• Miniature of the Crucifixion, accompanied by the owners(?) of the manuscript, at the beginning of the Passion of Christ., Book of Hours, Use of Sarum

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Historiated initial 'B'(eatus) with Jerome as a cardinal and his lion, at the beginning of Jerome's Psalter., Book of Hours, Use of Sarum

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 2).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Historiated initial 'D'(eus) with Christ nailed to the Cross, at the beginning of Sext in the Hours of the Virgin., Book of Hours, Use of Sarum

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 2).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Historiated initial 'O' (Domine) with Christ in a wine-press, and a full foliate border, at the beginning of a prayer to Christ., Book of Hours, Use of Sarum

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 2).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Miniature of the Virgin and Child, and full foliate border, at the beginning of a prayer., Book of Hours, Use of Sarum

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Historiated initial of Christ carrying the Cross., Book of Hours, Use of Sarum

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 2).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Historiated initial of the General Resurrection of the dead., Book of Hours, Use of Sarum

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 2).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Decorated initial 'D'(omine) and border., Book of Hours, Use of Sarum

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Miniature of the Resurrection., Book of Hours, Use of Sarum

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Illuminated initials., Book of Hours, Use of Sarum

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Illuminated initials., Book of Hours, Use of Sarum

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Miniature of Benedictine monks chanting at a lectern; another takes holy water on entering, and an initial 'K'. On the reverse one and a half four-line red staves, musical notation and partial text 'Kyrie /... leison'., Cuttings from a Gradual

from the Twelfth to the End of the Nineteenth Century~, ed. by Robert Henry Benson, 2 vols (Oxford: University Press; London: H. Milford, 1927), I, no. 17, fig. 15). Musical notation. 1 miniature in colours and gold, of Benedictine monks

• Historiated and zoomorphic initial 'B' of Benedict seated and holding a crozier, the body of the initial composed of horns sprouting foliage and a hedgehog. One the reverse two four-line red staves, musical notation and text 'co[mmunio] / …te om[n]es a[n]'., Cuttings from a Gradual

from the Twelfth to the End of the Nineteenth Century~, ed. by Robert Henry Benson, 2 vols (Oxford: University Press; London: H. Milford, 1927), I, no. 17, fig. 15). Musical notation. 1 miniature in colours and gold, of Benedictine monks

• Historiated and zoomorphic initial 'S' of Pentecost, the body of the initial composed of two intertwining dragons. On the reverse two four-line red staves, musical notation and text '...lleluia alle / …luia. Ps(almus)'., Cuttings from a Gradual

from the Twelfth to the End of the Nineteenth Century~, ed. by Robert Henry Benson, 2 vols (Oxford: University Press; London: H. Milford, 1927), I, no. 17, fig. 15). Musical notation. 1 miniature in colours and gold, of Benedictine monks

• Historiated initial 'S' of the Apostles praying. One the reverse one four-line red stave, musical notation and partial text '…eus all'., Cuttings from a Gradual

from the Twelfth to the End of the Nineteenth Century~, ed. by Robert Henry Benson, 2 vols (Oxford: University Press; London: H. Milford, 1927), I, no. 17, fig. 15). Musical notation. 1 miniature in colours and gold, of Benedictine monks

• Illuminated initial and border., Bible, in the early Wycliffite version; Proverbs to Maccabees

February, 1837 from Straker by the British Museum, using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis Henry Egerton, 8th Earl of Bridgewater (b. 1756, d. 1829): inscription (f. [ii]). . Illuminated initial and border London England, S. (London)

• Detail of a miniature of Christ in the Garden of Gethsemane with foliate borders, at the beginning of the Hours of the Virgin., Book of Hours, Use of Sarum, and Psalter

association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his arms, overpainted (ff. 45, 68).Edward (b. c. 1504, d. 1564) 1st baron North, the son of a London merchant, by 1554: inscribed with his

• Miniature of Catherine., Book of Hours, Use of Sarum, and Psalter

association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his arms, overpainted (ff. 45, 68).Edward (b. c. 1504, d. 1564) 1st baron North, the son of a London merchant, by 1554: inscribed with his

• Miniature of Barbara., Book of Hours, Use of Sarum, and Psalter

association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his arms, overpainted (ff. 45, 68).Edward (b. c. 1504, d. 1564) 1st baron North, the son of a London merchant, by 1554: inscribed with his

• Miniature of Margaret., Book of Hours, Use of Sarum, and Psalter

association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his arms, overpainted (ff. 45, 68).Edward (b. c. 1504, d. 1564) 1st baron North, the son of a London merchant, by 1554: inscribed with his