library, Vat. Lat. 14936, the 'Hours

• Prefatory miniature of the arms of Henry Fitzalan, earl of Arundel, with his motto, 'Virtutis laus actio', and his monogram., Psalter and Canticles (the 'Psalter of the Earl of Arundel')

Prefatory miniature of the arms of Henry Fitzalan, earl of Arundel, with his motto, 'Virtutis laus actio', and his monogram. Illuminated by a French artist, another manuscript decorated by him is Vatican Library, Vat. Lat. 14936, the 'Hours of

• Detail of display script by Petruccio Ubaldini, Psalm 1., Psalter and Canticles (the 'Psalter of the Earl of Arundel')

Detail of display script by Petruccio Ubaldini, Psalm 1. Illuminated by a French artist, another manuscript decorated by him is Vatican Library, Vat. Lat. 14936, the 'Hours of Catherine de Medici'. Includes the preface 'Psalterium Romae dudum' (f. 2v)

• An astrological diagram of the phases of the sun and moon, with vovelles., Miscellany with various astronomical, calendrical, medical, and philosophical texts

in red with blue pen-flourishing. Rubrics, paraphs, and underlining in red. Miscellany with various astronomical, calendrical, medical, and philosophical texts John...: inscribed with his name in the 16th century (f. 229). Samuel Knott (d. 1687), rector of Combe Raleigh, Devon

• Detail of a miniature of a bloodletting man with one foot in a bleeding pan and a spindle in his hand., Miscellany with various astronomical, calendrical, medical, and philosophical texts

in red with blue pen-flourishing. Rubrics, paraphs, and underlining in red. Miscellany with various astronomical, calendrical, medical, and philosophical texts John...: inscribed with his name in the 16th century (f. 229). Samuel Knott (d. 1687), rector of Combe Raleigh, Devon

• A diagram of the sphere of life and death used in prognostication., Miscellany with various astronomical, calendrical, medical, and philosophical texts

in red with blue pen-flourishing. Rubrics, paraphs, and underlining in red. Miscellany with various astronomical, calendrical, medical, and philosophical texts John...: inscribed with his name in the 16th century (f. 229). Samuel Knott (d. 1687), rector of Combe Raleigh, Devon

• Miniature of the royal arms of England with a crest of a lion, supported by a red dragon and a white greyhound, with a motto reading 'Dieu ets mon droit', and two Beaufort badges of portcullises, with a full border containing the arms of Claude de Seyssel, preceding the prologue of the translator addressed to Henry VII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Miniature of Henry VII sitting on a throne decorated with the royal arms of England and inscribed with the motto 'Dieu est mon droit', and receiving the book from the translator, Claude de Seyssel, with an illuminated initial 'C'(ombien), and a full border including grotesque hybrids, at the beginning of the prologue addressed to Henry VII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Detail of a miniature of Henry VII sitting on a throne decorated with the royal arms of England and inscribed with the motto 'Dieu est mon droit', and receiving the book from the translator, Claude de Seyssel, at the beginning of the prologue addressed to Henry VII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Miniature of Louis XII enthroned receiving the book from the translator, Claude de Seyssel, with a full border including grotesque hybrids, flowers, and plants, at the beginning of the prologue of the translator addressed to Louis XII., Anabasis

translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII

• Historiated border., Missal, Use of Rome

Missal, Use of Rome Executed at Lisbon for the rectification of the services of the Portuguese Church, by order of John III King of Portugal (1521-1557), and completed after his death under the patronage of his wife, Queen Catherine, and

• Miniature of the Massacre of the Innocents., Missal, Use of Rome

Missal, Use of Rome Executed at Lisbon for the rectification of the services of the Portuguese Church, by order of John III King of Portugal (1521-1557), and completed after his death under the patronage of his wife, Queen Catherine, and

• Architectural frontispiece with an historiated initial, a portrait of Josephus, and the coat of arms and mottos of Aragon., De Antiquitates Judaicae and Vetustate Judaica

Architectural frontispiece with an historiated initial, a portrait of Josephus, and the coat of arms and mottos of Aragon. The manuscript was copied in Florence and illuminated in Rome. The miniaturist, Gaspare da Padova, also known as the Master