• null, Book of Hours, Use of Rome (the 'Hours of Bonaparte Ghislieri', formerly known as 'The Albani Hours')

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire

• null, Book of Hours, Use of Rome (the 'Hours of Bonaparte Ghislieri', formerly known as 'The Albani Hours')

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire

• null, Book of Hours, Use of Rome (the 'Hours of Bonaparte Ghislieri', formerly known as 'The Albani Hours')

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire

• null, Book of Hours, Use of Rome (the 'Hours of Bonaparte Ghislieri', formerly known as 'The Albani Hours')

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire

• null, Book of Hours, Use of Rome (the 'Hours of Bonaparte Ghislieri', formerly known as 'The Albani Hours')

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire

• Full-page border and section of border pasted at its centre in colours and gold with a bar of burnished gold decorated with leaves, floral forms, and bezants., Cuttings from a manuscript of Innocent VIII

and Stockholm, Nationalmuseum, NMB. 1801 (de Marchi, no. 29a).From unidentified manuscripts: Add. 21412, ff. 45-65, Add. 60630, ff. 13-18, 39-42; London, Ford Collection, RF12 (see ~The Sixtieth Volume of the Walpole Society, 1998: the Ford Collection~, 2 vols, (Leeds: The

• A full-page border in colours and gold, with the text removed, of trompe l'oeil flowers, fruit, jewels and cameos, naturalistic birds, hybrid creatues, and three medallions containing the inscriptions 'In / Domino / Confi / do', 'Spes mea Deus' above three violas, and the bishoply arms of Francisco de Mendoza Bobadilla., Cutting from a liturgical manuscript, probably a Missal, of Francisco de Mendoza Bobadilla (index Bovadilla)

Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers.Other cuttings possibly from the same Missal are London, Sotheby's, 2 December 1997, lot 83 (former Mr Neil F. Philips, Q. C., Collection); and Vatican City, Biblioteca Apostolica

• All' antica border, including roundels with heraldic devices, cameos and the coat of arms of Aragon., De evangelica praeparatione

of humanist Alamanno Rinuccini, see de la Mare 1984, pp. 262-63; de la Mare 1985.Vertical catch words.The Master of the London Pliny was active in Venice and Naples from 1472 to 1483 (see Bollati 2004). He derives his name from

• Detail of border with the device of three maces., De evangelica praeparatione

of humanist Alamanno Rinuccini, see de la Mare 1984, pp. 262-63; de la Mare 1985.Vertical catch words.The Master of the London Pliny was active in Venice and Naples from 1472 to 1483 (see Bollati 2004). He derives his name from

• Detail of border with device of 'Solomon's knot' supported by an eagle., De evangelica praeparatione

of humanist Alamanno Rinuccini, see de la Mare 1984, pp. 262-63; de la Mare 1985.Vertical catch words.The Master of the London Pliny was active in Venice and Naples from 1472 to 1483 (see Bollati 2004). He derives his name from

• Detail of faceted initial 'N'(unc)., De evangelica praeparatione

of humanist Alamanno Rinuccini, see de la Mare 1984, pp. 262-63; de la Mare 1985.Vertical catch words.The Master of the London Pliny was active in Venice and Naples from 1472 to 1483 (see Bollati 2004). He derives his name from

• Detail of faceted initial 'N'(unc) with Hercules and serpents., De evangelica praeparatione

of humanist Alamanno Rinuccini, see de la Mare 1984, pp. 262-63; de la Mare 1985.Vertical catch words.The Master of the London Pliny was active in Venice and Naples from 1472 to 1483 (see Bollati 2004). He derives his name from

• Detail of the colophon with the motto of the 'Omnium rerum' scribe: 'Omnium rerum vicissitudo est'., De evangelica praeparatione

of humanist Alamanno Rinuccini, see de la Mare 1984, pp. 262-63; de la Mare 1985.Vertical catch words.The Master of the London Pliny was active in Venice and Naples from 1472 to 1483 (see Bollati 2004). He derives his name from

• Miniature of the achievements of arms of the first knights of the Order of the Golden Fleece., Statuts de l'Ordre de la Toison d'Or (index Statutes and Armorial of the Order of the Golden Fleece)

held from 1429 to 6 May 1481. The miniatures have been attributed to the circle of the Master of the London Wavrin (see Kren and McKendrick, 2003). Harley 6199 is the first manuscript to contain full-length portraits of the patrons

• Miniature of Charles the Bold., Statuts de l'Ordre de la Toison d'Or (index Statutes and Armorial of the Order of the Golden Fleece)

held from 1429 to 6 May 1481. The miniatures have been attributed to the circle of the Master of the London Wavrin (see Kren and McKendrick, 2003). Harley 6199 is the first manuscript to contain full-length portraits of the patrons

• Detail of a miniature of Charles the Bold., Statuts de l'Ordre de la Toison d'Or (index Statutes and Armorial of the Order of the Golden Fleece)

held from 1429 to 6 May 1481. The miniatures have been attributed to the circle of the Master of the London Wavrin (see Kren and McKendrick, 2003). Harley 6199 is the first manuscript to contain full-length portraits of the patrons

• Detail of a miniature of Maximilian, Archduke of Austria., Statuts de l'Ordre de la Toison d'Or (index Statutes and Armorial of the Order of the Golden Fleece)

held from 1429 to 6 May 1481. The miniatures have been attributed to the circle of the Master of the London Wavrin (see Kren and McKendrick, 2003). Harley 6199 is the first manuscript to contain full-length portraits of the patrons

• Calendar page for January, with a miniature of John the Evangelist holding a chalice with a serpent., Book of Hours, Use of Rome (the 'Hours of Bonaparte Ghislieri', formerly known as 'The Albani Hours')

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire

• Calendar page for February, with a miniature of Peter Martyr (Peter Verona)., Book of Hours, Use of Rome (the 'Hours of Bonaparte Ghislieri', formerly known as 'The Albani Hours')

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire

• Calendar page for March, with a miniature of a young male saint., Book of Hours, Use of Rome (the 'Hours of Bonaparte Ghislieri', formerly known as 'The Albani Hours')

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire