• Badges of Henry VIII, Edward VI, Mary I and Elisabeth I., Book of royal arms and badges from Brute to James I

their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Tudor badges William Segar William Segar William Segar London England, S. E. (London)

• Arms and badge of James I., Book of royal arms and badges from Brute to James I

the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Arms and badge of James I William Segar William Segar William Segar London England, S. E. (London)

• Historiated initial 'T'(his) of the Nativity, in brown ink, combined with a full border in colours and gold with acanthus leaves and flowers, at the beginning of an indenture dated 1529., Indentures dated to the 21st year in the reign of Henry VIII

nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Nativity London England, S. E. (probably London)

• Detail of a miniature of Christ enthroned, illustrating chapter 42., Speculum humanae salvationis

the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures holding scrolls (ff. 51v-52). 1

• Pen-flourished initials 'I'(n) and 'M'(ultitudine)., Devotional miscellany, including the Meditationes ascribed to Augustine, William of Rymington's Meditationes (ff. 34-45)

recto.On the Sheen reclusory, near Richmond, Surrey, see Lawrence Hendriks, ~The London Charterhouse: Its Monks and its Martyrs, with a Short Account of the English Carthusians after the Dissolution~ (London: Kegan Paul, 1889), p. 13. Initials in blue with red

• Detail of a miniature depicting a woman at a fountain handing a chalice to a man, while two camels drink from the fountain (the Samarian woman and Christ at the well?), Speculum humanae salvationis

Catchwords. Middle Dutch notes underneath the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures

• Detail of a miniature of the betrayal of Christ., Speculum humanae salvationis

the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures holding scrolls (ff. 51v-52). 1

• Miniatures of the Feast of Ahasuerus, with musicians., Speculum humanae salvationis

miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures holding scrolls (ff. 51v-52). 1 partial

• Detail of a miniature of the Feast of Ahasuerus, with musicians., Speculum humanae salvationis

underneath the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures holding scrolls (ff. 51v-52).

• Text page with manumissions in Latin and Old English., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Text page with decorated initial 'N'(ovum) and manumissions in lower margin., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Text page with manumissions in lower margin., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Canon tables., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Canon tables., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Decorated initials 'IN' with 'I' forming interlace pattern border at the beginning of Mark's gospel., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Text page with a sketch of a man's head in profile in the margin., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• A frame with five roundels and interlace panels, probably intended for a 'Christ in Majesty' miniature., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Text page with manumissions in Old English and Latin., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Miniature of the martyrdom of Sebastian, and a full border with gems; signed PETRVS . PRVSINVS . PINXIT., Martyrdom of Sebastian

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire

• Miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'M'(oicti), and full border, at the beginning of Book 2., Débat de félicité

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: ‘XV.6.5’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with