• Miniatures of hell and the torments of the damned, illustrating chapter 41., Speculum humanae salvationis

underneath the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures holding scrolls (ff. 51v-52).

• Detail of a miniature of an angel playing an instrument, illustrating chapter 42., Speculum humanae salvationis

notes underneath the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures holding scrolls (ff.

• Miniature of figures holding scrolls., Speculum humanae salvationis

in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures holding scrolls (ff. 51v-52). 1 partial border

• Badges of Henry VIII, Edward VI, Mary I and Elisabeth I., Book of royal arms and badges from Brute to James I

their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Tudor badges William Segar William Segar William Segar London England, S. E. (London)

• Arms and badge of James I., Book of royal arms and badges from Brute to James I

the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Arms and badge of James I William Segar William Segar William Segar London England, S. E. (London)

• Detail of a miniature of Christ enthroned, illustrating chapter 42., Speculum humanae salvationis

the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures holding scrolls (ff. 51v-52). 1

• Detail of a miniature depicting a woman at a fountain handing a chalice to a man, while two camels drink from the fountain (the Samarian woman and Christ at the well?), Speculum humanae salvationis

Catchwords. Middle Dutch notes underneath the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures

• Detail of a miniature of the betrayal of Christ., Speculum humanae salvationis

the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures holding scrolls (ff. 51v-52). 1

• Miniatures of the Feast of Ahasuerus, with musicians., Speculum humanae salvationis

miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures holding scrolls (ff. 51v-52). 1 partial

• Detail of a miniature of the Feast of Ahasuerus, with musicians., Speculum humanae salvationis

underneath the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures holding scrolls (ff. 51v-52).

• Miniature of the martyrdom of Sebastian, and a full border with gems; signed PETRVS . PRVSINVS . PINXIT., Martyrdom of Sebastian

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire

• Miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'M'(oicti), and full border, at the beginning of Book 2., Débat de félicité

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: ‘XV.6.5’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Flourished initial 'P'(ort), at the beginning of the Vita et passio beati Thomae [Becket]., Quadrilogus's Vita et passio beati Thomae [Becket] (ff. 1-72); Testamenta duodecim patriarcharum (ff. 73-97v)

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XIII.1.2’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'A'(ussi), and full border, at the beginning of Book 3., Débat de félicité

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: ‘XV.6.5’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Initial 'R' with the arms of Henry Despenser, bishop of Norwich, in the upper margin the signature of 'William Howarde 1579', in the right margin an ink drawing of a lion rampant, and in the lower margin the ink stamp of the Royal Society of London., Historia ecclesiastica (ff. 1-99), De muliere forti, Epistola Cuthberti

an ink drawing of a lion rampant, and in the lower margin the ink stamp of the Royal Society of London. 1 full foliate bar border and large initial in colours and gold, with a quadruped (dragon) on the border

• Decorated initial 'M'(ulta), and a full foliate border with John Morton's arms, at the beginning of Johannes de Giglis's Libellus de Canonizatione sanctorum., Libellus de Canonizatione sanctorum

1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: 'XIII.7.37', f. ii).Purchased by the British Museum from the Royal Society of London together with

• Decorated initial 'D'(icto), and a full foliate border with a rebus of a bird perching on a tun inscribed 'MOK' (sic), at the beginning of the second part of Johannes de Giglis's Libellus de Canonizatione sanctorum., Libellus de Canonizatione sanctorum

1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: 'XIII.7.37', f. ii).Purchased by the British Museum from the Royal Society of London together with

• Illuminated initial 'Q'(ui), and full foliate border with putti holding heraldic arms, at the beginning of Ludovicus Lazarelli's Liber de apparatu Patavini Astiludii., Liber de apparatu Patavini Astiludii ad reverendum dominum D. Iohannem Chetvorth de Britannia, a description of the festivities organised by John Chedworth as rector of the Jurists at the University of Padua in 1467-68

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 2; its book-plate with the pencil inscription: ‘XIII.9.24’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Decorated initial 'R'(es) at the beginning of William of Malmesbury's Gesta regum Anglorum., Gesta regum Anglorum, imperfect

the Royal Society in 1667.The Royal Society, London: its ink stamp 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.' (f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Detail of a miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 2., Débat de félicité

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: ‘XV.6.5’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with