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- 1304 – 1309 (33)
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British Library Catalogue of Illuminated Manuscripts
Initial-word panel ~Shir~ (song) with Gothic architectural structure inhabited by a unicorn and a bear, in colours. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite Mahzor (Add 22413) and the Gradual of
Initial-word panel ~Divrei~ (words) at the beginning of Ecclesiastes. The initial word is surrounded by small medallions inhabited by animals and embedded into a Gothic architectural structure with King David playing harp in the middle flanked by a lion
Initial-word panel ~Wa-yehi~ (and it came to pass) embedded into a Gothic structure inhabited by dragons and different kinds of animals, at the beginning of Esther. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to
Initial-word panel ~Koh~ (so) incorporated into a Gothic architectural structure inhabited by two armed hybrids and two unicorns, at the beginning of the ~Haftarot~. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite
Decorated initial word, at the beginning of Joshua. The older flyleaves have a watermark of a coat of arms with a man in the moon, not found in Briquet (C. M. Briquet, Les Filigranes: Dictionnaire historique des marques du
~Carmina figurata~ of a fleur-de-lis, at Ezekiel. The older flyleaves have a watermark of a coat of arms with a man in the moon, not found in Briquet (C. M. Briquet, Les Filigranes: Dictionnaire historique des marques du papier
Micrography, at the beginning of Isaiah. The older flyleaves have a watermark of a coat of arms with a man in the moon, not found in Briquet (C. M. Briquet, Les Filigranes: Dictionnaire historique des marques du papier dès
Micrography, ~carmina figurata~, the colophon of the scribe, and a censor's signature. The older flyleaves have a watermark of a coat of arms with a man in the moon, not found in Briquet (C. M. Briquet, Les Filigranes: Dictionnaire
Full border of geometric design at the Song of the Sea (Ex. 15). f. 1 is cut off most part. Folios 1 and 4 are later additions.Hebrew foliation from f. 5, starting with 2 until the end of the
Full-page panel inhabited by hybrids and dragons, and four knights holding banners with the symbols of the four tribes camped around the Tabernacle (Judah, Reuben, Ephraim, Dan), and with the initial-word panel ~Wa-yedabber~ (and [the Lord] spoke) in its
Initial-word panel ~Divrei~ (words) at the beginning of Ecclesiastes. The initial word is surrounded by small medallions inhabited by animals and embedded into a Gothic architectural structure with King David playing harp in the middle flanked by a lion
Detail of a full-page panel: initial-word panel ~Wa-yehi~ (and it came to pass) inhabited by hybrids, a lion and a deer, at the beginning of Ruth. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to
Detail of a page: initial-word panel ~Shir~ (song) inhabited by a bear and a unicorn, at the beginning of Song of Songs. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite Mahzor (Add
Detail of a page: initial-word panel ~Divrei~ (words) with King David playing harp in the middle flanked by a lion and a stag, at the beginning of Ecclesiastes. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related
Detail of a page: initial-word panel ~Wa-yehi~ (and it came to pass) embedded into a Gothic structure inhabited by dragons and different kinds of animals, at the beginning of Esther. Ruling and pricking are sometimes visible. Gilt edges.The manuscript
Detail of a page: initial-word panel ~Koh~ (so) incorporated into a Gothic architectural structure inhabited by two armed hybrids and two unicorns, at the beginning of the ~Haftarot~. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related
Marginal micrographic design of foliate scroll. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite Mahzor (Add 22413) and the Gradual of Saint Katharinental (Zürich, Schweizerisches Landesmuseum, Frauenfeld, LM 26117). 5 full-page miniatures
Detail: micrography of the ram stuck in the bush in the outer margin, at the Sacrifice of Isaac (Genesis 22). Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite Mahzor (Add 22413) and
Detail of an initial-word panel with King David playing harp in the middle flanked by a lion and a stag. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite Mahzor (Add 22413) and
Arcades framing ~masoretic~ lists. Watermark, of a lamb holding a cross (f. [ii]) and initials of JW (f. [425]), of James Whatman II, paper maker (1764-1793). Gilt edges.Foliation is written on the verso side of the leaves. Hebrew foliation