• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.

• Outline drawing of Peter and a monk., Epistola ad Florianum, Epistola ad Vigilium, De actibus apostolorum (ends incompletely); with interlinear and mariginal glosses.

a library in Düsseldorf: bought the entire Graevius library in 1703 (Wright 1972). ?Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought

• Detail of initial 'L'., Miscellaneous theological texts

Britain: A List of Surviving Books~, ed. by N. R. Ker, 2nd edn, Royal Historical Society Guides and Handbooks, 3 (London: Royal Historical Society, 1964), p. 188). William Forrest, according to Ker, the vicar of Bledlow, near Thame, in 1556

• Interlace initial 'I'., Diadema monachorum, Sermon on the Assumption of the Virgin Mary (imperfect at the end)

couronne de marquis surmounting the shield (pasted inside upper cover); and his armorial binding.Thomas Ballard, bookseller and book auctioneer in London; his sale, 20 February 1720/21, lot 15, bought for Edward Harley through Nathaniel Noel. The Harley Collection, formed by

• Historiated initial (dating, like the text, from the 1st half of the 11th century) and added drawing illustrating a Psalm (2nd quarter of the 12th century)., Added drawings

text is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). Added

• Added drawing illustrating a Psalm (2nd quarter of the 12th century), the text was written in the 1st half of the 11th century., Added drawings

text is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). Added

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.

• Decorated initial 'L'(iber) with display capitals, at the beginning of the Gospel of Matthew., Glossed Gospel of Matthew, preceded by prologues (f. 2r-v)

Britain: A List of Surviving Books~, ed. by N. R. Ker, 2nd edn, Royal Historical Society Guides and Handbooks, 3 (London: Royal Historical Society, 1964), p. 41.Unidentified reader, 17th century(?), who has written a title and a ten-line note (f.

• Decorated initial 'C'(um) at Matthew 1:18., Glossed Gospel of Matthew, preceded by prologues (f. 2r-v)

Britain: A List of Surviving Books~, ed. by N. R. Ker, 2nd edn, Royal Historical Society Guides and Handbooks, 3 (London: Royal Historical Society, 1964), p. 41.Unidentified reader, 17th century(?), who has written a title and a ten-line note (f.

• Decorated initial 'D'(eus) at the beginning of Origines's Commentary on Jeremiah., Commentary on Jeremiah, and on the Song of Songs

and politician.Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum

• Zoomorphic initial 'I'(psum) in the form of a bird, in Origines's Commentary on Jeremiah., Commentary on Jeremiah, and on the Song of Songs

and politician.Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum

• Zoomorphic initial 'I'(psum) in the form of a bird, in Origines's Commentary on Jeremiah., Commentary on Jeremiah, and on the Song of Songs

and politician.Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum