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is written on paper. This section of the manuscript is not illuminated.Ruled in ink.The same artist painted the miniatues in London Lambeth Palace 265, dated by its scribe to 1477 (according to Scot, 1996, no. 125). 4 half-page miniatures in
is written on paper. This section of the manuscript is not illuminated.Ruled in ink.The same artist painted the miniatues in London Lambeth Palace 265, dated by its scribe to 1477 (according to Scot, 1996, no. 125). 4 half-page miniatures in
is written on paper. This section of the manuscript is not illuminated.Ruled in ink.The same artist painted the miniatues in London Lambeth Palace 265, dated by its scribe to 1477 (according to Scot, 1996, no. 125). 4 half-page miniatures in
is written on paper. This section of the manuscript is not illuminated.Ruled in ink.The same artist painted the miniatues in London Lambeth Palace 265, dated by its scribe to 1477 (according to Scot, 1996, no. 125). 4 half-page miniatures in
is written on paper. This section of the manuscript is not illuminated.Ruled in ink.The same artist painted the miniatues in London Lambeth Palace 265, dated by its scribe to 1477 (according to Scot, 1996, no. 125). 4 half-page miniatures in
their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Decorated initial John Multon John Multon John Lydgate London England, S. E. (London)
contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Added marginal annotation John Multon John Multon John Lydgate London England, S. E. (London)
is written on paper. This section of the manuscript is not illuminated.Ruled in ink.The same artist painted the miniatues in London Lambeth Palace 265, dated by its scribe to 1477 (according to Scot, 1996, no. 125). 4 half-page miniatures in
is written on paper. This section of the manuscript is not illuminated.Ruled in ink.The same artist painted the miniatues in London Lambeth Palace 265, dated by its scribe to 1477 (according to Scot, 1996, no. 125). 4 half-page miniatures in
Add. 60630, ff. 8, 33-38; Cambridge, University Library, Ms Add. 4165 (15); Geneva, Bibliothèque de Genève, Comites Latentes, MS. 109; London, Sotheby's, 15 June 1959, lot 120, 21 June 1988, lots 36-37, 21 and 22 June 1993, lots 46 and
held from 1429 to 6 May 1481. The miniatures have been attributed to the circle of the Master of the London Wavrin (see Kren and McKendrick, 2003). Harley 6199 is the first manuscript to contain full-length portraits of the patrons
held from 1429 to 6 May 1481. The miniatures have been attributed to the circle of the Master of the London Wavrin (see Kren and McKendrick, 2003). Harley 6199 is the first manuscript to contain full-length portraits of the patrons
held from 1429 to 6 May 1481. The miniatures have been attributed to the circle of the Master of the London Wavrin (see Kren and McKendrick, 2003). Harley 6199 is the first manuscript to contain full-length portraits of the patrons
held from 1429 to 6 May 1481. The miniatures have been attributed to the circle of the Master of the London Wavrin (see Kren and McKendrick, 2003). Harley 6199 is the first manuscript to contain full-length portraits of the patrons
held from 1429 to 6 May 1481. The miniatures have been attributed to the circle of the Master of the London Wavrin (see Kren and McKendrick, 2003). Harley 6199 is the first manuscript to contain full-length portraits of the patrons
held from 1429 to 6 May 1481. The miniatures have been attributed to the circle of the Master of the London Wavrin (see Kren and McKendrick, 2003). Harley 6199 is the first manuscript to contain full-length portraits of the patrons
held from 1429 to 6 May 1481. The miniatures have been attributed to the circle of the Master of the London Wavrin (see Kren and McKendrick, 2003). Harley 6199 is the first manuscript to contain full-length portraits of the patrons
held from 1429 to 6 May 1481. The miniatures have been attributed to the circle of the Master of the London Wavrin (see Kren and McKendrick, 2003). Harley 6199 is the first manuscript to contain full-length portraits of the patrons
held from 1429 to 6 May 1481. The miniatures have been attributed to the circle of the Master of the London Wavrin (see Kren and McKendrick, 2003). Harley 6199 is the first manuscript to contain full-length portraits of the patrons
held from 1429 to 6 May 1481. The miniatures have been attributed to the circle of the Master of the London Wavrin (see Kren and McKendrick, 2003). Harley 6199 is the first manuscript to contain full-length portraits of the patrons