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117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer
117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer
117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer
117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer
117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer
117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer
117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer
117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer
Florence: rubric 'Incipit psalterium componitum secundum morem et ordinem Vallis Umbrose' (p. 1); the litany includes Salvius, ‘Sancte pater Benedicte’, John (Gualbert?), and Reparata; Benedict and Salvius are emphasised in the Sanctorale (pp. 269, 407); inscribed, 17th century, ‘De s(an)c(t)o
Florence: rubric 'Incipit psalterium componitum secundum morem et ordinem Vallis Umbrose' (p. 1); the litany includes Salvius, ‘Sancte pater Benedicte’, John (Gualbert?), and Reparata; Benedict and Salvius are emphasised in the Sanctorale (pp. 269, 407); inscribed, 17th century, ‘De s(an)c(t)o
Full foliate border containing putti, a unicorn, a female head in profile, a gem, and an escutcheon with the arms of Tedaldi, and an illuminated initial 'S'(emper) at the beginning of Juvenal's Satires. 1 full foliate border, heraldic arms,
Reynolds' , f. 116, and 'Anthony Harris of Cheston in the county of Suff', f. 92v, in the same hand). John Reynolds, 17th century: (inscription, f. 282v). ? Price: 'ei/r', f. i verso. Charles Burney (b. 1757, d. 1817), D.
1 full foliate border, heraldic arms, putti, unicorn, and profile heads (f. 2). 2 large initials, in colours and gold (ff. 2, 79). Small initials in plain blue (or absent). Satires (index Saturae, Satirae) A member of the Tedaldi
1 full foliate border, heraldic arms, putti, unicorn, and profile heads (f. 2). 2 large initials, in colours and gold (ff. 2, 79). Small initials in plain blue (or absent). Satires (index Saturae, Satirae) A member of the Tedaldi
1 full foliate border, heraldic arms, putti, unicorn, and profile heads (f. 2). 2 large initials, in colours and gold (ff. 2, 79). Small initials in plain blue (or absent). Satires (index Saturae, Satirae) A member of the Tedaldi
1 full foliate border, heraldic arms, putti, unicorn, and profile heads (f. 2). 2 large initials, in colours and gold (ff. 2, 79). Small initials in plain blue (or absent). Satires (index Saturae, Satirae) A member of the Tedaldi
Florence: rubric 'Incipit psalterium componitum secundum morem et ordinem Vallis Umbrose' (p. 1); the litany includes Salvius, ‘Sancte pater Benedicte’, John (Gualbert?), and Reparata; Benedict and Salvius are emphasised in the Sanctorale (pp. 269, 407); inscribed, 17th century, ‘De s(an)c(t)o
Florence: rubric 'Incipit psalterium componitum secundum morem et ordinem Vallis Umbrose' (p. 1); the litany includes Salvius, ‘Sancte pater Benedicte’, John (Gualbert?), and Reparata; Benedict and Salvius are emphasised in the Sanctorale (pp. 269, 407); inscribed, 17th century, ‘De s(an)c(t)o
Florence: rubric 'Incipit psalterium componitum secundum morem et ordinem Vallis Umbrose' (p. 1); the litany includes Salvius, ‘Sancte pater Benedicte’, John (Gualbert?), and Reparata; Benedict and Salvius are emphasised in the Sanctorale (pp. 269, 407); inscribed, 17th century, ‘De s(an)c(t)o
Florence: rubric 'Incipit psalterium componitum secundum morem et ordinem Vallis Umbrose' (p. 1); the litany includes Salvius, ‘Sancte pater Benedicte’, John (Gualbert?), and Reparata; Benedict and Salvius are emphasised in the Sanctorale (pp. 269, 407); inscribed, 17th century, ‘De s(an)c(t)o