• Opening page of the text of the Tabula Cebetis, with decorated borders and initials., Tabula Cebetis, De mortis effectibus and other poems

and politician.Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v).Purchased by the British Museum

• Decorated initial 'E'(st)., Tabula Cebetis, De mortis effectibus and other poems

and politician.Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v).Purchased by the British Museum

• Miniature with a dead landscape., Tabula Cebetis, De mortis effectibus and other poems

and politician.Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v).Purchased by the British Museum

• Miniature of the Seat of Virtue, with a personification of Virtue in a garden with Aeternitas, Gloria, Studius, and Mars., Tabula Cebetis, De mortis effectibus and other poems

and politician.Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v).Purchased by the British Museum

• Historiated initial 'C' of a saint (upper left)., Cuttings from a liturgical manuscript

1856. /Lots 1002, 1005, 1006, 1008, 1009./' and '150 specimens F. M. ' (on mounted leaf in box 1).William Boone, London bookseller trading 1815-1870: purchased by him for £33 12s on the 8th day of the Roger's, according to an

• Historiated initial 'C' of a saint (upper right)., Cuttings from a liturgical manuscript

1856. /Lots 1002, 1005, 1006, 1008, 1009./' and '150 specimens F. M. ' (on mounted leaf in box 1).William Boone, London bookseller trading 1815-1870: purchased by him for £33 12s on the 8th day of the Roger's, according to an

• Historiated initial 'D' of a saint (left centre)., Cuttings from a liturgical manuscript

1856. /Lots 1002, 1005, 1006, 1008, 1009./' and '150 specimens F. M. ' (on mounted leaf in box 1).William Boone, London bookseller trading 1815-1870: purchased by him for £33 12s on the 8th day of the Roger's, according to an

• Historiated initial 'D' of a saint (right centre)., Cuttings from a liturgical manuscript

1856. /Lots 1002, 1005, 1006, 1008, 1009./' and '150 specimens F. M. ' (on mounted leaf in box 1).William Boone, London bookseller trading 1815-1870: purchased by him for £33 12s on the 8th day of the Roger's, according to an

• Illuminated initial with pen-flourished decoration., Fragment from a Missal, on parchment

unpublished notes): other fragments from the same manuscript can be found in Add. 62104, Oxford, Bodleian Library, Lat. Liturg. e.38; London, Westminster Abbey, 36/17-19, and two flyleaves in Lincoln, Cathedral, V.5.11 (see Rankin 1984, Ker and Watson 1987, Gameson 1996).

• Coloured initial 'U' with penwork decoration., Fragment from and Canon law (?) text, on paper

unpublished notes): other fragments from the same manuscript can be found in Add. 62104, Oxford, Bodleian Library, Lat. Liturg. e.38; London, Westminster Abbey, 36/17-19, and two flyleaves in Lincoln, Cathedral, V.5.11 (see Rankin 1984, Ker and Watson 1987, Gameson 1996).

• Puzzle initial with penwork decoration, at the beginning of book 10 of Vergil's Aeneid., Aeneid, and others

and politician.Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 2; its book-plate with the

• A dismembered montage of a section of foliate and historiated border with zoomorphic figures, trompe l'oeil gems and a roundel containing a seated female personification of Roma (Rome) facing left in profile, holding a winged victory in her right hand and a sword in her left with at her feet piled trophies of arms and shields (f. 10b; 245 x 60 mm; at centre of image) and two sections of foliate border with anthropomorphic grotesques (f. 10a, 245 x 60 mm; f. 10c, 240 x 60 mm). On the reverse of f. 10b are remnants of a foliate, historiated border with two simulated cameos., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

51-88; Present location unknown: London, Sotheby's, 21 June 1988, lot 38, ex-Curtis Baer Collection (see Alexander, 2002, p. 238), and a cutting reproduced in Henry Shaw, ~The Decorative Arts Ecclesiastical and Civil of the Middle Ages~ (London: William Pickering, 1851),

• A dismembered montage of a section of foliate border with the arms of Cardinal Antoniotto Pallavacini: chequy of three points or and azure, and a chief or an estacade sable, two cameos of male busts in profile flanked by the iitials 'M. C.' and 'T. A.', foliage and urns in monochrome (f. 6b; 80 x 155 mm), and two cuttings in gold inscribed in capitals 'Anton. Pallavicinus Genuensis Cardin. S. Praxedis' (f. 6a; 75 x 15 mm) and 'Creat. Ab Innoc. VIII An Domini MCCCCLXXXIX' (f. 6c, 80 x 15 mm)., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

51-88; Present location unknown: London, Sotheby's, 21 June 1988, lot 38, ex-Curtis Baer Collection (see Alexander, 2002, p. 238), and a cutting reproduced in Henry Shaw, ~The Decorative Arts Ecclesiastical and Civil of the Middle Ages~ (London: William Pickering, 1851),

• A dismembered montage of a historiated initial 'T' of Christ supported in the Tomb as Man of Sorrows (f. 9e; 105 x 85 mm), sections of foliate and historiated border with the arms of Cardinal Antoniotto Pallavacini: chequy of three points or and azure, and a chief or an estacade sable (f. 9a; 250 x 60 mm) and God in roundels (f. 9b; 30 x 85 mm), foliage (f. 9d, 60 x 85 mm; 9f, 70 x 90 mm) and anthropomorphic figures (f. 9c; 255 x 55 mm) and cuttings in gold (f. 9g, 5 x 55 mm; f. 9-h, 5 x 90 mm)., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

51-88; Present location unknown: London, Sotheby's, 21 June 1988, lot 38, ex-Curtis Baer Collection (see Alexander, 2002, p. 238), and a cutting reproduced in Henry Shaw, ~The Decorative Arts Ecclesiastical and Civil of the Middle Ages~ (London: William Pickering, 1851),

• An engraved historiated full-page border of medallions containing the four Evangelists and scenes from the life of the Virgin and the life and Passion of Christ: (anti-clockwise from top left) of the Annunciation, Luke, the Nativity, the Flight into Egypt, Christ's Dispute with the Doctors, the Baptism of Christ, John, the Feeding of the Five Thousand, the Last Supper, Matthew, the Agony in the Garden, Christ before Caiaphas, Christ before Pontius Pilate, the Crucifixion, Mark, and the Resurrection., Cuttings from a printed Missal, containing text from the Masses for the feasts of Pentecost and Augustus

1856. /Lots 1002, 1005, 1006, 1008, 1009./' and '150 specimens F. M. ' (on mounted leaf in box 1).William Boone, London bookseller trading 1815-1870: purchased by him for £33 12s on the 8th day of the sale, 8 May 1856,

• An engraved historiated full-page border of medallions containing the four Evangelists and scenes from the life of the Virgin and the life and Passion of Christ: (anti-clockwise from top left) of the Annunciation, Luke, the Nativity, the Flight into Egypt, Christ's Dispute with the Doctors, the Baptism of Christ, Matthew, the Feeding of the Five Thousand, the Last Supper, John, the Agony in the Garden, Christ before Caiaphas, Christ before Pontius Pilate, the Crucifixion, Mark, and the Resurrection., Cuttings from a printed Missal, containing text from the Masses for the feasts of Pentecost and Augustus

1856. /Lots 1002, 1005, 1006, 1008, 1009./' and '150 specimens F. M. ' (on mounted leaf in box 1).William Boone, London bookseller trading 1815-1870: purchased by him for £33 12s on the 8th day of the sale, 8 May 1856,

• A dismembered montage of a historiated border, with the text removed, of gold cartouche frames with four scenes in gold monochrome, two inscibed 'Protecta Vestae sussitatis mortuis' (centre left) and 'Johannes destruit templum Dian[a]e' (centre right), garlands of flowers and fruit, lions' heads, naturalistic birds, cherubs and angels, and four medallions inscribed (clockwise from left): 'Qui / timet / deum faci / et bona', 'qui / conti /nens est iu / stiae appre / hendit / illam', 'quasi / mater / honori / fica ta', and 'et / ?ob /?stabit / il / le' (f. 81a; 335 x 245 mm); a cartouche, with the centre removed, of two old men trampling on dragons and plaques inscribed 'Super aspidem ei pasi / lis cum ambulabis' and 'et conculcabis le / onem et draconem' (f. 81c; 45 x 160 mm); a centre for the cartouche inscribed 'Apollonius de Bonfratellis / de Capranica / Capellae et Sacrestiae Apostolicae Miniator / Fecit Anno Domini MDLXIV / Sedente Pio IV Pontif Opt. Max. / de Medicis Mediolanense', with off-setting of rubric and text from the verso of the cartouche (f. 81d; 45 x 170 mm); 1 section of architectural border (f. 81b; 10 x 245 mm); and two strips of scrolls (ff. 81e and f; 50 x 100 mm each). On the reverse of f. 82a are five lines of partial text from the Kyrie Eleison: 'e eleison / e eleison / ste eleison / ste eleison / ste eleison'., Cuttings from service books of Pius IV

all the cuttings order Add. 21412, Old Covers.Musical notation (f. 90a verso).Other cuttings from service books of Pius IV include London, Sotheby's 26 Jan 1959, lot 47; part of Philadelphia, Rosenbach Museum and Library, 54.662 (see Roger S. Wieck, 'Papal

• verso of dismembered montage of a historiated border. On the reverse of f. 82a are five lines of partial text from the Kyrie Eleison: 'e eleison / e eleison / ste eleison / ste eleison / ste eleison'., Cuttings from service books of Pius IV

all the cuttings order Add. 21412, Old Covers.Musical notation (f. 90a verso).Other cuttings from service books of Pius IV include London, Sotheby's 26 Jan 1959, lot 47; part of Philadelphia, Rosenbach Museum and Library, 54.662 (see Roger S. Wieck, 'Papal

• Historiated full-page border with the text excised, of the arms (flanked by two hybrid creatures) of Cardinal Giulio de' Medici, the Medici device of a diamond ring with three feathers and motto 'Semper', a half-length figure of Peter in a roundel, a cameo of the Flagellation of Christ, flowers, strawberries, birds, pearls, snail shells, and medallions inscribed in capital letters 'Christus Deus Omniptens' and 'Deus in nomine tuo salvus me fac' on a gold-flecked black background. Historiated initial 'T' of the Elevation of the Host before an altar table with an image of Anthony Abbot, introducing the ~Te igitur~ of the Canon of the Mass. A cartouche inscribed 'Julius de Medicis, Cardin. Electus Sum. Pontif. (Clemens VII.) Anno Dom. MDXXIII'., Cuttings from a Missal of Cardinal Giulio de' Medici

To see these cuttings in the Manuscripts Reading Room order Add. 35254H-O.Other leaves and cuttings from the same Missal are London, Victoria and Albert Museum, E. 4579-1910 and Philadelphia, Free Library, Lewis E M 46:13. 1 historiated full-page border in