• Decorated initials., Epigrammata ex sententiis S. Augustini, prefatory poem, and poema coniugis ad uxorem, Poems (ff. 1; 22-23v)

Britain: A List of Surviving Books~, ed. by N. R. Ker, 2nd edn, Royal Historical Society Guides and Handbooks, 3 (London: Royal Historical Society, 1964), p. 188). William Forrest, according to Ker, the vicar of Bledlow, near Thame, in 1556

• Detail of a miniature of a knight in armour, with a full border inhabited by animals and putti, from Livy's De Secundo Bello Punic., De Secundo Bello Punico

gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside upper cover).Henry

• Detail of a section of the full border inhabited by animals (peacock, lion, bear, goat, roe deer, birds) and putti, from Livy's De Secundo Bello Punic., De Secundo Bello Punico

gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside upper cover).Henry

• Detail of a section of the full border inhabited by animals (peacock, lion, bear, goat, roe deer, birds) and putti, from Livy's De Secundo Bello Punic., De Secundo Bello Punico

gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside upper cover).Henry

• Detail of a section of the full border inhabited by animals (peacock, lion, bear, goat, roe deer, birds) and putti, from Livy's De Secundo Bello Punic, with heraldic arms., De Secundo Bello Punico

gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside upper cover).Henry

• Detail of a white-vine initial 'C'(ornelius)., De Secundo Bello Punico

gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside upper cover).Henry

• Detail of a white-vine initial 'V'(t ex)., De Secundo Bello Punico

gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside upper cover).Henry

• White-vine initial 'C'(um transit)., De Secundo Bello Punico

gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside upper cover).Henry

• Detail of a miniature of a master and scholars., L'image du Monde

manuscriptorum Angliae et Hiberniae~, 3 vols. (Oxford: Sheldonian, '1697', but 1698?), II, no. 6649.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and

• Detail of a miniature of a master and scholars., L'image du Monde

manuscriptorum Angliae et Hiberniae~, 3 vols. (Oxford: Sheldonian, '1697', but 1698?), II, no. 6649.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and

• Detail of a miniature of God, with the instruments of Creation., L'image du Monde

manuscriptorum Angliae et Hiberniae~, 3 vols. (Oxford: Sheldonian, '1697', but 1698?), II, no. 6649.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and

• Miniature of diagrams showing the shape of the earth., L'image du Monde

manuscriptorum Angliae et Hiberniae~, 3 vols. (Oxford: Sheldonian, '1697', but 1698?), II, no. 6649.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and

• Circular diagrams and text., L'image du Monde

manuscriptorum Angliae et Hiberniae~, 3 vols. (Oxford: Sheldonian, '1697', but 1698?), II, no. 6649.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and

• Miniature of diagrams to show the shadow of the earth., L'image du Monde

manuscriptorum Angliae et Hiberniae~, 3 vols. (Oxford: Sheldonian, '1697', but 1698?), II, no. 6649.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and

• Miniature of the phases of the moon., L'image du Monde

manuscriptorum Angliae et Hiberniae~, 3 vols. (Oxford: Sheldonian, '1697', but 1698?), II, no. 6649.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and

• Miniature of the Universe as a diagram in various concentric circles, with Christ at the top, Hell in the centre, and symbols of the Four Evangelists in the corners., L'image du Monde

manuscriptorum Angliae et Hiberniae~, 3 vols. (Oxford: Sheldonian, '1697', but 1698?), II, no. 6649.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and

• Detail of a miniature of Anthony being tormented by demons, with an historiated initial 'A'(nthoine) of Anthony being blessed by another saint, at the beginning of his legend., The Golden Legend (La Légende Dorée)

31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to the 1st flyleaf [f. vi]); bought by

• Detail of a marginal painting of a stag with wings, from the left-hand margin of the folio., Chroniques, Vol. IV, part 1 (the 'Harley Froissart')

Anne of Bavaria (b. 1648, d. 1723): her sale, Pierre Gaudouin, Paris, November 1724, lot 44; bought by James Woodman, London bookseller (see Kren and McKendrick 2003). The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl

• Detail of a marginal painting of a female pig on stilts, wearing a conical hat, from the left-hand margin of the folio., Chroniques, Vol. IV, part 1 (the 'Harley Froissart')

Anne of Bavaria (b. 1648, d. 1723): her sale, Pierre Gaudouin, Paris, November 1724, lot 44; bought by James Woodman, London bookseller (see Kren and McKendrick 2003). The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl

• Detail of a miniature of tents and mounted knights., Chroniques, Vol. IV, part 1 (the 'Harley Froissart')

Anne of Bavaria (b. 1648, d. 1723): her sale, Pierre Gaudouin, Paris, November 1724, lot 44; bought by James Woodman, London bookseller (see Kren and McKendrick 2003). The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl