• Lower part ot the full white vine border, two putti holding escutcheons with the heraldic arms of Pirckheimer, at the beginning of Jacobus Angelus de Scarperia's Plutarchi Vita Cesaris., Plutarchi Vita Cesaris

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: ‘XIII.2.26’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Part ot the full white vine border, with birds and a rabbit, at the beginning of Jacobus Angelus de Scarperia's Plutarchi Vita Cesaris., Plutarchi Vita Cesaris

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: ‘XIII.2.26’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Decorated initial 'M'(ulta), at the beginning of Johannes de Giglis's Libellus de Canonizatione sanctorum., Libellus de Canonizatione sanctorum

1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: 'XIII.7.37', f. ii).Purchased by the British Museum from the Royal Society of London together with

• Lower part of a full foliate border with John Morton's arms, at the beginning of Johannes de Giglis's Libellus de Canonizatione sanctorum., Libellus de Canonizatione sanctorum

1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: 'XIII.7.37', f. ii).Purchased by the British Museum from the Royal Society of London together with

• Decorated initial 'D'(icto), at the beginning of the second part of Johannes de Giglis's Libellus de Canonizatione sanctorum., Libellus de Canonizatione sanctorum

1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: 'XIII.7.37', f. ii).Purchased by the British Museum from the Royal Society of London together with

• Lower part of a full foliate border with a rebus of a bird perching on a tun inscribed 'MOK' (sic), at the beginning of the second part of Johannes de Giglis's Libellus de Canonizatione sanctorum., Libellus de Canonizatione sanctorum

1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: 'XIII.7.37', f. ii).Purchased by the British Museum from the Royal Society of London together with

• Decorated initial 'Q'(uatuor) containing the letters 'ihc', at the beginning of Pseudo-Seneca's Tractatus de quatuor virtutibus., Tractatus de quatuor virtutibus, and other grammatical texts

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Heraldic arms in the lower margin, at the beginning of Pseudo-Seneca's Tractatus de quatuor virtutibus., Tractatus de quatuor virtutibus, and other grammatical texts

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Woman holding heraldic arms in the lower margin, with the date '1517'., Translations into German of classical and other texts, dedicated to Johann von Schwarzenberg

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Explicit ot Pseudo-Seneca's Tractatus de quatuor virtutibus., Tractatus de quatuor virtutibus, and other grammatical texts

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Flourished initials, at the beginning of the Tabula theologie., Tabula theologie

in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3; with its book-plate, inside upper cover).Purchased by the British Museum from the Royal Society of London together with 549 other

• Puzzle initial and flourished initial, at the beginning of the Tabula theologie., Tabula theologie

in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3; with its book-plate, inside upper cover).Purchased by the British Museum from the Royal Society of London together with 549 other

• Diagram and coloured drawing of Tables of Consanguinity and Affinity with a king and a queen, added at the end of the Tabula theologie., Tabula theologie

in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3; with its book-plate, inside upper cover).Purchased by the British Museum from the Royal Society of London together with 549 other

• Coloured drawing of Tables of Consanguinity and Affinity with a king and a queen, added at the end of the Tabula theologie., Tabula theologie

in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3; with its book-plate, inside upper cover).Purchased by the British Museum from the Royal Society of London together with 549 other

• Detail of a white vine initial 'S'(epenumero) and three-sided border, with white vine, putti, birds, butterflies, rabbits and portrait bust miniatures, at the beginning of De re rustica., De re rustica

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 2v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Detail of the lower part of a three-sided border, with white vine, putti, birds, butterflies, rabbits and portrait bust miniatures, at the beginning of De re rustica., De re rustica

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 2v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Detail of the title, encircled by a wreath and held by two putti., De re rustica

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 2v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Decorated initial 'X' with an abbreviated form of Christ's name, 'Xpi' at the beginning of Matthew 1.18., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• A frame with five roundels and interlace panels (probably intended for a 'Christ in Majesty' miniature)., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Calendar with manumissions written on the outer edge of the page., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,